Inside the Rainbow: how Soviet Russia tried to reinvent fairytales

Marina Lewycka:

REDS ARE RUINING CHILDREN OF RUSSIA” raged a New York Times headline in June 1919. Lenin and the Bolsheviks had seized control of Russia’s provisional government two years previously, to the consternation of the US, and now stories were circulating about the changes wrought by the Soviet power, including a new education policy.
The newspaper revealed the instigator of this “system of calculated moral depravity” as Anatoly Lunacharsky, first head of the Soviet People’s Commissariat for Enlightenment, a department known as Narkompros (after the second world war, it became the more prosaic Ministry of Education).
According to the article, in the new “Red” Russia, religious instruction “is strictly forbidden”, “lessons are supplanted by dancing and flirtations”, and, lest you should think that sounded fun, the journalist warned, “It is a deliberate part of the Bolshevist plan to corrupt and deprave the children … and to train them as future propagandists of Lenin’s materialistic and criminal doctrine.”
The reality is more complex, as illuminated in a book to be published next month by London’s Redstone Press. Inside the Rainbow is a fascinating collection of Soviet literature for children, featuring stories, picture book illustrations and rhymes published between 1920 and 1935 – an exhilarating and dangerous time. The early days of Bolshevik rule, before Lenin’s death in 1924, while often chaotic, hungry and cruel, were also marked by great optimism and idealism. A new society was to be built from scratch. How to mould and inspire human beings fit for this wonderful new world was a challenge for artists and educators alike. Avant-garde writers, artists, cinematographers and musicians, many of them commissar Lunacharsky’s friends, were eager to be part of the great experiment.