A “Classic Education” boom?

Levin Mahnken:

Diana Smith stands at the head of a cluttered classroom at Washington Latin Public Charter School. The lights are dimmed, and projected on the wall behind is one of the most famous images in European art, Raphael’s The School of Athens, which acts as the anchor for today’s lesson in art, history and philosophy.

On a handheld whiteboard, Smith jots a word that perhaps one in 10,000 adults could define: “Aetiology,” the study of causes and origins. Not contenting herself with one stumper, she quickly adds more SAT material below it, this time written in Greek letters: “Logos.” Coaxing the kids to recite them with her, she wonders aloud what they could mean. 

If the prompt is a bit advanced for 10-year-olds, no one seems fazed. In fact, through the rest of the 80-minute period, Smith’s students gamely follow along as she traipses through more of the antiquarian lexicon, sometimes gesturing toward the image of an early modern masterpiece that decorated the walls of the Vatican for over 500 years. The tutorial, part of the school’s foundational coursework for young pupils, is a concentrated dose of a pedagogy that Smith has spent much of her career refining.