Camp trains students in classical theater acting

Pamela Cotant

A group of high school thespians sharpened their skills this summer at a camp where they worked with professional actors by day and then watched them perform at American Players Theatre at night.

The 27 students ages 13 to 17 attended Acting for Classical Theatre, an American Players Theatre residential camp. The annual six-day camp was based at Bethel Horizons Camp and Retreat Center in Dodgeville where the campers received their training and lodging.

On four nights, they traveled to the nearby American Players Theatre in Spring Green to watch Shakespearean plays. On another night, they received a backstage tour. When they got back to camp, they played theater games -- despite the late hour.

On the last day, parents and American Players Theatre employees were invited to watch the youth perform a shortened, 60-minute version of Hamlet on the American Players Theatre stage.

Monona Grove Liberal Arts Charter School for the 21st Century Receives $175,000 via a Wisconsin DPI Tax Dollar Grant

Wisconsin DPI Press Release, via a Phil McDade email. Clusty Search: Monona Grove Liberal Arts Charter School for the 21st Century and Google Search. Best wishes!

Does Milwaukee need another art school?

Patti Wenzel:

There are numerous schools in Milwaukee where you can receive an art-centric education. Milwaukee Institute of Art and Design, Marquette University, UWM, Mt. Mary College, and Milwaukee Area Technical College are some schools that offer creative degrees in the area.

So do we need another school offering degrees in fields like Advertising, Film making, Graphic Design, Culinary Arts, Fashion Marketing, Interior Design, Media Arts and Animation and Interactive Media?

"Yes, because this is a great market," Art Institute of Milwaukee President Bill Johnson said. "We feel there is a need for more educational opportunities here. We will fill a different niche than MIAD; we'll be complementary and provide a valuable education."
AI-Milwaukee (one of 48 Art Institutes across the nation) will enroll its first students in October at a 35,000 sq. ft. campus on Buffalo Street in the Third Ward. It will offer baccalaureate degrees in the aforementioned disciplines, along with an associate degree in Graphic Design. Johnson said degrees are designed to attract students with an "art bent" and prepare them for entry-level jobs in their selected fields.

School Spotlight: DeForest Musical Theater program hits a home run with kids

Pamela Cotant:

While some kids played baseball this summer, some put on a musical based on the history of the sport.

In fact, participation in the Village of DeForest Parks and Recreation Department Musical Theater doubled this summer when 25 children ages 7 to 11 signed up. Normally, the program draws about a dozen participants.

"Each year is more fun than the last," said 10-year-old Chloe Janisch, who is entering fifth grade at DeForest Area Middle School and returned to the theater program for her fourth year. "It is a very fun atmosphere."

Pam Smith, who teaches music at Yahara and Morrisonville elementary schools, proposed the idea to the parks and recreation department more than five years ago. Each year she has participants put on a musical with a different theme.

"The Inside Pitch," a musical composed by Michael and Jill Gallina, was performed this year.

Minn. high school graduate inspired to paint

The Associated Press:

Inspired by the realist style of Edward Hopper, recent Century High School graduate Ali Sifuentes snapped a few nighttime photographs of Silver Lake Foods on north Broadway hoping to recreate the scene in an oil painting.

"I've been by there many times and after studying the building I thought I'd try to recreate the cinematic contrast between light and dark colors," Sifuentes said. "The building has a fantasy sort of feel and it seemed ideal for this style of painting."

Sifuentes believes Hopper, a well-known American artist that often focused on urban and rural scenes depicting modern American life, was sending a message about himself and people of his time.

"I'm basically trying to do the same thing, only I'm showing what the present looks like," Sifuentes said.

Tribute to High School Musicals

Marshall Heyman:

There are jimmies and Jimmy Choos, and as of last year, Jimmy Awards. Monday night, the National High School Musical Theater Awards hosted its second annual Jimmy Awards at the Marquis Theatre. Don't let your mind take you anywhere funny: The Jimmy (which is trademarked, by the way) is named after producer James M. Nederlander.

After five coaching and master classes at NYU's Tisch, 44 competitors, representing 22 regional award programs, competed for The Jimmy. Monday night they each performed brief vocal selections as the character that won them their regional awards.

"It's more Miss America than 'American Idol'," said Nick Scandalios, Executive Vice President of The Nederlander Organization, who was one of the judges. "The public isn't voting."

The Political Assault on Art Education

Michelle Marder Kamhi:

A few years ago a "contemporary artist" named Judi Werthein made headlines when she distributed specially designed and equipped sneakers to Mexicans waiting to cross the U. S. border. She called her piece "Brinco," from the Spanish word for "jump." Sneakers are also apt here. Ms. Werthein's shoes--equipped with a compass, map, flashlight, and medication--were intended to assist people engaging in illegal immigration.

Dipti Desai, who directs the art education program at New York University's Steinhardt School, thinks that "Brinco" should be studied in America's art classrooms. At the National Art Education Association (NAEA) convention in April, she praised contemporary artists who use "a wide range of practices" to criticize U. S. immigration policy. If like-minded NAEA members can persuade Congress, your children may soon be studying works like "Brinco" in school.

School hopes to restore music in Afghanistan

Jerry Harmer:

From the outside, it looks like any other school in Kabul. A red two-story building is sealed off from the street by a high wall. A few trees stand in the front yard. Children constantly go in and out.

But listen carefully. When the noise of the traffic dies down, you can hear the gentle sounds of violins being played and the patter of drums. In this city where music was illegal less than a decade ago, a new generation of children is being raised to understand its joys.

"This school is unique in Afghanistan," said Muhammad Aziz, a 19-year-old student who dreams of becoming one of the world's greatest players of the tabla, a South Asian drum. "It's the only professional music school and there are so many good teachers here."

The new National Institute of Music has been offering some courses for the past several months, but the formal opening will be later in May.

It is Very Difficult to Reject Kids

Rajul Hegde:

Ace choreographer Saroj Khan, who has made almost all top Bollywood celebrities dance to her moves, is judging a reality show Chak Dhoom Dhoom on Colors which starts April 30.

She talks about her experience of judging the kids and her Broadway musical. Excerpts:

How was your judging experience in the audition rounds?

Superb! The kids are very talented, gifted and considering their age, really scary! All of them wanted to be different from each other and to be the best. Their spirit is admirable. It is very difficult to reject kids and see the sadness they go through, but we had to say 'No' to some. We will ensure that we do not break the hearts of these children.

You are known to be a very strict teacher. Are you going to be strict with the kids?

I am strict with the adults who claim to be good dancers and perform wrong steps and mudras. So I correct them. That is my duty and I will always do that. During Nach Baliye [ Images ] you must have seen how celebrity couples improvised and transformed into good dancers. Correction is very important and I don't care if someone doesn't like that. But with children, we have to very cautious and sensitive.

A Few Words on Teachers

I had the wonderful opportunity to attend the 2010 Wisconsin Solo & Ensemble Festival. It is a true delight to enjoy the results of student and teacher practice, dedication and perseverance.

I very much appreciate the extra effort provided by some teachers on behalf of our children.

I thought about those teachers today when I received an email from a reader asking why I continue to publish this site. This reader referred to ongoing school bureaucratic intransigence on reading, particularly in light of the poor results (Alan Borsuk raises the specter of a looming Wisconsin "reading war").

I'll respond briefly here.

Many years ago, I had a Vietnam Vet as my high school government teacher. This guy, took what was probably an easy A for many and turned it into a superb, challenging class. He drilled the constitution, Bill of Rights, Federalist Papers and the revolutionary climate into our brains.

Some more than others.

I don't have the ability to stop earmark, spending or lobbying excesses in Washington, nor at the State, or perhaps even local levels. I do have the opportunity to help, in a very small way, provide a communication system (blog, rss and enewsletter) for those interested in K-12 matters, including our $400M+ Madison School District. There is much to do and I am grateful for those parents, citizens, teachers and administrators who are trying very hard to provide a better education for our children.

It is always a treat to see professionals who go the extra mile. I am thankful for such wonderful, generous people. Saturday's WSMA event was a timely reminder of the many special people around our children.

What liberal arts are good for.

Rochelle Gurstein:

Why draw from the model? A number of years ago, my husband and I and some friends--all, except for me, artists who also teach at art schools here in New York--spent hours discussing this question, though without arriving at anything particularly convincing. A few of them recalled drawing from the model as undergraduates, but none had done so in graduate programs--these were the heady, experimental days of the early '70s, when all the action took place in the seminar room; in my husband's program, studios had been dispensed with altogether. When we turned our attention to the art world today, drawing and models seemed just as antiquated. Installation, photography, and video, more popular than ever, are mechanically derived. And though we could easily think of paintings with figures in them, all of them had been lifted from mass-media images; they had as little relation to drawing from the pose of a living person in the artist's studio as photography.

Yet, at art schools today, freshmen are required to draw from the model, sometimes six hours at a stretch, their labors then judged by teachers who have no use for, indeed, who disdain, the practice in their own work. We spent quite a while trying to account for this odd disjuncture. The best anyone could come up with is that studio drawing focuses the eye and hand; it is an intense discipline in seeing and then translating what one sees into material form. This, it seemed to me, was another way of saying that it was good for its own sake, even if it had no relation to making art these days. The conversation drifted to other subjects, but the next morning what had eluded us the night before now appeared so ridiculously obvious that I could not believe we had missed it: The reason the Academy required students to master the painstaking practice of drawing from the model was because, until very recently, the action of figures--gods, heroes, and mere mortals--was the prime subject, the central drama, the moving force, of all the greatest paintings.

Madison East High's theater doesn't do justice to school's rich performing arts tradition

Susan Troller:

When the curtain goes up at East High, the school's talented musicians, singers, dancers, actors and spoken-word artists have a well-deserved reputation for creating an enchanting world onstage. That's good, because East's real-life theater is one of the most awkward, uninspiring performance venues in the county, if not the state.

Consider the orange plastic bowling chairs, bolted to a concrete floor. These backbreakers may have been the height of utilitarian chic when East's original theater was remodeled in the early 1970s, but they're hardly conducive to long performances. In fact, after a two-hour play or a 90-minute concert, ardent fans have been heard quietly cursing the theater's discomfort even as they praise the quality of the performances.

Then there's the cramped, inadequate size of the theater, also a legacy of the remodeling that transformed the original, elegant Jazz Age theater with a 765-seat capacity into two study halls, one of which now doubles as the theater/auditorium.

Meaningful Academic Work

Will Fitzhugh
The Concord Review
22 March 2010

In Outliers [2008], Malcolm Gladwell writes [p. 149-159] that: "...three things--autonomy, complexity and a connection between effort and reward--are, most people agree, the three qualities that work has to have if it is to be satisfying...Work that fulfills these three criteria is meaningful." (emphasis in the original)

One of the perennial complaints of students in our schools is that they will never make use of what they are learning, and as for the work they are asked to do, they often say: "Why do we have to learn/do/put up with this?" In short, they often see the homework/schoolwork they are given to do as not very fulfilling or meaningful.

In this article I will argue that reading good history books and writing serious history research papers provide the sort of work which students do find meaningful, worth doing, and not as hard to imagine as having some future use.

In a June 3, 1990 column in The New York Times, Albert Shanker, President of the American Federation of Teachers, wrote:

"...It is also worth thinking about as we consider how to reform our education system. As we've known for a long time, factory workers who never saw the completed product and worked on only a small part of it soon became bored and demoralized, But when they were allowed to see the whole process--or better yet become involved in it--productivity and morale improved. Students are no different. When we chop up the work they do into little bits--history facts and vocabulary and grammar rules to be learned--it's no wonder that they are bored and disengaged. The achievement of The Concord Review's authors offers a different model of learning. Maybe it's time for us to take it seriously."

His point has value twenty years later. Even the current CCSSO National Standards recommend merely snippets of readings, called "informational texts," and "literacy skills" for our students, which, if that is all they get, will likely bore them and disengage them for the reasons that Mr. Shanker pointed out.

Students who read "little bits" of history books have nothing like the engagement and interest that comes from reading the whole book, just as students who "find the main idea" and write little "personal essays," or five-paragraph essays, or short "college" essays, will have nothing comparable to the satisfaction that comes from working on and completing a serious history research paper.

Barbara McClay, a homescholar from Tennessee, while she was in high school, wrote a paper on the "Winter War" between Finland and the Soviet Union. In an interview she was asked why she chose that topic:

"I've been interested in Finland for four years or so, and I had read a book (William Trotter's A Frozen Hell) that interested me greatly on the Winter War; after reading the book, I often asked people if they had ever heard of the Winter War. To my surprise, not only had few of them heard about it, but their whole impression of Finnish-Soviet relations was almost completely different from the one I had received from the book. So there was a sense of indignation alongside my interest in Finland in general and the Winter War in particular: here was this truly magnificent story, and no one cared about it. Or knew about it, at least.

"And it is a magnificent story, whether anyone cares about it or not; it's the stuff legends are made of, really, even down to the fact that Finland lost. And a sad one, too, both for Finland and for the Soviet soldiers destroyed by Soviet incompetence. And there's so much my paper couldn't even begin to go into; the whole political angle, for instance, which is very interesting, but not really what I wanted to write about. But the story as a whole, with all of its heroes and villains and absurdities--it's amazing. Even if it were as famous as Thermopylae, and not as relatively obscure an event as it is, it would still be worth writing about.

"So what interested me, really, was the drama, the pathos, the heroism, all from this little ignored country in Northern Europe. What keeps a country fighting against an enemy it has no hope of defeating? What makes us instantly feel a connection with it?"

Perhaps this will give a feeling for the degree of engagement a young student can find in reading a good nonfiction history book and writing a serious [8,500-word, plus endnotes and bibliography] history research paper. [The Concord Review, 17/3 Spring 2007]

Now, before I get a lot of messages informing me that our American public high school students, even Seniors, are incapable of reading nonfiction books and writing 8,500 words on any topic, allow me to suggest that, if true, it may be because we need to put in place our "Page Per Year Plan," which would give students practice, every year in school, in writing about something other than themselves. Thus, a first grader could assemble a one-page paper with one source, a fifth grader a five-page paper with five sources, a ninth grade student a nine-page with nine sources, and so on, and in that way, each and every Senior in our high schools could write a twelve-page paper [or better] with twelve sources [or better] about some historical topic.

By the time that Senior finished that paper, she/he would probably know more about that topic than anyone else in the building, and that would indeed be a source of engagement and satisfaction, in addition to providing great "readiness" for college and career writing tasks.

As one of our authors wrote:

...Yet of all my assignments in high school, none has been so academically and intellectually rewarding as my research papers for history. As young mathematicians and scientists, we cannot hope to comprehend any material that approaches the cutting edge. As young literary scholars, we know that our interpretations will almost never be original. But as young historians, we see a scope of inquiry so vast that somewhere, we must be able to find an idea all our own.
In writing this paper, I read almanacs until my head hurt. I read journal articles and books. I thought and debated and analyzed my notes. And finally, I had a synthesis that I could call my own. That experience--extracting a polished, original work from a heap of history--is one without which no student should leave high school."

This paper [5,500 words with endnotes and bibliography; Daniel Winik, The Concord Review, 12/4 Summer 2002] seems to have allowed this student to take a break from the boredom and disengagement which comes to so many whose school work is broken up into little bits and pieces and "informational texts" rather than actual books and term papers.

If I were made the U.S. Reading and Writing Czar at the Department of Education, I would ask students to read one complete history book [i.e. "cover-to-cover" as it was called back in the day] each year, too. When Jay Mathews of The Washington Post recently called for nonfiction book ideas for high school students, I suggested David McCullough's Mornings on Horseback, for Freshmen, David Hackett Fischer's Washington's Crossing for Sophomores, James McPherson's Battle Cry of Freedom for Juniors, and David McCullough's The Path Between the Seas for all Seniors. Naturally there could be big fights over titles even if we decided to have our high schools students read nonfiction books, but it would be tragic if the result was that they continue to read none of them. Remember the high school English teacher in New York state who insisted that her students read a nonfiction book chosen from the New York Times nonfiction bestseller list, and a big group of her female students chose The Autobiography of Paris Hilton...

When I was teaching United States History to Sophomores at the public high school in Concord, Massachusetts in the 1980s, I used to assign a 5-7-page paper (at the time I did not know what high schools students could actually accomplish, if they were allowed to work hard) on the Presidents. My reasoning was that every President has just about every problem of the day arrive on his desk, and a paper on a President would be a way of learning about the history of that day. Students drew names, and one boy was lucky enough to draw John F. Kennedy, a real coup. He was quite bright, so, on a whim, I gave him my copy of Arthur Schleshinger, Jr.'s A Thousand Days. He looked at it, and said, "I can't read this." But, he took it with him and wrote a very good paper and gave the book back to me. Several years later, when he was a Junior at Yale, he wrote to thank me. He said he was very glad I had made him read that first complete history book, because it helped his confidence, etc. Now, I didn't make him read it, he made himself read it. I would never have known if he read it or not. I didn't ask him.

But it made me think about the possibility of assigning complete history books to our high school students.

After I began The Concord Review in 1987, I had occasion to write an article now and then, for Education Week and others, in which I argued for the value of having high school students read complete nonfiction books and write real history research papers, both for the intrinsic value of such efforts and for their contribution to the student's preparation for "college and career."

Then, in 2004, The National Endowment for the Arts spent $300,000 on a survey of the reading of fiction by Americans, including young Americans. They concluded that it was declining, but it made me wonder if anyone would fund a much smaller study of the reading of nonfiction by students in our high schools, and I wrote a Commentary in Education Week ["Bibliophobia" October 4, 2006] asking about that.

No funding was forthcoming and still no one seems to know (or care much) whether our students typically leave with their high school diploma in hand but never having read a single complete history book. We don't know how many of our students have never had the chance to make themselves read such a book, so that when they get to college they can be glad they had that preparation, like my old student.

As E.D. Hirsch and Daniel Willingham have pointed out so often, it takes knowledge to enrich understanding and the less knowledge a student has the more difficult it is for her/him to understand what she/he is reading in school. Complete history books are a great source of knowledge, of course, and they naturally provide more background to help our students understand more and more difficult reading material as they are asked to become "college and career ready."

Reading a complete history book is a challenge for a student who has never read one before, just as writing a history research paper is a challenge to a student who has never been asked to do one, but we might consider why we put off such challenges until students find themselves (more than one million a year now, according to the Diploma to Nowhere report) pushed into remedial courses when they arrive at college.

It may be argued that not every student will respond to such an academic challenge, and of course no student will if never given the challenge, but I have found several thousand high school students, from 44 states and 36 other countries, who did:

"Before, I had never been much of a history student, and I did not have much more than a passing interest for the subject. However, as I began writing the paper, the myriad of facts, the entanglement of human relations, and the general excitement of the subject fired my imagination and my mind. Knowing that to submit to The Concord Review, I would have to work towards an extremely high standard, I tried to channel my newly found interest into the paper. I deliberately chose a more fiery, contentious, and generally more engaging style of writing than I was normally used to, so that my paper would better suit my thesis. The draft, however, lacked proper flow and consistency, and so when I wrote the final copy, I restructured the entire paper, reordering the points, writing an entirely new introduction, refining the conclusion, and doing more research to cover areas of the paper that seemed lacking. I replaced almost half of the content with new writing, and managed to focus the thesis into a more sustained, more forceful argument. You received that final result, which was far better than the draft had been.

In the end, working on that history paper, ["Political Machines," Erich Suh, The Concord Review, 12/4, Summer 2002, 5,800 words] inspired by the high standard set by The Concord Review, reinvigorated my interest not only in history, but also in writing, reading and the rest of the humanities. I am now more confident in my writing ability, and I do not shy from difficult academic challenges. My academic and intellectual life was truly altered by my experience with that paper, and the Review played no small role! Without the Review, I would not have put so much work into the paper. I would not have had the heart to revise so thoroughly; instead I would have altered my paper only slightly, enough to make the final paper a low 'A', but nothing very great. Your Concord Review set forth a goal towards which I toiled, and it was a very fulfilling, life-changing experience."

If this is such a great idea, and does so much good for students' engagement and academic preparation, why don't we do it? When I was teaching--again, back in the day 26 years ago--I noticed in one classroom a set of Profiles in Courage, and I asked my colleagues about them. They said they had bought the set and handed them out, but the students never read them, so they stopped handing them out.

This is a reminder of the death of the book report. If we do not require our students to read real books and write about them (with consequences for a failure to do so), they will not do that reading and writing, and, as a result, their learning will be diminished, their historical knowledge will be a topic for jokes, and they will not be able to write well enough either to handle college work or hold down a demanding new job.

As teachers and edupundits surrender on those requirements, students suffer. There is a saying outside the training facility for United States Marine Corps drill instructors, which says, in effect, "I will train my recruits with such diligence that if they are killed in combat, it will not be because I failed to prepare them."

I do realize that college and good jobs are not combat (of course there are now many combat jobs too) but they do provide challenges for which too many of our high school graduates are clearly not ready.

Some teachers complain, with good reason, that they don't have the time to monitor students as they read books, write book reports and work on serious history research papers, and that is why they can't ask students to do those essential (and meaningful) tasks. Even after they realize that the great bulk of the time spent on complete nonfiction books and good long term papers is the student's time, they still have a point about the demands on their time.

Many (with five classes) now do not have the time to guide such work and to assess it carefully for all their students, but I would ask them (and their administrators) to look at the time put aside each week at their high school for tackling and blocking practice in football or layup drills in basketball or for band rehearsal, etc., etc., and I suggest that perhaps reading books and writing serious term papers are worth some extra time as well, and that the administrators of the system, if they have an interest in the competence of our students in reading and writing, should consider making teacher time available during the school day, week, and year, for work on these tasks, which have to be almost as essential as blocking and tackling for our students' futures.

=============

"Teach by Example"
Will Fitzhugh [founder]
Consortium for Varsity Academics® [2007]
The Concord Review [1987]
Ralph Waldo Emerson Prizes [1995]
National Writing Board [1998]
TCR Institute [2002]
730 Boston Post Road, Suite 24
Sudbury, Massachusetts 01776-3371 USA
978-443-0022; 800-331-5007
www.tcr.org; fitzhugh@tcr.org
Varsity Academics®
www.tcr.org/blog

Patricia Travers, Violinist Who Vanished, Dies at 82

Margalit Fox:

At 11, the violinist Patricia Travers made her first solo appearance with the New York Philharmonic, playing Lalo's "Symphonie Espagnole" with "a purity of tone, breadth of line and immersion in her task," as a critic for The New York Times wrote in 1939.

At 13, she appeared in "There's Magic in Music," a Hollywood comedy set in a music camp. Released in 1941 and starring Allan Jones, the film features Patricia, chosen by audition from hundreds of child performers, playing with passionate intensity.

In her early 20s, for the Columbia label, she made the first complete recording of Charles Ives's Sonata No.2 for Violin and Piano, a modern American work requiring a mature musical intelligence.

Not long afterward, she disappeared.

Between the ages of 10 and 23, Ms. Travers appeared with many of the world's leading orchestras, including the New York, London and Berlin Philharmonics and the Boston and Chicago Symphonies. She performed on national radio broadcasts, gave premieres of music written expressly for her and made several well-received records.

Playing along with the Mozart effect
If you want music to sharpen your senses, boost your ability to focus and perhaps even improve your memory, you need to be a participant, not just a listener.

Melissa Healy:

Five months after we are conceived, music begins to capture our attention and wire our brains for a lifetime of aural experience. At the other end of life, musical memories can be imprinted on the brain so indelibly that they can be retrieved, perfectly intact, from the depths of a mind ravaged by Alzheimer's disease.

In between, music can puncture stress, dissipate anger and comfort us in sadness.

As if all that weren't enough, for years parents have been seduced by even loftier promises from an industry hawking the recorded music of Mozart and other classical composers as a means to ensure brilliant babies.

But for all its beauty, power and capacity to move, researchers have concluded that music is little more than ear candy for the brain if it is consumed only passively. If you want music to sharpen your senses, boost your ability to focus and perhaps even improve your memory, the latest word from science is you'll need more than hype and a loaded iPod.

And the Orchestra Played On

Joanne Lipman:

The other day, I found myself rummaging through a closet, searching for my old viola. This wasn't how I'd planned to spend the afternoon. I hadn't given a thought to the instrument in years. I barely remembered where it was, much less how to play it. But I had just gotten word that my childhood music teacher, Jerry Kupchynsky -- "Mr. K." to his students -- had died.

In East Brunswick, N.J., where I grew up, nobody was feared more than Mr. K. He ran the town's music department with a ferocity never before seen in our quiet corner of suburbia. In his impenetrably thick Ukrainian accent, he would berate us for being out of tune, our elbows in the wrong position, our counting out of sync.

"Cellos sound like hippopotamus rising from bottom of river," he would yell during orchestra rehearsals. Wayward violinists played "like mahnyiak," while hapless gum chewers "look like cow chewing cud." He would rehearse us until our fingers were callused, then interrupt us with "Stop that cheekin plocking!"

Parents, staff to take part in Jefferson Middle School concert

Pamela Cotant:

Jefferson Middle School parents and staff members who put away their band instruments years ago -- or maybe never played one -- will get a chance to perform in a school band concert.

A portion of Jefferson's band concert at 7:30 p.m. Wednesday in the gymnasium will feature five songs performed by about 30 parents and community members connected to the school. They'll be joined by about 10 staff members.

This is the second time in five years that Jefferson band director Allison Jaeger has invited adults to join the middle schoolers -- an idea her husband, Ben Jaeger, had tried earlier at Spring Harbor Middle School, where he is the band director. Jaeger had fun taking part in that concert.

"Really the most important thing is that the parents are showing they are learning right alongside their students," Jaeger said.

Fine-arts teachers connect the educational dots

Karen Kimball:

First-year elementary school teachers must take a "generalist" exam to be in compliance with federal standards. The Texas Education Agency has successfully fought for a waiver that would exempt fine-arts teachers from the test.

While I certainly realize the time and expense involved in testing as many as 30,000 new teachers statewide and understand TEA's desire to cut that number, I feel that such an exemption is a big mistake.

Elementary school is a time when children learn about the world around them and make connections between subjects. More detailed instruction in various disciplines comes at the secondary level. With the current emphasis on testing in math, reading, science and social studies, classroom teachers find themselves working to see that basic concepts in each of these subjects are learned by their students. Time constraints make lessons with numerous "connections" difficult to achieve.

What better place to weave many subjects together than in the music or art class? I have always chosen to teach this way but have discovered than many music teachers do not, perhaps because they do not see the necessity or because they may not see the connections themselves. A test of general knowledge may help.

A Chicago High-Tech Alternative for Hollywood Hopefuls

James Warren:

House lights up!" proclaimed the silver-haired former lawyer who, with blue jeans, black T-shirt, black safari jacket and Nikes, looked oh-so Hollywood in an oh-so Chicago bastion, the Merchandise Mart.

As four understudies from the Second City comedy troupe entered the sound stage, they were trailed by film students climaxing three weeks of labor by taping a half-hour faux "Saturday Night Live." It featured comedy sketches, droll pre-taped mock commercials and a live performance by Rhymefest, a hip hop artist.

The students get academic credit by handling sound, cameras, lights and the funny people, all with the help of professionals, and their polished handiwork, "Live at the Mart," may soon be shown on NBC locally or nationally. It underscored the glitz, teamwork and market-driven pragmatism at the core of Chicago's Flashpoint Academy of Media Arts and Sciences, one of the country's most curious and disorienting educational institutions.

Imagine Pixar, Disney, Nintendo and Dreamworks all melded into a vocational setting. Started in 2007, this is a pricey ($25,000 a year) two-year school intended for those not motivated by high school, or brief college stays, but who are captivated by technology.

BROADWAY WEST! Ensuring that West High drama continues to thrive; Honoring all of West's talents across the arts

You're invited to spend a fun and lively evening at Broadway West --
the Friends of West High Drama's largest fundraiser and social event of the year!

Saturday, February 6, 2010 • 7-10 pm
Alumni Lounge in the UW's Pyle Center (next to the Red Gym at 702 Langdon Street)*

$30 for one adult • $50 for two adults • $10 per West High student
Tickets will be available at the door, but advance reservations are greatly appreciated

• Enjoy a variety of fabulous theatrical and musical performances,
along with art exhibitions, by some of West's highly talented students

• Eat, drink, and be merry with other West parents, theater friends, and students

• Hors d'oeuvres, desserts, and a cash bar will be available,
with both alcoholic and non-alcoholic beverages

• Bid on great live-auction items, auctioned by the always-hilarious Tom Farley

• Relax in our casual, but festive lakefront venue, with its 270-degree view of Lake Mendota


HOW CAN YOU HELP?
• If you'd like to make a last-minute donation of a fabulous live-auction item, please contact us at friendsofwestdrama@yahoo.com. All donors will be recognized at the event and acknowledged in writing. We can assist with a pick-up if needed.

• Reserve your tickets to attend Broadway West: $30 for one adult; $50 for two adults; and $10 per West High student. If time permits, fill out the form below and mail it back to us. Or just show up! You can purchase tickets for the same price at the door.

• Make an online donation: If you cannot attend, but would like to support West drama in your absence, consider making a contribution using the form below or online through the Foundation for Madison's Public Schools at https://fmps.org/donate.asp?pt=drama

Thank you for your support -- this will undoubtedly be an evening to remember!
Questions? Contact us at friendsofwestdrama@yahoo.com.

*Parking is available on Lake and Langdon Streets, in the Memorial Union surface lot, and in the Helen C. White, Lake Street, and Lucky Building ramps.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - CUT HERE - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Make checks payable to FMPS-Friends of West High Drama. Complete and return this section with your payment to: Marcia Gevelinger Bastian, 4210 Mandan Crescent, Madison, WI 53711. Pre-paid tickets will be ready for you at the door of the event. If time does not permit an advance ticket purchase, just show up! You can buy tickets for the same price at the door.

_____ Yes! I'd like to reserve adult tickets: _____ one at $30, or _____ two at $50 = (total) $ _____
($20 of each $30 ticket is tax deductible.)
_____ Yes! I'd like to reserve West student tickets: (number) _____ at $10 each = (total) $ _____
(Student performers get in free.)
_____ I enclose a tax-deductible contribution in the amount of $ _____
(You can also donate online through the Foundation for Madison's Public Schools at https://fmps.org/donate.asp?pt=drama)
_____ Yes! I'd like to donate a live-auction item. I'm contacting FWHD at friendsofwestdrama@yahoo.com to discuss it and to arrange a pick-up if needed.

Name(s): _______________________________________________________________________________
Address, City, State, Zip: _________________________________________________________________
E-mail: ________________________________________________________________________________
Phone (in case we have questions): _________________________________________________________

A Few Comments on Monday's State of the Madison School District Presentation

Madison School District Superintendent Dan Nerad will present the "State of the Madison School District 2010" tomorrow night @ 5:30p.m. CST.

The timing and content are interesting, from my perspective because:

• The nearby Verona School District just approved a Mandarin immersion charter school on a 4-3 vote. (Watch the discussion here). Madison lags in such expanded "adult to student" learning opportunities. Madison seems to be expanding "adult to adult" spending on "coaches" and "professional development". I'd rather see an emphasis on hiring great teachers and eliminating the administrative overhead associated with growing "adult to adult" expenditures.
• I read with interest Alec Russell's recent lunch with FW de Klerk. de Klerk opened the door to South Africa's governance revolution by freeing Nelson Mandela in 1990:

  History is moving rather fast in South Africa. In June the country hosts football's World Cup, as if in ultimate endorsement of its post-apartheid progress. Yet on February 2 1990, when the recently inaugurated state President de Klerk stood up to deliver the annual opening address to the white-dominated parliament, such a prospect was unthinkable. The townships were in ferment; many apartheid laws were still on the books; and expectations of the balding, supposedly cautious Afrikaner were low.

  How wrong conventional wisdom was. De Klerk's address drew a line under 350 years of white rule in Africa, a narrative that began in the 17th century with the arrival of the first settlers in the Cape. Yet only a handful of senior party members knew of his intentions.

  I sense that the Madison School Board and the Community are ready for new, substantive adult to student initiatives, while eliminating those that simply consume cash in the District's $418,415,780 2009-2010 budget ($17,222 per student).
• The "State of the District" document [566K PDF] includes only the "instructional" portion of the District's budget. There are no references to the $418,415,780 total budget number provided in the October 26, 2009 "Budget Amendment and Tax Levy Adoption document [1.1MB PDF]. Given the organization's mission and the fact that it is a taxpayer supported and governed entity, the document should include a simple "citizen's budget" financial summary. The budget numbers remind me of current Madison School Board member Ed Hughes' very useful 2005 quote:

  This points up one of the frustrating aspects of trying to follow school issues in Madison: the recurring feeling that a quoted speaker - and it can be someone from the administration, or MTI, or the occasional school board member - believes that the audience for an assertion is composed entirely of idiots.

  In my view, while some things within our local public schools have become a bit more transparent (open enrollment, fine arts, math, TAG), others, unfortunately, like the budget, have become much less. This is not good.
• A new financial reality. I don't see significant new funds for K-12 given the exploding federal deficit, state spending and debt issues and Madison's property tax climate. Ideally, the District will operate like many organizations, families and individuals and try to most effectively use the resources it has. The recent Reading Recovery report is informative.

I think Dan Nerad sits on a wonderful opportunity. The community is incredibly supportive of our schools, spending far more per student than most school Districts (quite a bit more than his former Green Bay home) and providing a large base of volunteers. Madison enjoys access to an academic powerhouse: the University of Wisconsin and proximity to MATC and Edgewood College. Yet, District has long been quite insular (see Janet Mertz's never ending efforts to address this issue), taking a "we know best approach" to many topics via close ties to the UW-Madison School of Education and its own curriculum creation business, the Department of Teaching and Learning.

In summary, I'm hoping for a "de Klerk" moment Monday evening. What are the odds?

What's up With Implementation of the Arts Task Force Recommendations - Who Knows

I have similar concerns about "meaningful" implementation of the fine arts task force recommendations. The task force presented its recommendations to the School Board in October 2008, which were based in large part on input from more than 1,000 respondents to a survey. It was another 7 months before administration recommendations were ready for the School Board, and its been another 6 months since then without any communication to the community or staff about: a) brief summary of what the School Board approved (which could have been as simple as posting the cover letter), b) what's underway, etc. Anything at a Board meeting can be tracked down on the website, but that's not what I'm talking about. There are plenty of electronic media that allow for efficient, appropriate communication to many people in the district and in the community, allowing for on-going communication and engagement. Some of the current issues might be mitigated, so further delays do not occur. Also, there already is a blog in the arts area that is rarely used.

Afterall, one of our School Board members, Lucy Mathiak, has a full-time job (in addition to being a school board member) as well as having a lot of other life stuff on her plate and she's developed a blog. It wouldn't be appropriate for administrators to comment as she does if they are wearing their administrator hats, but concise, factual information would be helpful. I mentioned this to the Superintendent when I met with him in November. He said he thought this was a good idea and ought to take place - haven't seen it yet; hope to soon, though.

In the meantime, I'm concerned about the implementation of one of the most important aspects of the task force's recommendations - multi-year educational and financial strategic plan for the arts, which members felt needed to be undertaken after the School Board's approval and in parallel with implementation of other efforts. Why was this so important to the task force? Members felt to sustain arts education in this economic environment, such an effort was critical.

From the task force's perspective, a successful effort in this area would involve the community and would not be a solo district effort. As a former member and co-chair of the task force, I've heard nothing about this. I am well aware of the tight staffing and resources, but there are multiple ways to approach this. Also, in my meetings with administrative staff over the summer that included my co-chair, Anne Katz, we all agreed this was not appropriate for Teaching and Learning whose work and professional experience is in the area of curriculum. Certainly, curriculum is an important piece, but is not the entire, long-term big picture for arts education. Also, there is no need to wait on specific curriculum plans before moving forward with the longer-term effort. They are very, very different and all the curriculum work won't mean much if the bigger picture effort is not undertaken in a timely manner. When the task force began it's work, this was a critical issue. It's even more critical now.

Does anyone have information about what's underway, meaningful opportunities for community and teacher engagement (vs. the typical opportunities for drive by input - if you don't comment as we drive by, you must not care or tacitly approve of what's being done is how I've heard the Teaching and Learning approach described to me and I partially experienced personally). I so hope not, because there are many knowledgable teaching professionals.

I know the topic of this thread was talented and gifted, but there are many similar "non-content" issues between the two topics. I'm hoping to address my experiences and my perspectives on arts education issues in the district in separate posts in the near future.

Auditioning Their Hearts Out, for High School

Jennifer Medina:

Like a Lincoln Center hopeful, Aislee Nieves spends most afternoons in her cramped living room, the couch pulled aside so she can perfect her pointed toes and pirouettes. A spreadsheet tells her the tryouts she has attended, where and when the next one is and the one after that.

On a recent Sunday she flitted about her apartment in Sunset Park, Brooklyn, collecting what she needed that day: ballet slippers, leotard, footless tights, all slipped into her bright green knapsack.

"Mommy, you have the admission ticket? And my transcript?" she asked, her 13-year-old voice betraying a slight edginess.

Yes, yes, her mother, Blanca Vasquez, answered. After all, they had been auditioning for high school nearly every weekend for the last month.

The high school admission process in New York City is notoriously dizzying, with each eighth grader asked to rank up to a dozen choices, and the most competitive schools requiring tests, essays or interviews. But for hundreds of students who sing, dance, act or play an instrument, trying out for the ninth grade is now an all-consuming routine.

Madison School District News

via a Ken Syke email:

MMSD Fine Arts Coordinator Julie Palkowski is the author of the featured article in the latest edition of the Wisconsin School Musician magazine. Partnerships across our community enhance the opportunities for MMSD students. Making the Most of the Concert Festival Experience is a case study of the collaborative project among the MMSD, the Overture Center for the Arts and the Wisconsin Music Educators Association that occurred this past April.

According to Google, the MMSD is the fifth most popular searched item in the Madison area. Google broke down the top search terms by city in its Zeitgeist 2009 survey. Google counted searches in 31 US cities to compile the list of the most popular searches unique to specific cities. Looking for something to do on a cold winter's evening? Why not consider a concert at one of our high schools, or a middle school choral performance. The MMSD calendar of events lists a wide range of no-cost potential family activities to beat the recession blues!

The Coming Crescendo of China

Nick Frisch:

Piano notes drift up the stairs in a Beijing branch of the Liu Shih Kun Piano School. Perched near the East Glorious Gate of the Forbidden City, the school does a brisk business educating the children of the affluent. In a practice room downstairs, a little girl is flanked by two adults--her teacher and her mother, who watches the proceedings intently. Lessons cost about 150 yuan ($22) per hour, and upright pianos sell for more than 13,000 yuan, substantial sums even for upper or middle-class families.

Still, they come en masse with their children. "Almost every student is accompanied here by the parents," explains Ba Shan, the young woman manning the reception desk at the school founded by one of China's first famous pianists. "Almost all of them have pianos at home, too."

Between several established chains like Liu Shih Kun, thousands of individual schools and uncountable private teachers, there are still no firm figures on the actual number of music students in China. In an interview with the New York Times this year, Jindong Cai, a conductor and professor at Stanford University, estimated that there are 38 million students studying piano alone. A 2007 estimate put violin students at 10 million. And the trend is clearly upward.

Schools Play to Virtual Orchestra

BBC:

The Southbank Sinfonia in Bedale Primary School hold a workshop via video link with pupils 12 miles away in Richmond Primary School. The video was compiled from footage supplied by technology developer ANS Group.

Pupils in North Yorkshire have jammed with one of the UK's leading orchestras, thanks to high-speed broadband lines.

The video-linked music workshop over 10Mbps (megabits per second) connections provided sessions with the Southbank Sinfonia.

The project was organised by NYnet, which has set up high-speed broadband in the area.
It demonstrates what could be achieved using video conferencing.

Rodin's Sonnets in Stone

Lucy Farmer:

It was in the Musée Rodin that I first realised what Art was capable of. Trailing along behind Monsieur S., our strenuously Francophile teacher in his sadly unironic beret, we had already "done" Notre Dame. Then came a route march through the Louvre. Before its airy makeover with the glass pyramid, the Louvre felt like the worst kind of museum-punishingly vast, the walls of its interminable corridors lined with dukes with beards like spades and spoilt, mean-mouthed women in poodle wigs. After some hours, footsore and deafened by culture, we got to the "Mona Lisa". I remember thinking how small she was. And how podgy. The famous smile hinted at embarrassment that all these people would bother coming so far to see her, when really she was nothing special. We adored Monsieur S. and we listened to him hold forth, complete with faux-Gallic gesticulations, about a turning point in the history of portraiture, the subtle handling of flesh tones, blah blah. But it was no good. The "Mona Lisa" was such a masterpiece, we could hardly see her. Or discover her secret for ourselves, as teenagers badly need to do, whether in love or art.

The last thing we wanted at the end of that day was another damned museum. But with the light fading to the freckled silver that makes the Parisian skyline look like an early photographic print, we found ourselves in rue de Varenne. You have to cross a cobbled yard to get to the front door of the Hotel Biron. The Biron is actually a perfect small chateau, like a doll's house lowered from heaven into seven acres of exquisite formal gardens in Faubourg Saint-Germain. Built circa 1730, it was first a private house, then a school. By 1905 it was in disrepair and the rooms were let out to several tenants. At one point, they included Jean Cocteau, Henri Matisse, Isadora Duncan, the poet Rainer Maria Rilke and Rodin himself. The queue for the bathroom must have been quite something.

Join the Fall Madison West High Drama Club Production of "The Miracle Worker" at 7:30 on November 6, 7, 13 and 14.

via a kind reader's email:

Purchase your tickets in advance online to ease congestion at the box office on show nights. Tickets will also be available at the box office while they last..($10/adult, $5/student)
Ticket Website:https://tix.seatyourself.biz/webstore/webstore.html?domain=mwhs&event.

Director Holly Walker and Stage Manager Catherine Althaus have created a fantastic production. Immortalized on stage and screen by Anne Bancroft and Patty Duke, this classic tells the story of Annie Sullivan and her student, blind and mute Helen Keller. The Miracle Worker dramatizes the volatile relationship between the lonely teacher and her charge. Helen, trapped in her secret world, is violent, spoiled and almost subhuman--and treated as such by her family. Only Annie realizes that there is a mind and spirit waiting to be rescued from the dark tortured silence. Following scenes of intense physical and emotional dynamism, Annie's success with Helen finally comes with the utterance of a single word: "water".

The Cast: David Aeschlimann (doctor), Eleana Bastian (Aunt Ev), Andrea DeVriendt (Little Annie), Kevin Erdman (Keller), Sam Gee (Jimmie), Emma Geer (Helen), Denzel Irby (Percy), Simon Henriques (Anagnos), Sarah Maslin(Annie), James Romney (James), Sasha Sigel (Kate), Bayaan Thomas (Viney), and Claire Wegert(Martha); plus Sam Barrows, Khadijah Bishop, Allison Burdick-Evenson, Heather Chun, Sophia Connelly, Molly Czech, Ryan Eykholt, Ellen Ferencek, Henry Fuguitt, Maddie Gibson, Erendira Giron-Cruz, Maddie Hoeppner, Emily Hou, Janie Killips, Elena Livorni, Marianne Oeygard, Frankie Pobar-Lay, Ari Pollack, Kaivahn Sarkaratpour, and Laura Young.

The Crew Heads: Sound: Bryna Godar, Sasha Sigel, Sam Factor, David Aeschlimann Lighting: Catherine Althaus, Zander Steichen Stage: Laura Young, Lindsey Conklin Costumes: Heather Chun, Leah Garner Administrative: Charmaine Branch, Nina Pressman, Thalia Skaleris Props: Jenny Apfelbach, Jamie Kolden Makeup: Margie Ostby

Cookies, Candy, Water and Fan-Grams will be for sale! Proceeds go to Friends of Madison West High Drama.

Photos from CTM's Recent Production: "Little Women"

Click to view the photo gallery. Children's Theater of Madison website.

School spotlight: Director sparks interest in drama at Middleton High

Pamela Cotant:

Thanks to a burgeoning drama club, audiences in Middleton High School's Performing Arts Center this week will be treated to two performances each night, not one.

The double bill exemplifies the drama program under Lynda Sharpe, who recently received the John C. Barner Teacher of the Year award from the American Alliance of Theater in Education.

With 87 students in the drama club, drama director Sharpe needed two productions so more students could take part.

"She (Sharpe) works to get us all involved as individuals as well as the whole circle," said junior Katy Dallman, secretary of the drama club.

Sharpe has all of those involved in a production stand in a circle before and after each rehearsal and before each show.

"I use a circle because we are all equal," said Sharpe, who also teaches at Middleton High.

"Live Broadcast," a 1940s-style live radio drama, will kick off the evening Thursday and Friday at 7:30 p.m. Written by former Middleton students Charles Stone and Timothy Wendorff, who are now students at UW-Madison, the performance will include live entertainment and live commercials.

Should student drama productions be restricted to PG themes?

Valerie Strauss:

ou would think people have better things to fight about, but across the nation people are arguing--and even going to court--over high school plays. Yes, the drama productions that high school kids stage for other high school kids.

The latest instance occurred this week at Churchill High School in Potomac, Md., when administrators abruptly cancelled a production of "Chicago" three weeks before it was to be staged because it is too racy, my colleague Nelson Hernandez reported.

Never mind that these same officials had approved the production last spring when students first asked permission.

And never mind that the play is decades old and was turned into an Academy Award-winning movie, making it impossible for anybody at the school to claim they didn't know it was about murder and sex and other themes, that, come to think of it, run through Shakespeare's plays too.

But I digress.

Arts Education and Graduation Rates

Rachel Lee Harris:

In a report to be released on Monday the nonprofit Center for Arts Education found that New York City high schools with the highest graduation rates also offered students the most access to arts education. The report, which analyzed data collected by the city's Education Department from more than 200 schools over two years, reported that schools ranked in the top third by graduation rates offered students the most access to arts education and resources, while schools in the bottom third offered the least access and fewest resources. Among other findings, schools in the top third typically hired 40 percent more certified arts teachers and offered 40 percent more classrooms dedicated to coursework in the arts than bottom-ranked schools. They were also more likely to offer students a chance to participate in or attend arts activities and performances. The full report is at caenyc.org.

Performing Arts Center at Menlo-Atherton High School - opening soon

Linda Hubbard Gulker:

Finishing touches are underway in advance of the opening of the new Performing Arts Center at Menlo-Atherton High School the second weekend in October, highlighted by a performance by Music@Menlo's Artistic Directors, cellist David Finckel and pianist Wu Han, and special guest Anthony McGill, principal clarinetist of New York's Metropolitan Opera. The center - built in collaboration with the City of Menlo Park - includes a 492-seat theater, lobby, box office, rehearsal and practice rooms, and stagecraft workshop for production of scenery and props.

According to Sequoia Union High School District spokesperson Bettylu Smith, the 31,000-square-foot, 65-foot-high building is inspired by the beauty of the historical grove of Valley Oak trees on campus and has been carefully designed and landscaped to create a tree house-like environment and the impression it is following the contours of an already existing hillside.

A day at the museum - how much do children actually remember?

Julien Gross:

Museum corridors are often populated by clipboard-bearing school children enjoying a day away from the classroom. These museum trips seem like a good idea, but how much do children really learn from their day out? According to Julien Gross and colleagues, young children actually remember a great deal, especially if they are given the chance to draw as they recount their museum experience.

Fifty-eight lucky New Zealand school children, aged approximately six years, were taken for a day visit to the Royal Albatross Centre and Historic Fort in Dunedin. One to two days later, the amount of information recalled by the children depended to a large degree on how they were tested. Asked to freely recall the visit, the children remembered a significant amount of factual and trivial, "narrative" information, uttering an average of ten factual clauses. Crucially, this amount of factual recall doubled when they were allowed to draw at the same time as they recounted the day's events. By contrast, the children performed relatively poorly when given a traditional comprehension test in the form of 12 questions.

A second study largely replicated these findings with a second group of children who were tested on their memory for the museum visit after seven months. The amount of information they recalled remained substantial but was reduced, as you'd expect after a longer delay. Also, the benefit of drawing now only affected recall of narrative information, not facts.

2 new L.A. arts high schools are a study in contrasts

Mitchell Landsberg:

The schools opened for business this week, one on a $232-million shiny new campus, the other in rented space in a small church. Both have high hopes.

One occupies $232 million worth of serious architecture on a promontory overlooking downtown Los Angeles. The other rents cramped space in a South L.A. church.

One has an address that shouts prestige, with neighbors that include the city's Roman Catholic cathedral and the Music Center. The other is across the street from an apartment building for the recently homeless.

Two new high schools for the arts debuted this week -- a rare enough feat in a down economy. Despite the vast differences in their circumstances, it may be too early to say which of the two has the most potential to nurture the next generation of artists and performers.

The Los Angeles Unified school at 450 N. Grand Ave., perched across the 101 Freeway from the Cathedral of Our Lady of the Angels, was years in the making and is housed on one of the most expensive and widely praised campuses in the nation. Yet it is only now shaking off more than a year of controversy and false starts in its launch to become the flagship of the district. The Fernando Pullum Performing Arts High School at 51st Street and Broadway may have the feel of something hastily thrown together out of spare parts, but it is led by one of the city's most respected music educators and has the support of such big-name artists as Kenny Burrell, Jackson Browne, Bill Cosby and Don Cheadle.

O.C. school district, ACLU settle suit over 'Rent'

Seema Mehta:

Newport-Mesa Unified School District agrees to provide harassment and discrimination prevention training after students threatened a girl who appeared in the play and used slurs to describe another.

An Orange County school district where varsity athletes threatened to rape and kill the lead actress in a student production of the musical "Rent" has agreed to provide harassment and discrimination prevention training to Corona del Mar High School students, teachers and administrators and other district officials, according to a legal settlement announced Wednesday. The Newport-Mesa Unified School District will also apologize to the former student.

Because of the settlement, "no one else will have to go through what I went through," said Hail Ketchum, 17, the victim who, along with family members, identified herself for the first time on Wednesday. She is a freshman studying theater at Loyola Marymount University. "I hope the students at Corona del Mar High School will learn from my experience that it's possible to stand up for what is right and prevail."

The campus made headlines across the nation earlier this year when its principal canceled "Rent: School Edition" because of concerns about its content. It was later reinstated. Officials with the American Civil Liberties Union, who sued the district in March, said the controversy over the tale of struggling artists that includes gay characters and some with AIDS was just one example of official tolerance of misogyny and homophobia on campus.

A Real-Life School Of Rock

NPR:

Do you really need to go to school to learn about rocking out? Many musicians might say no: Lock yourself in your room with a bunch of records and a guitar, put in your days on the road playing in scummy clubs, and you'll master the craft eventually.

Or, starting this Monday, you could go to the real-life "school of rock" -- the brand-new Academy of Contemporary Music at the University of Central Oklahoma. The program has true rock cred -- it was started by Steven Drozd and Scott Booker, respectively the guitarist and manager of the Flaming Lips, a Grammy-winning rock band.

"The idea here is not that we're just a school of rock," Booker says. "The idea behind this program is really as much about business and learning how the industry works while you're learning to play better."

Unlike the original Academy of Contemporary Music in Guildford, England, the University of Central Oklahoma ACM offers an actual college degree. Booker adds, "not only are you taking general ed, but you're also taking aural skills and music theory and those things that anyone who's getting a music degree has to take."

A middle school for the artist

Jessica Jordan:

An educational dream pitched by three Hall County teachers takes flight Monday when 120 students and six teachers come together for the first day of school at the da Vinci Academy.

The pilot program provides innovative learning opportunities for gifted students with a penchant for the arts and sciences. But that's only half of the reason it's making a splash with educators across the Southeast. The program also will operate at about 60 percent to 70 percent of the cost per student compared to a traditional middle school, Hall County school Superintendent Will Schofield said.

Though states have made unprecedented cuts to public school funds, educators are trying to make the most of every penny while pushing programs that engage students and get results.

Schofield said the da Vinci Academy is a great example of how schools can do more with less.

"I think it truly is some Renaissance thinking is these difficult times," he said. "It's the exciting side of chaotic and difficult times.

That's when you see the best in people and that's when you see the worst in people, and I think what we're seeing is the best in terms of innovative thinking, new ways of doing something that we've done the same way for a long time.

Speaking of Fine Arts: 2009 Suzuki Camp @ UW-Stevens Point



2009 Suzuki Performance University of Wisconsin-Stevens Point from Jim Zellmer. Aber Suzuki Center.

Madison Public Schools' Arts education gets needed support

Anne Katz & Barbara Schrank, co-chairwomen, MMSD Arts Task Force, via a kind reader's email:

Kudos and thanks to the Madison School District Board of Education and Superintendent Dan Nerad for their support of arts education opportunities for all students, with additional thanks to members of the Arts Education Task Force.

The task force of art teachers and citizens has worked since 2007 with Board members and administrative and teaching staff on a plan that supports, enhances and sustains arts education in Madison's public schools. The Board approved the plan on July 20.

In adopting the plan, the Board showed support of the arts as a priority for a quality public education.

The process took hard work by committee members, administrative and teaching staff and input from over 1,000 community members who have been thoughtful, inquisitive and dedicated to nurturing students' talent and creativity through the arts. These plans will move forward with leadership, support and a strong partnership between the district and the community.

We are proud to live in a community with educational leaders who understand that arts and creativity are essential components of a 21st century education.

Learn how to draw Garfield on iTunes U

iTunes U:

Thanks to the Virginia Department of Education and the Professor Garfield Foundation, you -- and your kids, of course -- can get an Introduction to Comics on iTunes U. The 15 video episodes encourage children to draw, sculpt, and carve. In fact, Jim Davis -- who created Garfield -- gets the course off to a great start, showing us all how he draws his famous lasagna-loving feline.

Oregon Symphony's outreach program falls silent

David Stabler, via a kind reader's email:

The drums have gone quiet. The gongs no longer shimmer. The bells go unchimed. The instruments that kids in small towns around Oregon used to hit, rub and scrape as part of the Oregon Symphony's award-winning outreach effort went quiet this summer.

Another victim of the economy.

The Roseburg-based Ford Family Foundation, the program's primary funder, suffered losses to its endowment and declined to continue paying the program's $150,000 annual cost, said Norm Smith, the foundation's president.

Since 2002, the Oregon Symphony has "adopted" a different town each two years: Klamath Falls, North Bend, Redmond, Baker City, Estacada, La Grande, Cove, Tillamook. The idea was to flood the zone with repeated trips by symphony musicians. Break into tactical units and invade the schools, fill community centers, start a jazz band, launch a string orchestra. Then go back the next year to water the seeds.

What made the program unusual was the effort to make music a lasting presence. Unlike in other outreach efforts, the orchestra didn't just show up, coach a few kids, play a concert and get back on the bus. The focus encouraged local teachers to design a music curriculum for years to come and involved arts groups in adding a concert series to bring performers to town, using Oregon Symphony staff for ideas and follow-up.

In search of a modern-day Mozart

Richard Fairman:

The premiere of Mozart's Mitridate, re di Ponto at the Teatro Regio Ducal in Milan on December 26 1770, must have been a memorable occasion. Six hours long, the opera was an immediate hit, and its run extended to 21 performances. "Every evening the theatre is full, much to the astonishment of everyone," the young composer wrote in a letter to his sister. "People say that since they have been in Milan they have never seen such crowds at a first opera." Mozart was 14 at the time.

He is far from being the only teenage genius in musical history; a recent poll to decide music's greatest prodigy in BBC Music Magazine didn't even manage to place Mozart in the top 10. Mendelssohn, who was the winner, composed his brilliant Octet when he was just 16. In second place, Schubert set German song alight by penning "Gretchen am Spinnrade" at 17. Korngold, placed third, completed his sexually saturated opera Violanta at the same age.
EDITOR'S CHOICE
More from Arts - Nov-24

Where are the equivalents to these prodigies today? There is plenty of evidence that young people are as busy composing as ever - the recent Channel 4 television series about 16-year-old British composer Alexander Prior will have alerted the world to that - but very few music-lovers are likely to be aware of them. Spend a year going to concerts in any cultural capital and it would be quite normal not to hear a note of music by a single composer as yet untroubled by middle-aged spread.

If there is one place where youth really has a hold, it is the BBC Proms. The 2009 season opens on Friday and promises the usual admirable spotlight on youth. Young audiences, teenage soloists, family days, youth orchestras all have their place. But what of young composers? Search through the season programme and the score here looks rather different. The youngest living composer in the main evening concerts is 28. There are only three others under 30 out of the 128 composers altogether. By that age Mozart, Mendelssohn, Schubert and Bizet had already turned out masterpieces by the armful (and, tragically, each only had a few more years to live).

Fine Arts Task Force Report Discussion - Audio

The Madison School Board's discussion last evening via a 42MB mp3 audio file. An interesting discussion, particularly with respect to the School District's interaction with the community and the Teaching & Learning Department. Much more on the Fine Arts Task Force here.

Barry Edelstein on Shakespeare

Violin-making has put a nondescript town near Beijing on the map. Now the locals have caught fiddle fever

Andrew Jacobs:

Perhaps the only thing more aurally challenging than a roomful of novice violinists screeching their way through Mary Had a Little Lamb is a roomful of novice violinists screeching along on out-of-tune instruments.
"Stop," Chen Yiming says to her enthusiastic students, ages eight to 47. "Can we please pay attention to our instruments and make sure they are tuned correctly?"

After a short break for adjustments, the cacophony resumes.

Violin fever has hit Donggaocun, a drab rural township about an hour's drive from Beijing. Hundreds of residents, young and old, are picking up the bow as Donggaocun tries to position itself as the mainland's string instrument capital.

Once known primarily for its abundant peach harvest, the town has become one of the world's most prodigious manufacturers of inexpensive cellos, violas, violins and double basses. Last year the town's nine factories and 150 small workshops produced 250,000 instruments, most of them ending up in the hands of students in the US, Britain and Germany.

Picture is unclear on arts instruction in schools

Greg Toppo:

Gather up a group of eighth-graders, pop in a CD of George Gershwin's seminal Rhapsody in Blue and turn up the volume. Then ask: In those first few seconds, what keening, soaring, note-bending instrument do you hear?

When the federal government put this question to thousands of eighth-graders in 1997, only about half knew it was a clarinet. When they tried again last year, the results were the same.

New data out today from the U.S. Department of Education's National Assessment of Educational Progress, or NAEP, may make America's arts instructors kind of blue: In the past decade or so, middle-schoolers have made little progress in how much they know about music and visual arts.

School Spotlight: Decorated student bassoonist stands out in Mount Horeb

Pamela Cotant:

When David Richards tried out instruments during sixth-grade orientation, he was drawn to the bassoon because it was one of the pieces from which he could coax a sound.

He wound up playing the woodwind instrument as a student in Austin, Texas. Now a senior at Mount Horeb High School, Richards is an accomplished musician in a district known for its music.

"The bassoon requires constant vigilance to play cleanly, as David does," said John Widdicombe, who plays bass with the Piper Road Spring Band and whose daughter played with Richards in high school. "One really must hear David play to appreciate the gentle voice he offers through his instrument."

Richards has performed in Wisconsin Youth Symphony Orchestras since eighth grade and started playing in Winds of Wisconsin as a sophomore and the experiences have propelled his interest in the bassoon.

Computer Orchestration Tips and Tricks

Stephen Bennett:

his book is aimed at those with little or not understanding of music notation. It gives the reader a basic understanding or the principles of orchestration and offers tips and techniques to help get the best simulated orchestral performance out of their equipment.

• Create realistic sounding orchestras on your computer
• Little or no musical notation knowledge needed
• Create scores for real players to read
• Tips and tricks to get the best out of your software
• All you need to orchestrate on computer

Using modern technology, composers no longer need to wait until an orchestra plays their score to hear what their music will actually sound like. Using a computer and suitable software, it's possible for anyone to produce high-quality results that can be used for music CDs, film and TV scores - or even as a basis of a recording session using orchestral players.

I reading saw an early 20's student reading a book on Logic Pro. I asked about his plans and he responsded that he intended to make "some great music".

The Music is Secondary.... But Still Beautiful

Pete Selkowe:

"Character first, ability second."
--Dr. Shinichi Suzuki

The creator of the Suzuki method of teaching music, Dr. Shinichi Suzuki, would have been proud Wednesday afternoon, as some 90 violin and viola students presented a three-school concert.

The youngsters -- just the tiniest portion of the estimated 250,000 Suzuki students worldwide -- entertained parents and each other in the theatre of the 21st Century Preparatory School. The budding violinists and cellists were from 21st Century Prep, Jefferson Lighthouse and Bull Fine Arts, directed by Teresa Hill of 21st Century and Charlene Melzer from Jefferson and Fine Arts.

Teaching Arts and Sciences Together

Mae Jemison:

ae Jemison is an astronaut, a doctor, an art collector, a dancer ... Telling stories from her own education and from her time in space, she calls on educators to teach both the arts and sciences, both intuition and logic, as one -- to create bold thinker.

Arts Education in America

Quincy Jones:

In 1943, the United States Armed Forces Institute published a second edition of War Department Education Manual EM 603 Discovering Music: A Course in Music Appreciation by Howard D. McKinney and W.R. Anderson. The material presented in the book was a reprint of educational material taken from existing standard textbook matter used in American schools and colleges at that time and is significant to this discussion because the text included the following when discussing jazz:

Some may start with an enthusiasm for music of the jazz type, but they cannot go far there, for jazz is peculiarly of an inbred, feeble-stock race, incapable of development. In any case, the people for whom it is meant could not understand it if it did develop. Jazz is sterile. It is all right for fun, or as a mild anodyne, like tobacco. But its lack of rhythmical variety (necessitated by its special purpose), its brevity, its repetitiveness and lack of sustained development, together with the fact that commercial reasons prevent its being, as a rule, very well written, all mark it as a side issue, having next to nothing to do with serious music; and consequently it has proved itself entirely useless as a basis for developing the taste of the amateur.

Drama king: Tom Hardin guides Madison Memorial's Drama, Debate & Forensics Club

David Tenenbaum:

One by one, the students who will soon compete at the state forensics championship take the stage in the small theater at Memorial High School. Their timing is flawless, their gestures are fluid, their skill level is professional. Some of the performances, which last four to 12 minutes, make audience members laugh; some make them cry; a surprising number do both.

Dressed in black, deadly serious and totally in control, forensics coach Tom Hardin, an English teacher at Memorial, announces the program, then guards the door. As at any legitimate theater, stragglers are barred from entering during each act.

Sophomore Ben Mau performs a devastating roast of Oprah Winfrey.

"Oprah saved my life," he testifies. "If not for her, I would not know about all the random crap that nobody cares about."

Sophomore Naman Siad, the daughter of Somali immigrants, likens her head scarf to the traditional attire of nuns, and asks why Americans see the one as a sign of modesty and the other as an emblem of all we don't like -- or don't understand -- about Islam.

Neutral Milk Hotel Album Transformed For Stage

Avishay Artsy:

The scene is a restaurant. Anne Frank sits at a table.

The actress says, "We have duck a l'orange, saffron couscous and steak. Or would you like to try some of our fine wines? Helga, darling? Please? Answer me?"

This is all in Frank's imagination. In fact, she's in a death camp, dying of typhus and losing her grasp on reality. Emma Feinberg plays Anne Frank. She's a freshman at Lexington High School in Massachusetts and the play is called With the Needle That Sings in Her Heart. It's about Frank's final months at Bergen-Belsen. Faced with horror and brutality, she escapes into a world where prisoners and Nazi officers become circus performers.

District-Wide Reform of Mathematics and Science Instruction: Case Studies of Four SCALE Partner Districts

William Clune:

This paper is a synthesis of case studies of four districts that implemented multifaceted reforms aimed at offering rigorous instruction in mathematics and science for all students as part of a National Science Foundation-supported partnership. A common theory of action aimed for a rigorous curriculum, professional development delivered close to the point of instruction, monitoring of instructional quality, and system coordination. Immersion units would offer an in-depth experience in scientific inquiry to all students. The theory of action was successful in many ways. Excellent access to top management allowed the partnership to assist with multiple aligned dimensions of instructional guidance. The biggest obstacles were turnover in district leadership, loose coupling across departments, attenuation of vertical alignment through overload of instructional guidance, and insufficient budget for adequate school site support (e.g., coaches). Greater coherence resulted from delivery of instructional guidance closer to schools and teachers, as with science immersion. The study suggests that complete, affordable packages of instructional guidance delivered to the school level district-wide might be the best model for district reform.

Related: Math Forum, Madison School District's Math Task Force and the significant role that the UW-Madison School of Education has had in Madison School District curriculum decisions (see links and notes in this post's comments)

Eli Broad dangles a carrot in front of Los Angeles Unified

Howard Blume:

Los Angeles philanthropist Eli Broad will help pay for a New York-based arts program that benefits poor and minority students -- and he said Friday that he and other donors would provide similar funding here if the Los Angeles school district can better manage its own arts programs, especially the new downtown arts high school.

The Broad Foundation has pledged to contribute $425,000 so the Juilliard School can allow dozens of public school students to receive up to four years of free musical training. Broad said he decided to make the gift after reading a newspaper article about the program canceling auditions in a tight budget year.

"It really moved me," Broad said. "I was saddened they were going to cut out these minority kids."

But Broad also made a point about problem-plagued Central L.A. Area High School No. 9, the high-concept arts specialty school that is scheduled to open in the fall even though it still lacks an executive director, a permanent principal, a staff and an arts curriculum.

"It's clear that if you have a quality arts high school, especially one that is educating kids from minority communities, there will be philanthropic funds forthcoming, as evidenced from our willingness to give money to Juilliard," Broad said.

Such funding will be crucial for the new campus, he said, adding that it will cost more to run than other public high schools. "It will need some philanthropic support, not only from us but from others," he said.

Juilliard Curtails Program That Serves Poor Children

Daniel Wakin:

The Juilliard School's music-training program for poor minority schoolchildren -- a rigorous curriculum that the conservatory holds up as a national model -- has been slashed, disappointing dozens of children preparing to audition.

The Music Advancement Program will take back about 50 children in the fall to finish the second year of their two-year course. But it has canceled auditions next month for the incoming class, said Joseph W. Polisi, Juilliard's president. About 50 are admitted each year.

Mr. Polisi said that the school could not raise the $400,000 necessary to finance the whole program, and that across-the-board budget cuts meant there was no money elsewhere for it. "I was the guy who started it 20 years ago, and I believe deeply in it," Mr. Polisi said. "It's an extremely important part of me and Juilliard." But the likelihood of raising enough money was "exceedingly low," he said. Mr. Polisi said he hoped to raise money to restart the program, on a smaller scale, in two years.

"It's like cutting down the bush, but it's going to bloom with fresh growth in a few years," he said. "It's not going out of business by any stretch."

Discord builds over new downtown Los Angeles arts school

Mitchell Landsberg:

A tug of war erupted last week over L.A.'s new downtown arts high school, with some of its biggest supporters declaring that they had given up on the Los Angeles Unified School District and wanted the $242-million campus turned over to a charter school organization. In response to the critics, who included philanthropist Eli Broad, Supt. Ramon C. Cortines shot back: "There is not a for-sale sign on it."

The tension had been building for months, fueled in part by the district's plan to reserve most of the school's seats for students from the surrounding neighborhood rather than open it up to the most talented students districtwide. It bubbled over after two star principals from the East Coast turned down offers to take charge, leaving the school leaderless less than six months before it opens in September.

"This pace is so slow that we have lost total confidence that the district could open this school in September as a really excellent place for students," said Maria Casillas, president of Families in Schools, a nonprofit organization that encourages parental involvement in education. She is on the board of Discovering the Arts, an organization created to support the downtown arts school, and was on a design team for the school until she recently resigned in frustration.

Casillas and others have reached out to Judy Burton, the president and chief executive of the Alliance for College Ready Public Schools, a successful charter organization, in hopes that she could run the arts school with Board of Education approval. Burton, a former top official at L.A. Unified, said she would do so only in partnership with the district, and with the blessing of Cortines and board President Monica Garcia.

Class Trip

A rite of spring, perhaps.

On Music Education

Bob Lefsetz:

First we met Seth Godin at Maison du Chocolat. It was fascinating to hear him riff on music education, Felice's world. He lamented teachers married to excellence, performance of material that most people were not enamored of. He boiled it down to a sense of mastery. That by learning how to play an instrument, a child experienced a sense of accomplishment. That's the message of music education, not exposing people to the classics or some extrapolation about IQ improvement. That's Seth's gift, the ability to execute an insightful surgical strike, right to the heart of the matter.

Are people ready for it?

Waunakee teacher creates musicals that star all the fifth-graders

Pamela Cotant:

Music teacher Kathy Bartling is on a mission.

"I want every child to have one chance to be on the stage before they leave this school district," Bartling said.

To that end, she has written and produced 30 different musicals where every fifth-grader has a role, despite the growing student population. The first year she had 70 students to work in. This year, she found a way to include 261 students at Waunakee Intermediate School.

She has found ways for students who don't speak English to take part.

This year some students performed as a green inch worm. The required costume was one of 17 new ones she made this year.

West High School presents Stephen Sondheim's "Into the Woods"

An ambivalent Cinderella? A blood-thirsty Little Red Riding Hood? Prince Charming with a roving eye? A Witch... who raps? They're all among the cockeyed characters in James Lapine and Stephen Sondheim's fractured fairy tale "Into the Woods." When the Baker and his Wife learn they're cursed with childlessness, they embark on a quest for the special objects required to break the spell ­ swindling, lying and stealing from Cinderella, Little Red, Rapunzel, and Jack (of beanstalk fame). One of Sondheim's most popular works, this timeless yet relevant piece is a rare modern classic.

Performance and ticket information:

March 6, 7, 13 and 14 • 7:30 pm • West High Auditorium
Tickets are $8 for students and $10 for adults

Buy your tickets online now at www.seatyourself.biz/mwhs

Please join the West HS community in a celebration of the arts in our schools. This year's cast is exceptionally talented and a Sondheim musical is always a treat. "Into the Woods" is a production not to be missed!

Note: "Into the Woods" is not appropriate theater fare for elementary school and younger, less mature middle school children; however, do not worry if you're child's class is going to the school performance on March 10. They are only doing the first act for that performance and the first act is delightfully appropriate for young audiences.

What's Memorial Done Lately?

Madison Memorial has had a pretty good couple of weeks. Last night the boys basketball team won its sixth straight Big Eight conference championship in a rollicking and highly-entertaining showdown with conference runner-up Madison East. Last week, Memorial's boys swimming team won the state championship. Today's State Journal reports that Memorial senior Suvai Gunasekaran will be heading off to Washington as one of the 40 finalists in the Intel Science Talent Search. And last week Memorial senior violinist Ben Seeger was the winner of the Steenbock Youth Music Award in the Bolz Young Artist Competition.

It's also worth pointing out that Suvai will be joined by Gabriela Farfan of West at the Intel Science Talent Search (and so MMSD is supplying 5% of the nation's finalists), and that Ben was joined in the Bolz Young Artists Competition finals by Alice Huang of West (the overall winner) and Ansel Norris of East (and so MMSD supplied 75% of the finalists in this statewide competition).

Madison schools - a diversity of excellence.

Get Lit Players bring poetry's emotions to other L.A. teenagers

Scott Gold:

For as long as he can remember, Dario Serrano's life was all screeching tires and echoing gunshots, babies' cries and barking dogs, a symphony, as he puts it, of "hood rats and gangsters," of "vatos and payasos" -- dudes and numskulls, loosely translated.

By high school, he'd pretty much given up on himself. He bounced around between three schools. He started selling pot, though he always seemed to smoke more than he sold. His GPA fell to 0.67, which is about as bad as you can get and still be showing up.

Literature, it is fair to say, was not resonating. "I mean, 'The Great Gatsby'?" he says incredulously, and when he puts it like that, Lincoln Heights does feel pretty far from Long Island.

When a friend suggested that poetry might be his thing, Serrano scoffed. Grudgingly, he started tagging along to a poetry club, and one day last year he took his lunch break in a classroom where a teen troupe called Get Lit was holding auditions.

Get Lit's artistic director, an African American artist named Azure Antoinette, performed an original composition called "Box," a denunciation of anyone who would define her by the color of her skin, who would lump together, thoughtlessly, faces of color:

A More Joyous Approach: "The War of the Roses"

The Economist:

Queenly Cate Blanchet turns her attention to Richard II

Cate Blanchett is known for the pale beauty of her face and her vivid film performances. Her latest work marks a significant change of pace. As the curtain rises at the Sydney Theatre, she sits centre-stage, a still figure in a white blouse and trousers, blond hair, high cheekbones. A storm of golden petals drifts down from the ceiling, and she wears a crown.

It has become fairly commonplace for film actors to star in London's West End and on Broadway, but this transposition is different. Miss Blanchett is playing the king in Shakespeare's Richard II, the first part of a rigorously condensed version of the eight history plays. Miss Blanchett and her husband, Andrew Upton, have become artistic directors of the Sydney Theatre Company, an organisation which already has a fine opinion of itself. "In so far as there is a National Theatre in Australia, the Sydney Theatre Company is it," says Bob Brookman, the general manager.

Sydney's "The War of the Roses" ruthlessly cuts the histories down to two evening performances, each lasting a little under four hours, focusing on the death of kings and the hollowness of their crown. If this production, performed as part of the Sydney Festival and now on tour, is a clue to the nature of Miss Blanchetts' regime, it will be energetic, controversial, ambitious, and, to use one of Miss Blanchett's favorite adjectives, "noisy." Casting her as Richard II was the bold idea of the director, the fearless 36-year-old Benedict Andrews. Having an actress play Richard II is not original: Fiona Shaw did it in London in 1995. But casting a woman as Richard III most certainly is. He is played by Pamela Rabe, one of Australia's most accomplished actors, without a hump and with a heavy sense of irony, which provokes tense laughter in unlikely places.

Miss Rabe is not as self-consciously feminine as Miss Blanchett, who deploys laughter--her own--to dramatise the alienation of the king from his court, and fondly adopts girlish poses during the deposition scene in which Richard passes the crown to Bolingbroke. Shakespearean actors need to drill their vocal cords and Miss Blanchett seemed a little short of training, but she made a likeable, vulnerable, androgynous monarch. Given the extent of the cuts and transpositions, there could be no lingering over the development of character. The playful relationship between Prince Hal (Ewen Leslie) and Falstaff (John Gaden), for example, was speedily established by Hal fellating Falstaff. Sydney was not fazed.

Many of Australia's best actors have emigrated in search of larger audiences and new writers. Miss Blanchett want to bring in a younger audience to the Sydney Theatre Company's performances. "We're hoping to take a more joyous approach," Mr. Upton said recently. Miss Blanchett and Mr. Upton also want to develop the company's reputation abroad as well as at home. Later this year their production of A Streetcar Named Desire, directed by Liv Ullman with Miss Blanchett as Blanche Dubois, travels to the Kennedy Centre in Washington, DC, and the Brooklyn Academy of Music. In this case of celebrity culture, the emphasis will be on the culture.

Informational Community Sessions on the Madison Fine Arts Task Force

Tuesday March 10, 2009 6 to 8p.m.
Memorial High School - Wisconsin Neighborhood Center [Map]

Thursday March 12, 2009 6 to 8p.m.
LaFollette High School in the LMC [Map]

The Madison Metropolitan School District (MMSD) will be sharing the recommendations of the Fine Arts Task Force. We are cordially inviting you to attend one or both of these sessions.

The focus of each session will be a presentation of the findings and recommendations of the Fine Arts Task Force followed by an opportunity for discussion. The Executive Summary and complete Fine Arts Task Force Report can be found at http://www.mmsd.org/boe/finearts/.

We are looking forward to sharing this information with you and hearing your thoughts about the research and recommendations provided by the Fine Arts Task Force.

Feedback from sessions and the recommendations from the Fine Arts Task Force will assist in improving the MMSD K-12 Fine Arts program and opportunities for our students,

If you have any questions or comments, please contact Julie Palkowski at jpalkowski@madison.k12.wi.us

Lisa Wachtel
Executive Director of Teaching and Learning

Julie Palkowski
Coordinator of Fine Arts

Please share this information with others that may be interested in attending these sessions and/or sharing their comments.

Arts & the Economy Report

Mariel Wozniak, via email: The National Governor's Association 4.5MB PDF Report:

Today, the National Governors Association (NGA) has released Arts & the Economy: Using Arts and Culture to Stimulate State Economic Development. This comprehensive report is a product of the long-standing partnership between the NEA and NGA, with extensive research support from the National Assembly of State Arts Agencies (NASAA). At this moment, the report is enjoying front page status on the NGA website at www.nga.org . It's not often that governors receive information from the NGA that gives such high priority to the arts as a policy solution to the issues they are facing. Arts & the Economy arrives on the desks of governors at what is obviously a critical decision-making period for all states. We're confident you will find it is a valuable resource to share with your governor, legislators, constituents and advocates as you move through the budget process for FY 10.

This page discusses the importance of the arts and culture to states, and lists all the arts reports and issue briefs the NGA has produced with the NEA, with NASAA's assistance.

Here is a quotation I placed in one of the meeting rooms in the Ruth Bachhuber-Doyle Adm. Building during my tenure at MMSD. It ought to be in every school:

"Our greatest scientists are generally skilled in non-verbal thinking yet we usually discourage science students from studying artistic subjects. Unless we reverse this trend, they will continue to be cut off from thought processes that lead to creative breakthroughs."
Dr. Robert Root-Bernstein, Professor of Physiology at Michigan State University, formerly scientist with the Salk Institute.

Wisconsin Task Force on Arts & Creativity

creative.wisconsin.gov:

In March of 2008, Lieutenant Governor Barbara Lawton and State Superintendent Elizabeth Burmaster formed the Wisconsin Task Force on Arts and Creativity in Education and they began their work to assert the central role of the arts and creativity in education in this 21st century global economy. (You can watch a short video on the Task Force's launch here.) The Co-Chairs and Task Force members alike understand creativity to be the bedrock of the arts, the renewable resource that will be the sustainable energy of this economy. As international expert Charles Landry says, "Creativity is one of the last remaining legal ways to gain an unfair advantage over the competition.

Through this web site you will learn about the Task Force and its workgroups. You can listen to the testimony from the Public Forums and experience the resources that influenced the Task Force's work.

Baltimore Symphony Trains Disadvantaged Kids

Weekend Edition:

On a block with boarded-up row houses and broken windows sits Baltimore's Harriet Tubman Elementary School. Practically all of the students at the school get free or reduced-price lunches. Some of the kids live in homeless shelters.

But a remarkable new music program lives inside the school's unremarkable walls. OrchKids is a collaboration between the Baltimore Symphony Orchestra and the school. The idea is to introduce disadvantaged students to classical music, and maybe change their lives in the process.

The Baltimore Symphony's Dan Trahey runs the OrchKids program. This is the first year of the project, which has started with the younger students -- mostly first-graders. Each year, it'll grow to eventually encompass the whole school.

Trahey has an advanced music degree and is a trained orchestra musician. Before taking over OrchKids, he says he felt like he was performing for the wrong audience -- symphony subscribers who really didn't need the music.

Bookmarks

The Art of Bookmark:

Outstanding bookmarks vintage and modern
Bookmark design in manifold shapes and make-up.

L.A.'s new arts school an expensive social experiment

Mitchell Landsberg:

The campus has long been intended as a local school, mostly serving students from surrounding neighborhoods. Critics say the district's best resources shouldn't be restricted geographically.

With just nine months left before it opens, a new arts high school in downtown Los Angeles still lacks a principal, a staff, a curriculum, a permanent name and a clearly articulated plan for how students will be selected -- critical details for a school that aims to be one of the foremost arts education institutions in the United States.

Central High School No. 9 does have a completed campus, believed to be the second most expensive public high school ever built in the United States. But the very fact that it offers what may be the finest such facilities in the region has fueled a debate over the district's plan to operate it primarily as a neighborhood school, with fewer than one-quarter of its slots allotted to students citywide.

Benjamin Zander Talk

Well worth watching as Zander discusses giving students an A on their first assignment. Zander begins with a discussion of living in either the "Downward Spiral" or an alternative world of "Possibilities". A 15 year old cello player makes an appearance. Clusty search on Benjamin Zander.

Keeping Notes Afloat in Class

Michael Alison Chandler:

Third-graders at Hunters Woods Elementary School are required to learn the fundamentals of the violin. They know how to stand up straight, how to hold their instruments and how to use the tippy tips of their fingers when they press on the strings so they don't make what their teacher calls "an icky sound."

After learning a grand total of eight notes, they also know how to make music. Their repertoire one fall morning included pieces from a range of cultures and styles: "Caribbean Island," "Seminole Chant," "Good King Wenceslas."

In Fairfax County and elsewhere, students often begin studying violin in fourth grade. Hunters Woods, an arts and science magnet school in Reston, gives them a one-year head start. Experts say the earlier children begin, the more likely they are to succeed in music.

Hunters Woods, with 950 students, is one of more than a dozen local schools in which teachers are trained through the Kennedy Center for the Performing Arts to infuse arts education into other subjects. For instance, students might build instruments from recycled materials, learn science through lessons on sound and vibration or study math through measurement and patterning. Some also compose songs with lyrics inspired by Virginia history.

But music programs and the rest of the education budget are under scrutiny as the county School Board seeks to close a $220 million budget shortfall for the fiscal year that begins in July. One proposal to save about $850,000 would trim band and strings teaching positions, making it tough to keep such programs in third and fourth grades, said Roger Tomhave, fine arts coordinator for Fairfax schools.

This tune sounds familiar. Madison formerly offered a 4th grade strings program (now only in 5th).

Arts Integration Aids Students' Grasp of Academics

Julie Rasicot:

Teacher Karen McKiernan's science class at Dr. Charles R. Drew Elementary School seemed more like a lesson in art appreciation than the laws of physics as students focused on a poster of an abstract painting propped against the blackboard.

The room buzzed with questions as the fifth-graders at the Silver Spring school queried each other about the piece, "People and Dog in the Sun," by Joan Miró.

"What would this painting look like if it was not abstract?" 10-year-old Annesha Goswami asked her classmates.

"Why do you think there are so many dark colors and only one bright color?" asked Elizabeth Iduma, 10.

The students, participants in the school's talented and gifted magnet program, were practicing a thinking routine called "creative questions" which was designed to help them "think outside the box," McKiernan said. For the class's next meeting, McKiernan said, she planned to have students relate their thoughts about the artwork to the concepts of force, motion and energy that the fifth-graders had been studying.

Students Show a Growing Appreciation for Classical Music

Lindsay Christians:

Zou Zou Robidoux loves classical music and is not ashamed to talk about it.

"I'm a geek about it," said the 16-year-old Robidoux, who began playing in fourth grade. "It's 90 percent of the music I listen to."

As for the cello, she added, "I can't even describe how much I love it and how much it fits me."

Robidoux may seem like an anomaly among teens, most of whom are more interested in listening to Lil Wayne or Panic! at the Disco. But in Madison, that's not exactly true.

Robidoux is one of hundreds of local young people with a growing interest in classical music. And while the majority of the Overture Center's audiences for symphony, chamber orchestra and opera may be over 50, that's not an indication that classical music is dying. Interest in the classics is part of a national trend that runs counter to conventional wisdom.

Doggie Biscuit for Kohn: Author rips testing, other sacred classroom concepts

By Lisa Schencker:

Rising test scores are no reason to celebrate, author Alfie Kohn told teachers at the Utah Education Association (UEA) convention on Friday.

Schools that improve test scores do so at the expense of other subjects and ideas, he said.

"When the scores go up, it's not just meaningless. It's worrisome," Kohn told hundreds of educators on the last day of the convention. "What did you sacrifice from my child's education to raise scores on the test?"

Kohn, who's written 11 books on human behavior, parenting and schools, spent nearly two hours Friday morning ripping into both established and relatively new education concepts. He slammed merit pay for teachers, competition in schools, Advanced Placement classes, curriculum standards and testing--including Utah's standards and testing system -- drawing mixed reactions from his audience.

"Considering what we hear a lot, it was pure blasphemy," said Richard Heath, a teacher at Central Davis Junior High School in Layton.

Kohn called merit pay--forms of which many Utah school districts are implementing this year--an "odious" type of control imposed on teachers.

"If you jump through hoops, we'll give you a doggie biscuit in the form of money," Kohn said.

He said competition in schools destroys their sense of community. Advanced Placement classes, he claimed, focus more on material but don't do much to deepen students' understanding. He said standardized tests are designed so that some students must always fail or they're considered too easy, and often the students who do poorly are members of minority groups.

"We are creating in this country before our eyes, little by little, what could be described as educational ethnic cleansing," Kohn said. He called Utah's standards too specific and the number of tests given to Utah students "mind-boggling."

He called on teachers to explain such problems to parents and community members.

"The best teachers spend every day of their lives strategically avoiding or subverting the Utah curriculum," Kohn said.

Many teachers said they agreed with much of Kohn's talk, but disagreed on some points.

Shauna Cooney, a second grade teacher at Majestic Elementary School in Ogden, said it's important to have standards that give all children equal opportunities to learn certain concepts before they move forward.

Sidni Jones, an elementary teacher mentor in the Davis School District, agreed that current standardized tests are not as meaningful as other types of assessment, but she said it is hard to fight the current system.

"You can't just openly rebel against standardized testing because they're mandated," Jones said. "That's part of our jobs."

Rep. Kory Holdaway, R-Taylorsville, who is also a special education teacher at Taylorsville High School, said he walked out of the speech.

"We have got to have some degree of accountability for the public," Holdaway said. "The public demands it. Sometimes we forget who our customers are in terms of children and families."

Others, however, largely agreed with Kohn.

"It was awesome," said Claudia Butter, a teacher at the Open Classroom (good grief, are there still Open Classroom schools around??? Lord help us!) charter school in Salt Lake City. "With little steps we might be able to effect a change."

UEA President Kim Campbell said the UEA doesn't necessarily agree with everything Kohn advocates, but chose him as the keynote speaker because of his thought-provoking ideas.

"We want our members to constantly be challenging themselves and be thinking about new ideas and what they're doing in the classroom," Campbell said.

some of Alfie Kohn's books: The Homework Myth; What Does it Mean to Be Well Educated?, And More Essays on Standards, Grading, and Other Follies; Punished by Rewards; No Contest: The Case Against Competition; The Case Against Standardized Testing; Beyond Discipline, etc.]

Input Sought for Arts and Creativity Meeting

Wisconsin Department of Public Instruction:

Educators and community members are invited to provide examples of promising programs focusing on the arts and creativity in schools, communities, or the workplace. The information will be used to help Wisconsin infuse creativity, the arts, innovation, and entrepreneurship into education at the state and local levels in Wisconsin.

The request comes from the Wisconsin Task Force on Arts and Creativity in Education, which has worked over the past six months toward a statewide plan to strengthen arts and creativity education in the state.

Fine Arts Task Force Report Available On-line

Last night, Fine Arts Task Force co-chairs Barb Schrank and Anne Katz presented the committee's report at the regular school board meeting. It is a fine document and a reminder of how fortunate we are to have a community that is rich in arts resources and people with a clear understanding of the importance of the arts in educational programs. We all owe this group a significant debt for their diligence in putting together a comprehensive document and set of recommendations.

The report and committee minutes and meeting materials are available on-line at:
http://www.madison.k12.wi.us/boe/finearts/

Last night the board voted to receive the report and turn it over to administration and staff for analysis and comment. Later this school year, the superintendent and board will hold input sessions to give the community a chance to weigh in on the report and on priorities. I am not sure if this will be done as part of the strategic planning process that the new superintendent has in mind or as a separate process, but I am confident that there will be opportunities to weigh in.

For now, this group deserves a big THANK YOU for their work.

Adolescent Anxiety: The Musical

Bruce Weber:

He was never much of a student, but Jason Robert Brown was a precocious kid. Growing up in Monsey, N.Y., about an hour north of Manhattan, he became enthralled by music at age 4, was taking lessons at 5. At his first recital -- age 6 -- he not only outplayed his teacher's other students, he also supplied the verbal patter of a natural entertainer.

"He just started chatting with the audience," his mother, Deborah Brown, recalled. "I was floored. Nobody knew where it came from."

Once, before he could write in script, he filched a checkbook from one of his parents, wrote out a check and sent it to a mail-order record club. Fortunately he didn't get all the particulars right, and the check was returned because it was unsigned. Teachers plucked him from third grade and plopped him into the fourth, not because of straight A's but because he wasn't paying attention.

"He was good in everything, but if it wasn't music, he didn't do the work," said Mrs. Brown, a former English teacher.

McCain & Obama's Art Policy Statements

Salt Lake City Tribune:

Here are the arts policy statements of John McCain and Barack Obama:
John McCain
"John McCain believes that arts education can play a vital role fostering creativity and expression. He is a strong believer in empowering local school districts to establish priorities based on the needs of local schools and school districts. Schools receiving federal funds for education must be held accountable for providing a quality education in basic subjects critical to ensuring students are prepared to compete and succeed in the global economy. Where these local priorities allow, he believes investing in arts education can play a role in nurturing the creativity of expression so vital to the health of our cultural life and providing a means of creative expression for young people."

Barack Obama Reinvest in Arts Education: To remain competitive in the global economy, America needs to reinvigorate the kind of creativity and innovation that has made this country great. To do so, we must nourish our children's creative skills. In addition to giving our children the science and math skills they need to compete in the new global context, we should also encourage the ability to think creatively that comes from a meaningful arts education. Unfortunately, many school districts are cutting instructional time for art and music education. Barack Obama believes that the arts should be a central part of effective teaching and learning

Hartland Arrowhead Honored for Best High School Musical

Channel3000:

A Wisconsin high school will receive an award Thursday for producing the best high school musical in the nation.
Arrowhead High School about 30 miles west of Milwaukee is being honored for last year's production of "Cats."

The school has spent the past decade developing a musical theater program so strong students joke the Broadway Company is a varsity sport. Its graduates have gone on to major in music at Harvard University, Lawrence University and the Chicago College of the Performing Arts.

Arts Task Force to present findings and recommendations to Madison School Board: Presentation at 6 pm, Monday, October 6, 2008

Doyle Administration Building, 545 West Dayton Street, Madison [Map]

"The arts are not a luxury; they are essential". State Supt. of Public Instruction Elizabeth Burmaster

Being concerned about the effect of cuts to funding, staffing and instruction time on arts education and the effect of these cuts on low-income students and students of color, the Madison Metropolitan School District's (MMSD) Board of Education formed the district's Fine Arts Task Force in January 2007 to respond to three charges:

1. Identify community goals for Madison Metropolitan School District K-12 Fine Arts education including curricular, co-curricular and extra-curricular.
2. Recommend up to five ways to increase minority student participation and participation of low-income students in Fine Arts at elementary, middle and high school levels.
3. Make recommendations regarding priorities for district funding of Fine Arts.

Members of the Task Force will present the findings and recommendations to the MMSD School Board on Monday, October, 6, 2008, at 6:15 pm, in the McDaniels Auditorium of the Doyle Administration Building, 545 West Dayton Street, Madison.

Students, parents and the general public are encouraged to attend to show support for the role of the arts in ensuring a quality education for every MMSD student. Attendees can register in support of the report at the meeting.

Nineteen community members, including 5 MMSD students, were appointed by the School Board to the Task Force, which met numerous times from February 2007 through June 2008. The Task Force received a great deal of supportive assistance from the Madison community and many individuals throughout the 16 month information gathering and , deliberation process. More than 1,000 on-line surveys were completed by community members, parents, artists, arts organizations, students, administrators and teachers, providing a wealth of information to inform the task force?s discussions and recommendations.

The full Task Force report and appendices, and a list of Task Force members, can be found at http://mmsd.org/boe/finearts/.

Fine Arts Task Force Report [1.62MB PDF] and appendices:

• Workplan-1
• Survey Instruments [22.3MB PDF]
• Survey Tabulation [141K .xls]
• Open Ended Summaries [400K PDF]
• Arts Financial Analysis [153K .xls]
• Madison School District Budget History Request [124K .xls]
• Enrollment Data [2MB]

For more information, contact Anne Katz, Task Force co-chair, 608 335 7909 | annedave@chorus.net.

DCPAC Dan Nerad Meeting Summary

A video tape of the entire presentation and discussion with Dr. Nerad may be viewed by visiting this internet link: http://www.schoolinfosystem.org/archives/2008/09/ madison_superin_10.php

Dan Nerad opened his remarks by stating his commitment to efforts for always continuing change and improvement with the engagement of the community. He outlined four areas of focus on where we are going from here.

1. Funding: must balance district needs and taxpayer needs. He mentioned the referendum to help keep current programs in place and it will not include "new" things.
2. Strategic Plan: this initiative will formally begin in January 2009 and will involve a large community group process to develop as an ongoing activity.
3. Meet people: going throughout the community to meet people on their own terms. He will carefully listen. He also has ideas.
4. Teaching and learning mission: there are notable achievement gaps we need to face head-on. The "achievement gap" is serious. The broader mission not only includes workforce development but also helping students learn to be better people. We have a "tale of two school districts" - numbers of high achievers (including National Merit Scholars), but not doing well with a lot of other students. Low income and minority students are furtherest away from standards that must be met. Need to be more transparent with the journey to fix this problem and where we are not good. Must have the help of the community. The focus must be to improve learning for ALL kids, it is a "both/and" proposition with a need to reframe the issue to help all kids move forward from where they are. Must use best practices in contemporary assessment, curriculum, pedagogy and instructional methods.

Dr. Nerad discussed five areas about which he sees a need for community-wide conversations for how to meet needs in the district.

1. Early learning opportunities: for pre-kindergarten children. A total community commitment is needed to prevent the 'achievement gap' from widening.
2. High schools: How do we want high schools to be? Need to be more responsive. The curriculum needs to be more career oriented. Need to break down the 'silos' between high school, tech schools and colleges. Need to help students move through the opportunities differently. The Small Learning Communities Grant recently awarded to the district for high schools and with the help of the community will aid the processes for changes in the high schools.
3. School safety: there must be an on-going commitment for changes. Nerad cited three areas for change:

   a. A stronger curriculum helping people relate with other people, their differences and conflicts.
   
   b. A response system to safety. Schools must be the safest of sanctuaries for living, learning and development.
   
   c.Must make better use of research-based technology that makes sense.

4. Math curriculum and instruction: Cited the recent Math Task Force Report

   a. Good news: several recommendations for curriculum, instruction and policies for change.
   
   b. Bad news: our students take less math than other urban schools in the state; there are notable differences in the achievement gap.

   Fine Arts: Cited recent Fine Arts Task Force Report. Fine arts curriculum and activities in the schools, once a strength, has been whittled away due to budget constraints. We must deal with the 'hands of the clock' going forward and develop a closer integration of the schools and community in this area.

Dr. Nerad introduced Mr. Erik Kass, Assistant Superintendent for Business Services who made the following remarks:

1. He is leading the management team in a revisit of the budget model and looking at the financial system; how the district does business; and, how effectively are we spending the money.
2. He will be looking to the city and county for partnerships and shared services
3. His mission with the Board of Education and the public is to present information in ways which ensure that information is accurate, honest, understandable and accessible.

Following are questions and comments from DCPAC members and guests with responses from Dr. Nerad.

1. John Pinto: a) what if the referendum fails? [Nerad: engage the community in priorities. He has an idea list of cuts, but is not sure if those are cuts in the right places.] b) how to get teachers less into 'politics' and more into school? [Nerad: there is a need to separate the work of teachers from politics in the schools. Continuing professional development in teaching and learning and by encouraging new teachers who make teaching their 'first' career choice.]
2. Nancy Mistele: a) urged engaging former board members and other community people with historical perspectives, expertise, etc. to offer the district; b) Fund 41 a good idea. [Nerad: the benefit of Fund 41 will be to reduce the negative impact on the Madison property tax payers for state aid and Fund 80 will reduce the amount of tax authority outside the revenue caps]; c) what does it cost to educate a child in this state and what does it cost not to educate children properly? [Nerad: The answer to those questions are very complex and involve community priorities and the state legislature engaging in proactive efforts.]
3. Don Severson: What are your thoughts and plans for cost/benefits/results analyses of programs and services on both sides of the house--educational and business? [Nerad: Outcome assessments should be tied to the strategic plan. He is very much interested in program evaluation - what is the cost and how it is done. He believes application of experimental research methodology for program assessment is questionable.]
4. Jonathon Barry: Stated his thanks to Dr. Nerad for his clear enunciation of the issues and directions. Barry remarked about his involvement with the :Fresh Start" program. There are 4000 disconnected youth in our area. Stated that MMSD will not contract with Fresh Start and that the Madison Teachers contract is a barrier to the issue. [Nerad: will contact Barry to set up a meeting. He needs to evaluate and determine where the district is with alternative programs. The principals are asking for help. We need more alternatives--it is all about students.]
5. Judy Reed: She is the principal of the Dane County Transition School, not associated with MMSD, but believes there also should be a working arrangement. Relationships are the key with the disconnected kids. Asked why does there need to be one dropout? [Nerad: will contact Reed to arrange a meeting.]
6. Gary Schmerler: Requested consideration for MMSD involvement in the county consortium for charter schools. [Nerad: he has asked that MMSD be at the table for the consortium dealing with career-based alternatives. He raised the question for further discussion as to: why do people want charters and how can we be more responsive in our programming in the district?"]
7. Phil Salkin: Suggested Nerad and others connect with www.wisconsinway@wcgpr.com for a statewide initiative underway to look at funding for education in Wisconsin and how individuals and groups can participate in that effort. He stated it was refreshing to hear about the initiatives for cost analyses, workforce development, etc., but the community and state must provide funding for education.
8. Chan Stroman: Stated that the district and community can't continue to excuse the problem of school safety fixes until school finance is fixed. She also stated that it does cost more to educate students from low-income families and for special needs students.
9. Dave Glomp: Expressed thanks to Nerad as a: breath of fresh air" and for his transparency. Requested the district to address the teacher contract as out of sync, collaborative, with the budget process. [Nerad: he will look at all of that. Also stated that teaching needs to be a profession of first choice. There also needs to be more of a balance of male and female teachers, especially at the elementary level.]

Final statement by Dr. Nerad: He is committed to keep communications open and the community engaged in the issues and problem resolutions. He urged individuals and the group to communicate with him their suggestions and needs.

#####

Youth express ideas and dreams through art

A. David Dahmer:

Art and working with young minds are two of Sheba McCants' passions in life. Through mural making, she has been able to combine those two passions to make a difference in the lives of some Madison-area girls.
McCants has teamed up with Madison SOS (Speak Out Sister) to create a community mural that reflects and celebrates local teen girls' vision for the future of their city. The Mural Unveiling Celebration -- the culmination of six weeks of hard work on a 32-foot wall -- will take place on Friday, Sept. 26, at the Wisconsin Youth and Family Center, 1201 McKenna Blvd.

The idea for the mural hatched about a year ago, when McCants, who works for the Urban League of Greater Madison by day, and Natalia Thompson, who is the project coordinator for Madison SOS, were talking about working on a project together. "We sent out e-mails to a lot of different people and the Wisconsin Youth and Family Center responded and said that they would love to have a mural in their gymnasium," McCants says. "Natalia was the grant writer and has helped me facilitate and coordinate the project. She has been huge, in terms of getting this all together

This summer, McCants and other high school artists have created a design for the mural that expresses the young ladies' ideas and dreams -- and then spent six weeks learning about the art of mural making, painting, and having fun with other girls who love art.

Student Music at the Madison Farmer's Market

Enterprising students from Madison's West High School. I learned that one can make well over $100 on a Saturday morning.

Performance Artist Writes 'Mother on Fire'

Scott Simon @ NPR continues the Sandra Tsing Loh media frenzy:

Artist and author Sandra Tsing Loh has a new book about her life as a mother of two young children and the agony and ecstasy of sending them to Los Angeles public schools.

audio

Tsing Loh contrasts fine arts in the public schools versus "general music".

"Middle School Madness Blog"

by Unnamed MMSD Educators [RSS]. The blog touches on the "Standards Based Report Card" initiative among a number of other topics.

What about . . . THE 6th GRADE STUDENT READING AT A 2nd GRADE LEVEL?

From the district Curricular Standards:

"These Grade Level Performance Standards describe behaviors typical at the specified grade level. They represent behaviors students generally exhibit as they move from novice to expert in their ability to take control of language processes. It is important to remember, however, that literacy learning may not be sequential and each child has a unique developmental pattern."

The 6th grade student reading at a 2nd grade level earns a ONE (remember, no zeroes) for the Power Standard of Reading Comprehension. Why? For not meeting the "behaviors typical at the specified grade level " (6th).

Now, if said student raises her/his reading level to that of a 4th-grade student, guess what. That student still does not meet the 6th grade standard and will still earn a ONE for the Power Standard of Reading Comprehension. Effort and improvement are not taken into consideration in this constricted construct for grading.

via a kind reader email.

Much more on standards based report cards here.

School starts early for musically inclined

Pameal Cotant:

When some area students start band and strings classes for the first time this fall, they will have a head start.

That's because some school districts, including Madison, offer lessons in the summer for beginning as well as continuing students. They are part of the summer school program.

"If we would just start in school then we wouldn't know many of the notes and the basic songs," said Karly Keller, who will play the clarinet as a Waunakee sixth-grader this fall. "We can just jump back in when school starts."

In the Waunakee School District, lessons are first offered for strings students in the summer before fifth grade. Band students can start taking the lessons just before sixth grade.

"We've always started our beginners in the summer because typically they have more time in the summer than the regular school year," said Ross Cowing, sixth-grade band director and the summer music coordinator for Waunakee Intermediate School.

OSU to sponsor proposed Tulsa charter school

April Marciszewski:

Oklahoma State University has agreed to sponsor a proposed charter high school in Tulsa that would recruit juniors and seniors from across the state to study arts and other subjects "through the lens of art," as leaders described it.

The Oklahoma School for the Visual and Performing Arts is still seeking the Legislature's approval to create the school and to fund about $5 million annually for operations, said David Downing, the school's co-chairman with his father-in-law, John Brock, a retired Tulsa oilman and philanthropist.

Leaders plan to raise $20 million in private donations to pay for land, buildings and equipment, Downing said.

The school would be the artistic equivalent of the Ok-lahoma School for Science and Mathematics in Oklahoma City.

Camp Leads a Drumbeat for a Marching Band's Style

Samuel Freedman:

As his extended family gathered around the table for dinner last Christmas, Ben Brock received one final present. It was a scrapbook, each page adorned with photos of him as a child and handwritten notes from his relatives. Then, on the last sheet, the names of his mother, sister, uncles and aunts appeared, with a dollar figure next to each.

Those numbers reflected the money they had pledged to send Ben, 16, almost as far from his home in Seattle as it was possible to go within the continental United States. At the end of that journey lay the dream he had nurtured since watching the movie “Drum Line” in sixth grade: to become part of the Marching 100, the renowned band at Florida A&M University.

So on a gauzy gray morning seven months later Ben and his snare drum strode onto the dewy grass of the band’s practice field on the Tallahassee campus. He had been awakened at 5 a.m. and the day’s last rehearsal would not end until 10 p.m. His feet screamed. His shoulders ached. Gnats swarmed around his face, daring him to break rhythm and lose composure.

Meeting special needs through art

Pamela McLoughlin

Early in her career teaching special education, Beverly Levett Gerber once had an unusual mix of students; some had behavior problems, others developmental disabilities and some were gifted.
It was quite the challenge, but she knew how to achieve harmony.

“There were few things we could do together, but we could do the art work together at their rate and level,” Gerber said. “When you reach them at their level, they succeed.”

Gerber, a professor emeritus at Southern Connecticut State University who still teaches a course each semester, is a nationally recognized star in the fields of both art education and special education, most noted for combining the two seemingly divergent fields. Gerber taught at her alma mater, Southern, for 33 years before retiring from full-time work in 2003.

“Because of the uniqueness of the two fields coming together, I call myself a matchmaker,” Gerber, of Milford said with a twinkle in her eye.

Gerber’s commitment to the notion that art is a vehicle for special needs students to learn other subjects, to express themselves emotionally and show their level, has led to such groundbreaking progress in the field that colleagues from the National Art Education Association established The Beverly Levett Gerber Lifetime Achievement award to go each year to an outstanding art educator who works with special needs children.

And the Band Honked On: A Professional Musician Teaches 6th Graders

Daniel Wakin:

It was early in the school year. A young professional French horn player named Alana Vegter, a thoroughbred musician trained by elite teachers, took a handful of trumpet and trombone players into an equipment supply room. Speaking in the flat tones of the Chicago suburb where she grew up, Ms. Vegter tried to coax notes out of each player. A tall sixth-grade trumpeter named Kenny Ocean, his pants sagging around his hips, played too high, then too low. A smile spread across his face when he hit it right.

“You see, every time you do it, it gets easier,” Ms. Vegter said. On her cue they all bleated together. “I’m starting to hear everybody making nice, healthy sounds,” she said, half in praise, half in hope.

So began Ms. Vegter’s year in Ditmas Junior High School, Intermediate School 62, in the Kensington section of Brooklyn. It was a year that would teach her the satisfaction of tiny victories in a place where homelessness means that some kids cannot take their instruments home to practice, where chronic asthma forces some to switch from wind instruments to percussion, where the roar of a lunchroom leaves a newcomer stunned.

Ms. Vegter, 25, was there as part of a well-financed experiment by some of the nation’s most powerful musical institutions. The experiment is called, clumsily, the Academy -- a Program of Carnegie Hall, the Juilliard School and the Weill Music Institute (the institute being an arm of Carnegie).

In its second season, which ended this month, the academy extended fellowships to 34 graduates of leading music schools to receive high-level coaching and lessons in a two-year program. They play concerts on Carnegie’s stages and participate in master classes. Part of the deal is a commitment to teach one and a half days a week at a New York public school, which pays the academy $13,200 for the service.

Clusty Search: Lemont High School Band.

Art, music give students skills to succeed in tomorrow's world

Ray Binghamand Lisa Gonzales Schoennauer:

Budget cuts. Teacher layoffs. In this time of budget crisis, can our public schools really afford to continue funding arts and music education?

The appropriate question is: Can California schools afford not to?

The Dana Arts and Cognition Consortium recently identified a direct correlation between arts experiences and both academic achievement and personal development. The research shows that students who are exposed to the arts demonstrate increased overall academic success beyond just test scores, are connected to the world outside of school, and have more self-confidence.

What's more, the report found that training in the arts leads to higher levels of reading acquisition, motivation, extended attention spans, information recall in long-term memory, and understanding of geometric representation. For example, specific pathways in the brain can be identified and improved during performing and visual arts instruction.

Not convinced by the academic research? Then look at the economics.

Zeum: An Arts & Technology Museum for Kids & Families

zeum.com

Zeum is a non-profit multimedia arts and technology museum with a mission to foster creativity and innovation in young people of all backgrounds, communities and learning styles. By providing hands-on experiences in four core creative processes (animation, sound and video production, live performance and visual arts), we encourage youth to share their stories, build their voices, and use multimedia tools for creative self-expression.

Sounds of hope from Paraguay dump

Alfonso Daniels via a kind reader's email:

Suddenly the sound of violins playing Handel's Music for the Royal Fireworks breaks the sound of stray dogs' barking and rubbish trucks, taking the visitor to the streets of any European city like Prague or Vienna.

This is Cateura, the main rubbish dump of Paraguay's capital, Asuncion, where the conductor of the country's symphony orchestra, Luis Szaran, has established a music school.

"I came here once and saw a woman holding a newborn child with one hand and picking up rubbish with the other, and told myself this could not go on, this is how everything started," recalls Mr Szaran, who is of Hungarian and Polish origin.

He launched the Sonidos de la Tierra (Sounds of the Land) initiative six years ago to bring classical and folkloric music to the poorest children with the help of the Swiss non-governmental organisation,

Madison's Cherokee Middle School 6th Grade Concert

Listen:

• Band: 1MB On Wisconsin mp3 audio file.
• Choir: 2.66MB mp3 audio file.
• Orchestra: "Smoke on the Water" 3.2MB mp3 audio file

Remarkable.

The art of improving education

Jack Khoury:

"It is forbidden to dance"; "it is forbidden to paint"; "it is forbidden to sing"; "it is forbidden to play an instrument." These statements were printed on signs displayed in mainly Arab neighborhoods in Haifa. The signs were hung as armor in the battle mounted by the Non-profit Organization for the Advancement of Arab Public Education in Haifa, to open a school for the arts to serve the city's Arab sector. The organization also collected parents' signatures in a petition that urges the Haifa Municipality and Education Ministry to reverse their positions and support the school, which would be the first of its type in the Israeli-Arab sector.

In August last year, the organization filed an appeal to the High Court against the ministry and the municipality, demanding that the school be opened. Months later, while still waiting for the court's ruling, the organization decided to launch the campaign. According to the organization, the school could staunch the flow of students to Haifa's private schools and even boost the public education system in the city's Arab sector. Organization members stress that a swift ruling by the court is vital, because the placement committee for the city's special schools will soon complete its activities for the coming school year and the future of the school would rest in the hands of that committee.

Sun Prairie band takes third in NYC competition

AP:

The Sun Prairie High School Jazz Band took home the third-place trophy from the Jazz at Lincoln Center's 13th Annual Essentially Ellington competition this weekend.

Two high school jazz bands from Seattle took home the top honors in the competition that culminated with a Saturday night concert, in which they performed with trumpeter Wynton Marsalis as guest soloist.

Marsalis, JALC's artistic director, presented the first-place trophy to Scott Brown, director of the Roosevelt High School Jazz Band, during the awards ceremony and concert at Avery Fisher Hall.

Seattle's Garfield High School Jazz Band took second place, but it boasted the winner of the Outstanding Soloist Award in clarinetist and tenor saxophonist Carl Majeau.

Art Project at Winnequah

Peter Sobol:

Kristin is spearheading an effort to bring artists Jeanne and David Aurelius to the district next fall for an artist-in-residence program with the goal of rendering a large tile mural in the Winnequah cafeteria. The project is meant to enhance the environment at Winnequah and mark the transition to an elementary school.

The project involves the artists working with the elementary students to select a theme, create the artistic elements and merge them into the overall design, manufacture the individual tiles (one per student) and then install them as a mural. The result is a unique and permanent creation that is an expression of the students and the school community.

More details of the process can be found on the Clay Bay Pottery website.

5 Milwaukee Schools Envision Arts Campus

Alan Borsuk:

In a sign that the climate around arts offerings in Milwaukee Public Schools has taken a definite turn for the better, leaders of five arts specialty schools said Thursday that they are banding together to create a kindergarten through 12th grade "arts campus" aimed at strengthening their programs.

For now, the campus is a matter of the schools cooperating and coordinating actively, but the goal is to create a physical campus that could include moving the Milwaukee High School of the Arts from 2300 W. Highland Ave. to the area around N. 8th and W. Walnut streets, near where Roosevelt Middle School of the Arts and Elm Creative Arts School are located.

That would mean students could go to arts specialty programs from start to finish of their K-12 years in the same area, which is within walking distance of the Milwaukee Youth Arts Center, a nonprofit organization offering programs and facilities to students from throughout the metropolitan area.

Art Without Craft

On the website www.michelangelo.com/buon/bio, I learn that:

"When Michelangelo turned 13-years-old he shocked and enraged his father when told that he had agreed to apprentice in the workshop of the painter Domenico Ghirlandaio. After about one year of learning the art of fresco, Michelangelo went on to study at the sculpture school in the Medici gardens and shortly thereafter was invited into the household of Lorenzo de' Medici, the Magnificent...During the years he spent in the Garden of San Marco, Michelangelo began to study human anatomy. In exchange for permission to study corpses (which was strictly forbidden by The Church), the prior of the church of Santo Spirito, Niccolò Bichiellini, received a wooden Crucifix from Michelangelo (detail of Christ's face). But his contact with the dead bodies caused problems with his health, obliging him to interrupt his activities periodically.

"Michelangelo produced at least two relief sculptures by the time he was 16 years old, the Battle of the Centaurs and the Madonna of the Stairs (both 1489-1492), which show that he had achieved a personal style at a precocious age..."...(and later) “Michelangelo also did the marble Pietà (1498-1500), still in its original place in Saint Peter's Basilica. One of the most famous works of art, the Pietà was probably finished before Michelangelo was 25 years old.”

My apologies for quoting at such length from a biography, but I have seen his Pietà in Rome on several occasions, and it seems clear to me that it took a gifted young man, with great acquired skill in the craft of shaping marble with hammer and chisel, perhaps two years to achieve this masterwork.

Fast forward to the modern period, when we learn from The Boston Globe, in an article in February 2002 by Dave Barry, that:

“...Another important British artist is Damien Hirst. He won the Turner Prize in 1995, for an entry that consisted of (I am not making any of this up) a cow and a calf cut in half and preserved in formaldehyde. Last October, a London gallery threw a party to launch an exhibition by Hirst. When it was over, there was a bunch of party trash—beer bottles, ashtrays, coffee cups, etc.—lying around. Hirst, artist that he is, arranged this trash into an ‘installation,’ which is an artistic term meaning ‘trash that the gallery can now price at 5,000 pounds (sterling) and try to sell to a wealthy moron.’ The next morning, in came the janitor, who, tragically, was not an art professional. When he saw the trash, he assumed it was trash and threw it away. ‘I didn’t think for a second that it was a work of art,’ he later told the press. When members of the gallery staff arrived, they went out and retrieved the artistic trash from the regular trash, then reassembled the original installation, guided by photographs taken the night before.”

A similar astounding contrast may be discovered between artists whose works depend on carefully developed skill and great diligence, such as Albrecht Dürer, Jan van Eyck, Hans Memling, and Johannes Vermeer, among hundreds of others, and the newer artists whose work requires no craft at all, as, for example, quoting again from Dave Barry’s Globe article:

“The 2001 Turner Prize went to an artist named Martin Creed, whose entry was titled The Lights Going On and Off. It consists, as the title suggests, of lights going on and off in a vacant room. They go on for five seconds, then off for five seconds. That’s it. In other words, this guy got 20,000 pounds (sterling) for demonstrating the same artistic talent as a defective circuit breaker. Here’s the scary part. He deserved to win. I say this because, according to the BBC, his strongest competition was an artist whose entry consisted of a dusty room ‘filled with an array of disparate objects, including a plastic cactus, mirrors, doors, and old tabloid newspapers.’ Some gallery visitors mistook this for an actual storeroom before realizing that it was art. So Martin Creed’s blinking lights probably looked pretty darned artistic to the Turner Prize jurors. The prize was formally presented by Madonna, who said: ‘Art is always at its best when there is no money, because it has nothing to do with money and everything to do with love.’ That Madonna! Always joking! You should know that the artistry of Martin Creed is not limited to blinking lights. Another of his works is titled A Sheet of A4 Paper Crumpled Into a Ball. It’s a piece of paper crumpled into a ball.”

So now, instead of hard-earned craft and artistic masterworks, we have junk that shows us that “Art is...everything to do with love.” I am appalled by all this, as one who loves the art of Vermeer, Michelangelo and others, but I am also concerned because some of the same debased and mindless standards are working their way into the expectations for and evaluation of academic writing in our schools. Students are encouraged and rewarded for personal and “creative” writings which seem to be judged by the same standards which gave the Turner Prize for lights going on and off. Students are praised and given prizes for writing brief diary entries which involve as much craft as making breakfast with cereal from a box. Students are “protected” from engaging in the difficult craft of writing just as modern artists seem to have been released from any expectation that art should be the result of a long apprenticeship in a craft, such as sculpture or painting. It is true as was said about learning to play the cello, that “There are no shortcuts” in academic expository writing or in art. Artists and writers who try to take a shortcut and skip learning their craft turn out junk. Perhaps we should consider expecting our students, if not our modern artists, to try for a little higher level of achievement than craft-free junk?

“Teach by Example”
Will Fitzhugh [founder]
Consortium for Varsity Academics® [2007]
The Concord Review [1987]
Ralph Waldo Emerson Prizes [1995]
National Writing Board [1998]
TCR Institute [2002]
730 Boston Post Road, Suite 24
Sudbury, Massachusetts 01776 USA
978-443-0022; 800-331-5007
www.tcr.org; fitzhugh@tcr.org
Varsity Academics®

Elite Korean Schools, Forging Ivy League Skills

Sam Dillon:

It is 10:30 p.m. and students at the elite Daewon prep school here are cramming in a study hall that ends a 15-hour school day. A window is propped open so the evening chill can keep them awake. One teenager studies standing upright at his desk to keep from dozing.

Kim Hyun-kyung, who has accumulated nearly perfect scores on her SATs, is multitasking to prepare for physics, chemistry and history exams.

“I can’t let myself waste even a second,” said Ms. Kim, who dreams of attending Harvard, Yale or another brand-name American college. And she has a good shot. This spring, as in previous years, all but a few of the 133 graduates from Daewon Foreign Language High School who applied to selective American universities won admission.

It is a success rate that American parents may well envy, especially now, as many students are swallowing rejection from favorite universities at the close of an insanely selective college application season.

“Going to U.S. universities has become like a huge fad in Korean society, and the Ivy League names — Harvard, Yale, Princeton — have really struck a nerve,” said Victoria Kim, who attended Daewon and graduated from Harvard last June.

Daewon has one major Korean rival, the Minjok Leadership Academy, three hours’ drive east of Seoul, which also has a spectacular record of admission to Ivy League colleges.

How do they do it? Their formula is relatively simple. They take South Korea’s top-scoring middle school students, put those who aspire to an American university in English-language classes, taught by Korean and highly paid American and other foreign teachers, emphasize composition and other skills key to success on the SATs and college admissions essays, and — especially this — urge them on to unceasing study.

An Elementary Lesson in Classical Music

Nelson Hernandez:

If music hath charms to soothe the savage breast, as the English dramatist William Congreve wrote about three centuries ago, yesterday it did something even more remarkable: It quieted a concert hall packed with 2,500 fourth-graders.

The young students, vibrating with energy, were from Prince George's County. For the first time, the county has sent all of its fourth-graders to a series of concerts at the Kennedy Center this week in a partnership with the National Symphony Orchestra.

All meaning 8,000.

Before the concert began, the students were making music of their own. After leaving scores of school buses waiting outside in the parking lot, the students marveled at the center's flag-draped Hall of Nations. One group of seven singing girls from Port Towns Elementary School in Bladensburg, holding hands in a circle, played a clapping game in time with a ditty about "The Simpsons."

Venezuala's Orchestra for At Risk Students

Bob Simon @ 60 Minutes:

Through a system of early training and local orchestras, Venezuela has not only provided an uplifting musical experience for its at-risk youth, but also developed an orchestra that is world famous.

video

Arts Education Gravely Ignored

Suchita Shah:

Imagine a program that produced a fourfold increase in the number of students recognized for academic achievement. What if that initiative also resulted in three times as many students elected to leadership positions at their schools? And imagine that these children would be four times as likely to be in math or science fairs, and also to perform community service. On top of all that, they would also be three times as likely to win an award for exceptional school attendance.

If public school administrators and government officials knew of such a program, I would demand that it be implemented in our schools and that we invest in it immediately. Guess what? We already know of such a program that does achieve all those benefits: It’s called the arts.

According to Americans for the Arts, children deeply involved in arts programs receive the aforementioned benefits, and then some. Yet, paradoxically, schools are cutting arts programs — ranging from band to theater to painting — because of funding limitations.

Apprenticeship, Illumination in a Modern-Day Atelier

Margot Adler:

“It is not teaching through critique ... it is teaching through saying, 'Yes,' and 'Why not try this,' and 'Yes, can you push this further?'”

Character Counts, But Not by Race

Mona Charen:

The public schools, perhaps more than any other institution in American life, are afflicted with "sounds good" syndrome. Let's teach kids about the dangers of smoking. Sounds good. Let's improve math scores with a new curriculum called "whole math." Sounds good. Let's reduce teen pregnancy and sexually transmitted diseases by teaching sex ed. Sounds good. Let's have cooperative learning where kids help one another. And so on.

The Fairfax County, Va., schools (where my children attend) recently joined a nationwide "sounds good" trend by introducing a character education curriculum. Students were exhorted to demonstrate a number of ethical traits like (I quote from my son's elementary school's website) "compassion, respect, responsibility, honesty." It would be easy to mock the program -- each trait, for example, is linked to a shape (respect is a triangle, honesty is a star). The intention to help mold character is a laudable one. But this program, like so much else about the public schools in the "sounds good" era, has foundered.

The curriculum made news recently when a report ordered by the school board evaluated student conduct for "sound moral character and ethical judgment" and then grouped the results by race. Oh, dear. It seems that among third graders, 95 percent of white students received a grade of "good" or better, whereas only 86 percent of Hispanic kids did that well and only 80 percent of black and special education students were so rated.

Martina A. "Tina" Hone, an African-American member of the school board, told the Washington Post that the decision to aggregate the evaluations by race was "potentially damaging and hurtful."

CTM: Esperanza Rising

Children's Theatre of Madison:

Middle school students are a notoriously tough audience.

But at a recent theater arts workshop at Wright Middle School in Madison, students shed their inhibitions as they stomped their feet, practiced the breathing exercises of actors and helped make mariachi music.
In the process, they began to appreciate the effort, energy and excitement of producing a play like "Esperanza Rising," a Children's Theatre of Madison production that will begin on April 4 and continue weekend performances through April 20.

Members of the Esperanza cast, the director, musicians and others associated with the production ran theater arts workshops at Hawthorne Elementary and Cherokee Middle School in Madison last week as well as at Wright Middle School.

When Jane Schroeder, outreach educator for CTM, asked students in Erika Meyer's music class whether they had read the book "Esperanza Rising" by Pam Munoz Ryan, Jennifer Neblett, a sixth-grader at Wright, eagerly raised her hand.

2008 Bolz Young Artist Competition

Madison Symphony Orchestra:

Congratulations to the 2008 Winners! Pianist Hong-En Chen and violinist Leah Latorraca took top honors in the competition held Wed night in Overture Hall. Each received a $1,000 scholarship. Violinist Chauntee Ross and pianist Naomi Latorraca were awarded Honorable Mentions and each received a $500 scholarship. All four finalists performed with John DeMain and the MSO at the Spring Young People's Concert.

2008 Madison Memorial / West Area Strings Festival Photos / Video

Watch a 15 minute video excerpt here and check out the event photos.

Incoming Madison Superintendent Dan Nerad made a few remarks [video], as did Madison Symphony Orchestra Conductor John DeMain [video].

John DeMain's Remarks at the 2008 Memorial / West Strings Festival

Madison Symphony Orchestra Conductor John DeMain made a few remarks at Saturday's Memorial / West area Strings Festival. Watch the video. Much more about John DeMain.

Incoming Madison Superintendent Dan Nerad's remarks. Event photos and video.

Dan Nerad's Remarks at the 2008 Madison Memorial/West Area Strings Festival

Incoming Madison Schools' Superintendent Dan Nerad made a few remarks at Saturday's Memorial / West area Strings Festival. Watch the video. Much more on Dan Nerad here.

Creativity Step by Step: A Conversation with Choreographer Twyla Tharp

Diane Coutu:

The notion that some people are simply born artistic - and that there is a profile that can help organizations identify them - is quite firmly entrenched. All the talk of genetic determination nowadays undoubtedly has a lot to do with that. But the idea that creativity is a predetermined personality trait probably appeals at a psychological level because it gives people an excuse for not innovating or initiating change themselves, reducing the problem of creativity to a recruitment challenge.

Significantly, the people least likely to buy into the idea that creativity is preordained are the creative geniuses themselves. Choreographer Twyla Tharp, for one, doesn’t subscribe to any notion of effortless artistry. As someone who has changed the face of dance, she’s certainly qualified to have an opinion. The winner of a MacArthur fellowship (popularly called "the genius grant"), two Emmy awards, and a Tony award, she has written and directed television programs, created Broadway productions, and choreographed dances for the movies Hair, Ragtime, and Amadeus. Tharp, now 66, did all this while creating more than 130 dances—many of which have become classics—for her own company, the Joffrey Ballet, the New York City Ballet, the Paris Opera Ballet, London’s Royal Ballet, and American Ballet Theatre. The author of two books, she is now in the process of simultaneously developing new ballets for the Miami City Ballet, American Ballet Theatre, and Pacific Northwest Ballet.

At her Manhattan home, Tharp met with HBR senior editor Diane Coutu to discuss what it takes to be a choreographer. In these pages, she shares what she has learned about fostering creativity, initiating change, and firing even top-notch performers when push comes to shove. In her suffer-no-fools way, she talks about her "monomaniacal absorption" with her work and the need to be tough, even ruthless, when that work is at stake. What follows is an edited version of their conversation.

Madison West High Drama Benefit

via a Cyndie Spencer email:

Once again, excuse the duplicates... this is another great cause for West High School. Denny and i are planning to attend....

Please join Friends of West High Drama Friday March 7, 2008 at 7 PM at the Madison Club for a fundraiser to upgrade the sound system in the West High Auditorium. (see attached invite). We've planned a fun, welcoming and relaxing evening to celebrate the amazing student talent at West. We very much hope you can attend!

Meet the cast of West's spring musical "A Chorus Line". Hear them sing selections from the show as well as entertain you with some of the best "Singing Valentines" from West's celebration of Valentine's Day.

Enjoy delicious appetizers/dessert & bid on a few select auction items (condo in Myrtle Beach; theater tickets & dinner). Cash bar available.

Tickets are $35/person ($25 tax deductible). While tickets will be available at the door, your advance purchase helps us enormously in our planning. If you cannot attend but would like to contribute, please send your contribution made out to FMPS-Friends of West High Drama to Kay Plantes, 3432 Sunset Dr, Madison WI 53705.

We thank you in advance for your support. Your attendance and/or contribution are very much needed to improve the quality of life at West H.S. for all students.

Questions or to unsubscribe from this email, please reply to the address above or call Ruth Saecker (608-233-6943).

The Knowledge Connection

ED Hirsch, Jr:

Consider the eighth-grade NAEP results from Massachusetts, which are a stunning exception to the nationwide pattern of stagnation and decline. Since 1998, the state has improved significantly in the number of eighth-graders reading at the "proficient" or "advanced" levels: Massachusetts now has the largest percentage of students reading at that higher level, and it is No. 1 in average scores for the eighth grade. That is because Massachusetts decided in 1997 that students (and teachers) should learn certain explicit, substantive things about history, science and literature, and that students should be tested on such knowledge.

E.D. Hirsch Jr. is an author, most recently of "The Knowledge Deficit," and chairman of the Core Knowledge Foundation.

Arts Task Force Urges Community Participation

Kristopher Schiltz:

A School Board-supported task force is calling on the community to step up their support for arts education or risk losing vital programs to budget

audio. More here from a UW Journalism class coverage of the Madison School District.

KIPP: McDonogh 15 School For the Creative Arts

Bob Lefsetz pays a visit (via email):

After breakfast at Mother's, Marty, Felice and myself took a cab deep into the French Quarter to the McDonogh School, where the Mr. Holland's Opus Foundation was presenting the music program with a slew of instruments. That's what the Mr. Holland's Opus Foundation does, grant instruments to school music programs. It was started by Michael Kamen, who composed the music for the movie. He wanted students to have the same opportunity he had, to learn an instrument in school, to be fulfilled, to be enriched. Felice runs the Foundation.

I'd been hearing about all the great work the Foundation had been doing in New Orleans for two years. And on a site visit a couple of months back, Tricia had encountered Kelvin Harrison and his program. She believed they were worthy, they deserved the instruments. The program had started after Katrina with no instruments. Mr. Harrison had taught his students on recorders when the ordered instruments hadn't arrived. But now he was up and running, he needed more. And that's why we were there.

The environment in the building was completely different from my educational experience. Instead of sterility, I found vibrancy. Silhouettes graced the cafeteria, with explanations of each. One student said his creation was as big as the 24" rims on his older brother's car. That cracked me up. But I loved the banner on the far side of the room: "Climb the mountain to college." There were aphorisms all over the place. Informing the students to pay attention now, to apply themselves now, to prepare, for otherwise, in the future, they'd be left out.

And after reading the display about Black History Month, learning exactly who Booker T. Washington was, we ascended the stairs to the third floor, where Mr. Harrison was warming up the band. Brass members were playing notes. I prepared myself. This was going to be awful. An endurance test. You know what it's like being in the vicinity of someone learning an instrument. You want to support them, but the sound is grating, you can't read, you can't watch television, you just want the noise to stop.

After quieting everybody down, Mr. Harrison looked at the assembled multitude and said the band was going to play a couple of numbers. They were going to start with "Oye Como Va".

Oh, I know it wasn't a Santana original. But that's where I heard it. Coming out of John "Muddy" Waters' room in the dorm all of freshman year. I've come to love "Abraxas". I bought it on vinyl. And have a gold CD. I've got all the MP3s. I love "Oye Como Va". I was trepidatiously excited. Then the two players on keys rolled out the intro, the drummers started hitting the accents, the horn players lifted their instruments to their lips and the band started to swing!

I couldn't believe it! Fifth graders? My high school's band wasn't this good. This was good enough for college! The flutes are wailing. I notice the drummer is a girl. And yes, that tiny figure behind the keyboard, she's hitting every note. Trombone players got up and soloed. Tears started coming to my eyes. This was education! If I could play in a band like this, I'd want to come to school!

And when they finished, there was raucous applause. And then they lit into Herbie Hancock's "Watermelon Man". These little kids, they had soul!

Then we went back to the cafeteria. Where the curtain was parted and the students saw the sousaphone, the tympani, the other instruments the Foundation was granting. The excitement, the whooping, it was not something learned on MTV, it was not the fakery of the peanut gallery standing in front of the stage at a televised awards show, it was genuine. They were excited for the school, for themselves.

Then Felice said they weren't done. That our mission wasn't complete. We had another item on our agenda. To honor Mr. Harrison's greatness, he was being awarded a Mr. Holland's Opus Foundation Teacher Award. Which granted him $10,000 to spend as he pleased. And that the check would be delivered in a ceremony, in April, on the stage of Carnegie Hall.

Kelvin Harrison was in shock. You should have heard the shriek when the dollar figure was announced. To little kids ten grand is a million! Kelvin kept rubbing his nose, trying to keep his composure. But he couldn't. Tears were welling in his eyes.

As they were in mine. A veritable waterworks. Who knew such great work was being done, especially in an area almost totaled by a hurricane. And sure, Mr. Harrison wanted to get paid, but it wasn't about the money. The sense of accomplishment, the glow on his students' faces was enough.

Eventually, the kids went back to class. School business resumed. I wandered the halls. I had an urge to stay. The work being done here was so important. Not only were children being educated, they were being given hope. Because people cared.

http://www.mcdonogh15.org

http://mhopus.org/

Bob Lefsetz (watch the language)

Why Arts Education Matters

Stephanie Perrin:

or years, we have watched arts classes give way to the seemingly more “practical” courses that politicians and policymakers assume have a direct link to professional and economic success. But in an increasingly globalized economy, one in which an ability to innovate and to imagine new possibilities is critical to America’s ability to compete, we still train our young people very narrowly to work in an industrialized society.

As the country contemplates reauthorization of the federal No Child Left Behind Act, political and policy leaders must recognize that an education in and through the arts, as a central part of a total school program, allows schools to better address these challenges than a curriculum that defines success as aptitude in literacy and math only.

A recent study from the Center on Education Policy [3.1MB PDF] indicates that the No Child Left Behind law, with its limited focus on standardized-test scores, has led, over the last six years, to a 16 percent decline in the time devoted to art and music instruction in public schools. Some may view this as unfortunate but necessary. But the loss of the arts, and all that is learned through participation in the arts, severely limits the kinds of skills and capacities children develop in school. In a word, students are learning less, and what they are learning is only part of what is needed to build a strong workforce and a vibrant citizenry.

Why Arts Education Matters

Stephanie Perrin:

For years, we have watched arts classes give way to the seemingly more “practical” courses that politicians and policymakers assume have a direct link to professional and economic success. But in an increasingly globalized economy, one in which an ability to innovate and to imagine new possibilities is critical to America’s ability to compete, we still train our young people very narrowly to work in an industrialized society.

As the country contemplates reauthorization of the federal No Child Left Behind Act, political and policy leaders must recognize that an education in and through the arts, as a central part of a total school program, allows schools to better address these challenges than a curriculum that defines success as aptitude in literacy and math only.

2008 Wisconsin New Play Development Project

Wisconsin Wrights:

Wisconsin Wrights was created in fall 2006 through a partnership between the UW-Madison Division of Continuing Studies in Theatre, the UW-Madison University Theatre, and the Madison Repertory Theatre. Support for our inaugural year was also provided by Edenfred/Terry Family Foundation and the UW-Madison Anonymous Fund. Three finalists received a one week workshop and residency through Edenfred and University Theatre and received public readings in June 2007. The Madison Repertory Theatre selected one of the three works, “Recovering the Real Me” by Kurt McGinnis Brown, for further development through the 2007 Madison New Play Festival which will take place October 20-21 and October 27-28, 2007. For more details on the Madison New Play Festival click here. (Please note that the name of "Recovering the Real Me" has been changed to "Accent Adios.") .

The deadline for submissions for Wisconsin Wrights 2008 has been extended to January 14, 2008 with the selection process taking place from January through early April 2008. Finalists will be announced in mid-April 2008 with finalists eligible for several play development opportunities. Three finalists will receive a one week workshop coordinated by University Theatre with a director, dramaturg and full cast and will be featured with public readings June 5, 6 & 7, 2008. These workshops provide an extraordinary opportunity for the expansion and exercise of the playwriting craft, exploration of characters, and constructive critique by caring, invested artists. One finalist will be selected by the Madison Repertory Theatre to take part in their Fall 2008 Madison New Play Festival and one finalist will be selected by the Milwaukee Chamber Theatre for a staged reading in March 2009.

Complete the Madison School District's Fine Arts Survey

There's still time to complete the MMSD Board of Education Community Fine Arts Task Force's Arts Education Survey.

Access to the on-line surveys will remain open through December 31, 2007. Input from the community is very important and will help inform and strengthen the Task Force?s recommendations on arts education (dance, music, theater, visual arts). The results of this work will be compiled and presented to the Madison Metropolitan School District Board of Education next spring and shared with the public. All individual answers will be kept confidential. In appreciation of your time in completing the on-line survey, your name, if provided at the end of the survey, will be entered into a drawing for a chance to win a pair of complimentary tickets to a Madison performance or admission to local arts venues.

If you have any questions, please feel free to contact task force members at fineartstaskforce@madison.k12.wi.us.

here are three distinct surveys. Please select the one on-line survey that best represents you. Click here for the survey, available in English, Spanish, and Hmong: http://mmsd.org/boe/finearts/.

To Provide Quality Music Education Now, Schools Could Learn From the Past

Allan Kozinn:

School’s out for the holidays, and it’s probably the last thing on anyone’s mind. But in the marginalized world of music education, a good deal of serious thinking needs to be done. Now that Charles Dickens’s Christmas ghosts have made their rounds for the year, perhaps they might be enlisted to provide perspective and encourage some soul-searching.

The crisis of the moment has partly to do with Mayor Michael R. Bloomberg’s announcement last summer that New York City schools would be required to teach the arts, and that principals would be rated annually on their success, much as they are in other subjects. In theory this could put some muscle behind the adventurous curriculum (or blueprint, as it is called) that the city’s Department of Education and a panel of arts consultants drew up in 2004: a kindergarten-through-12th-grade program that envisions choral and instrumental performance, the fostering of musical literacy and the consideration of the role music plays in communities and the world at large. The music proposed for this course was admirably boundary-free, cutting a swath from Beethoven and Puccini through folk songs, spirituals, jazz and pop.

The problem is that the 2004 blueprint is recommended rather than required. Given the paucity of music teachers in the system — there was one music teacher for every 1,200 students in 2006, Education Department officials have said — schools that could execute it in all its glory were few. Exactly how (and how quickly) that can change is unclear.

Barenboim's Warning on Music Lessons

Ciar Byrne:

When Daniel Barenboim returns to the Royal Festival Hall in the new year, where he made his London debut at the age of 13, he is planning to launch an impassioned plea to educate young people about music.

It will be the first time in more than 40 years that Barenboim has performed all of Beethoven's 32 piano sonatas in London; the last time he played them in their entirety was at the Queen Elizabeth Hall in 1967.

But as well as performing eight concerts, the legendary pianist and conductor is using his return to the Southbank next month to warn that in many countries, music has disappeared from the education curriculum, making it appear elitist and depriving people of a life-enriching experience.

Barenboim will deliver a series of lectures, as the first speaker in the Southbank Centre's "Artist as Leader" programme, looking at the role of the artist in society.

He said: "Music has disappeared from the education curriculum and this has far-reaching consequences. It means there are billions of people who have no contact with music, and I believe their lives are all the poorer for that."

In the Southbank Centre members' magazine, he said: "The problem is that music now appears only to a small quantity of the population and therefore it is too expensive, which in turn makes music look elitist, which of course it isn't."

Even as Attention to 'No Child' Law Squeezes Class Time, Teachers in Manassas Champion the Value of Music

Valerie Strauss:

Seventh-grader Jessica Dodson walked into class and yanked Eric Clapton from the wall -- the guitar, not the guitarist. Classmate Corey Cook already had Carlos Santana cradled in his lap, plucking out E-minor, C and G chords.

"On the C chord, I'm hearing some funky sounds," teacher Darlene Dawson said after her 17 students at Metz Middle School in Manassas played "Eleanor Rigby" in unison. She played along with the students, having taken up the guitar just a few months ago.

This isn't the kind of music class Dawson, a teacher for 25 years, is used to teaching. Or the kind students are accustomed to attending. Or what most students in U.S. schools are offered.

The elective class at Metz -- with guitars named after guitarists -- is being given as music education programs across the country are facing difficult times. Despite research showing that students who study music have better attendance, achievement and lifetime earnings, music classes are struggling to survive.

Kevin Carey has more.

Falling enrollment, higher poverty rates show up in suburban schools

Dani McClain:

The low test scores and high dropout rates typically associated with southeastern Wisconsin's largest districts also plague some Milwaukee-area suburban schools and smaller urban districts in Waukesha and Walworth counties, the Public Policy Forum reports in its annual assessment of education in the seven-county area.

Milwaukee, Racine and Kenosha continue to skew comparisons between the region and the rest of the state, but the report shows that the achievement gap is increasingly tied to changing student populations in places such as Cudahy, West Allis, Whitewater and Delavan.

"Some of these smaller districts are getting a critical mass of minority or low-income students, and they're starting to feel some of the same stressors," said Anneliese Dickman, research director at the Public Policy Forum, a nonpartisan think tank in Milwaukee.

Smaller cities and older suburbs have started seeing a set of trends that have long challenged Kenosha and Racine, the state's third- and fourth-largest districts, and Milwaukee: declining enrollment, higher concentrations of poverty and less student engagement, according to the report, released this fall.

Comparing Sports, Arts is Dangerous Business

“I'm afraid the game is over. In our American academia, the arts must be satisfied with the leftovers.”

Frank Deford
Morning Edition, NPR

A few weeks ago, I offered up the thoughts of Gary Walters, the distinguished athletic director at Princeton, that sport should be held in the same high regard as art.

I thought it was a rather interesting and cogent opinion for someone to posit, but in the fabled words of the longtime football announcer, Keith Jackson: "Whoa, Nellie!" Never have I suffered such a battering. I think the nicest thing I was called in the responses that poured in, dripping with blood, was "apologist dingbat."

But then, after I withdrew the slings and arrows from my person and assessed the reaction, I realized how almost all the responses didn't really bother to address the question posed: Whether, in fact, sport might be an art. No, they were just mad, full of rage and fury. But it did serve to inform me all the more how much antipathy there does exist toward the American system of school sports.

Here are just a few of the more restrained comments:

"Spare me please! Primary and secondary art and music programs are going the way of the passenger pigeon while college coaching staffs ... are compensated like CEOs."

"When was the last time we heard a news report about the band or orchestra at some ... powerhouse involved in a scandal where students did not take the tests themselves?"

"High school building and renovation plans always include gymnasiums and weight rooms, but auditoriums are more viewed as unnecessary expenditures."

And on and on. I think what exasperates so many people is that the situation only grows more lopsided, that sports in our schools and colleges are not only ascendant, but greedier and more invulnerable than ever.

For prime example, The Chronicle of Higher Education has reported that donations to athletic departments have increased dramatically. College stadiums only become more opulent, so-called student-athletes more outrageous.

I'm afraid the game is over. In our American academia, the arts must be satisfied with the leftovers. Just consider the frank words of surrender spoken recently by John V. Lombardi, the president of the Louisiana State University System: "Mega college athletics ... prospers because for the most part we (our faculty, our staff, our alumni, our trustees) want it. We could easily change it, if most of us wanted to change it. All protestations to the contrary, we ... do not want to change it."

But Mr. Lombardi is only echoing what a certain Groucho Marx said in the movie Horse Feathers, when as President Quincy Adams Wagstaff, he asked the faculty: "Have we got a stadium? ... Have we got a college? ... Well, we can't support both. Tomorrow, we start tearing down the college."

That was 75 years ago. It hasn't changed, and, I'm sorry, but good people of the arts: it won't.

Van Zandt rolls out plan for rock in schools

Mary Beth Marklein:

WASHINGTON — Steven Van Zandt says rock 'n' roll saved his life. Now he wants to return the favor.
The E Street Band guitarist and Sopranos star began sowing the seeds five years ago with the launch of Little Steven's Underground Garage, an internationally broadcast weekly radio show that celebrates his favorite genre — garage rock, a sound that evokes images of teens practicing in somebody's parents' suburban garage.

Last year, he created the non-profit Rock and Roll Forever Foundation as a vehicle to preserve the music that so shaped his life.

Monday, he will unveil the foundation's first project: a middle- and high-school curriculum designed to introduce a new generation of teens to the music. He planned to make the announcement in the nation's capital, where he is playing two concerts with Bruce Springsteen and the other E Streeters.

Anyone attending the sold-out Springsteen shows might question the notion that rock 'n' roll is endangered. And never mind that The Sopranos skillfully wove rock music into its story line, right down to the last moments of the final episode.

Drama at East and West

Need a Little Drama in Your Life?

Come support the drama communities at East and West!

At West HS [Map] -- "I Hate Hamlet"
Friday, November 9, 7:30
Saturday, November 10, 7:30
Tickets $5.00

At East HS [Map] -- "The Crucible"
Thursday, November 15, 7:30
Friday, November 16, 7:30
Saturday, November 17, 2:30 and 7:30
Tickets $5.00

Dane County, WI AP High School Course Comparison

A quick summary of Dane County, WI High School 2007-2008 AP Course Offerings (source - AP Course Audit):

• Abundant Life Christian School (3 Courses)
• Cambridge (1)
• DeForest (7)
• Madison Country Day (International Baccalaureate - IB. However, Madison Country Day is not listed on the approved IB World website.)
• Madison East (11)
• Madison Edgewood (11)
• Madison LaFollette (10)
• Madison Memorial (17)
• Madison West (5+1 2nd Year Calculus which "prepares students for the AP BC exam")
• Marshall (5)
• McFarland (6)
• Middleton - Cross Plains (7)
• Monona Grove (7)
• Mount Horeb (5)
• Oregon (9)
• Sauk Prairie (10)
• Stoughton (6)
• Sun Prairie (13)
• Verona (10)
• Waunakee (6)
• Wisconsin Heights (6)

Links and course details are available here.

Related: Dual Enrollment, Small Learning Communities and Part and Full Time Wisconsin Open Enrollment.

Via a kind reader's email.

Madison School Board Fine Arts Task Force Seeks Input From the Community

Dear Community Members,

The Madison Metropolitan School District (MMSD) values the arts as an integral component of a quality education for all students. Research has shown that involvement in the arts teaches children many important academic skills as well as enriches personal growth and development. Tight budgets, however, have increasingly affected the arts education we offer our children. Further, the District has monitored a downward trend in participation in arts offerings among low-income students and students of color for a number of years.

The Madison Board of Education formed the Community Fine Arts Task Force to gather information from the community and provide recommendations to the Board on MMSD’s arts education program. Specifically, the Board asked the Task Force to:

1. Identify community goals for MMSD K-12 arts education including curricular, co-curricular and extracurricular;
2. Recommend approaches for increasing participation in arts education for low-income students and
   students of color; and
3. Recommend priorities for District funding of fine arts education.

October through December, the Task Force will be distributing surveys and conducting community conversations to gather information from the community on its goals for fine arts education. Your input is very important and will help inform and strengthen the Task Force’s work. The result of this work will be completed and presented to the School Board next spring.

We appreciate your participation in this important effort. To take the online survey and to learn more about the Community Fine Arts Task Force, go to www.mmsd.org/boe/finearts/ .

Sincerely,


Arlene M. Silveira, President

SilkRoad Project

Yo Yo Ma and Laura Freid:

The Silk Road Project is a not-for-profit arts, cultural and educational organization founded in 1998 by cellist Yo-Yo Ma, who serves as its artistic director, and led by Laura Freid, executive director and CEO. The Project has a vision of connecting the world’s neighborhoods by bringing together artists and audiences around the globe. Inspired by the cultural traditions of the historic Silk Road, the Silk Road Project is a catalyst promoting innovation and learning through the arts.

Curriculum for teachers:

Road Project

Along the Silk Road explores the vast ancient network of cultural, economic, and technological exchange that connected East Asia to the Mediterranean. Students learn how goods, belief systems, art, music, and people traveled across such vast distances, resulting in interdependence among disparate cultures. Yo-Yo Ma has referred to the Silk Road as the “Internet of antiquity,” and by studying this network of trading routes, students not only learn about the historical interconnectedness of people and ideas throughout the world, but also gain a new perspective on contemporary issues of globalization.

Along the Silk Road is a multidisciplinary course of study including materials appropriate for social studies, geography, art and music classes.

Middle School String Participation Fee - Error Corrected

During Middle School Registration, some middle schools collected a $70 string participation fee. This fee, which was posted on the District's Fee webpage, was in error and has been corrected. Those parents who paid a fee should be receiving a refund per a letter from the Administration to parents (MS String Participation Fee Reimbursement).

UW-Madison: Arts on Campus

K-12 Resources at the UW-Madison.

2007 Design Achievement Awards

Adobe Education:

The Adobe® Design Achievement Awards celebrate student achievement that reflects the powerful convergence of technology and creative arts. Winners represent work by some of the most talented and promising student graphic designers, photographers, illustrators, animators, digital filmmakers, and computer artists from the world’s top institutions of higher education.

The student finalists and winners were honored by Adobe and the community during an awards gala and gallery on August 2, 2007 in the de Young Museum in San Francisco.

Violin students traveling to Costa Rica

Jacob Stockinger:

Nineteen middle school and high school violin students from the Madison area will tour Costa Rica, where they will perform for a week, starting Monday.

The Sonora Strings, an advanced touring group of a private Suzuki string school in the city, will be led by Maria Rosa Germain, a classically trained violinist who earned a master's degree from the University of Wisconsin-Madison with Vartan Manoogian and Tyrone Greive, who is also the concertmaster of the Madison Symphony Orchestra.

The MSO is a major co-sponsor of the tour and, according to orchestra officials, will continue to collaborate with the National Orchestra in Costa Rica's capital San Juan, perhaps with the goal of one day becoming a "sister" orchestra. Later this summer, MSO maestro John DeMain will conduct the National Orchestra in San Juan and will waive his fee to help the National Institute of Music.

Thomas back on his mission to bring music to kids

Zoe Mezin:

Elegantly ensconced in an elaborately embroidered armchair at the British ambassador's residence, Michael Tilson Thomas reveals his recipe for drawing young people to classical music.

"Rosebud," says the San Francisco Symphony music director, who was in Paris until Monday filming a future installment of the "Keeping Score" documentary series.
"When Charles Foster Kane dies (in the movie "Citizen Kane"), a paperweight falls and he says the word 'Rosebud.' 'Keeping Score' is like that. It tries to go behind the scenes, into the unconscious of the composers and their world. It builds up from small, seemingly inconsequential things to see what drives them."
Storytelling is central to the "Keeping Score" series that aired on PBS to 3.5 million viewers in November 2006. In forthcoming episodes, Thomas follows the same formula.

Madison Students Participate in an International Origami Exhibit

Gayle Worland:

There are plenty of pages to turn in a library, though usually it's between book covers. At the Pinney Branch Library, carefully arranged and locked behind glass, stand adventures in paper of a much different sort: "Origami By Children," a traveling exhibit of tiny, ingeniously folded works selected in an international competition by the group OrigamiUSA.

Two Madison students have works in the exhibit, which was first assembled in 2005 but only now has arrived in Madison. Each creation is deceptively simple: many are made from a single sheet of paper, yet turned into a fanciful creature or sharp-edged geometric shape by the skilled, young hands of their creators.

"Origami is a very different art than arts that are based on expression, like painting," says Natalya Thompson, a Madison West High School sophomore whose interlocking paper "Bow-Tie Motif," made from 48 squares of three-inch-by-three-inch paper, is featured in the exhibit. Most pieces in the small show are based on designs created by published origami masters.

Origami USA website

Call for Study of Access to Arts Education

Dodd, Alexander Call for Study of Access to Arts Education
Introduce Resolution in Recognition of Music Education

May 8, 2007

Today Senator Chris Dodd (D-CT) and Senator Lamar Alexander (R-TN) sent a letter to David Walker, the Comptroller General of the Government Accountability Office (GAO), requesting that the GAO conduct a study on access to music and arts education in the American public school system since passage of the No Child Left Behind Act. This week, Senators Dodd and Alexander also introduced a resolution recognizing the benefits and importance of school-based music education. Senators Dodd and Alexander are members of the Senate Committee on Health, Education, Labor and Pensions (HELP), and are Chairman and Ranking Member of its Subcommittee on Children and Families.

“No child should be deprived of the chance to explore his or her creativity in a nurturing educational environment,” said Dodd. “Picking up a musical instrument, a paint brush, or a script can allow a child to discover a hidden talent and can serve as a much-needed positive influence in the midst of the many difficult decisions that young people face today. I am hopeful that the GAO will act quickly to deliver findings about the current condition of arts education in American public schools so that we can seek to improve it during the reauthorization of the No Child Left Behind Act.”

Added Alexander: “Music Education is important. I had some great teachers, but my piano teacher, Miss Lennis Tedford was the best. From age five until my high school senior recital, I spent thirty minutes with her each week. ‘Don’t play that monkey business,’ she would say, as she could always tell when I’d been playing too much Jerry Lee Lewis. From Miss Tedford I learned more than music. She taught me the discipline of Czerny and the metronome, the logic of Bach, the clean joy of Mozart. She encouraged me to let my emotions run with Chopin and Rachmaninoff. She made sure I was ready for the annual piano competition, and that I performed completely under control. I still thank her for the discipline and love of music she gave me each time I sit at the piano today.”

A companion resolution – introduced by Reps. Jim Cooper (D-TN) and Jon Porter (R-NV) – passed the House of Representatives on April 26 by unanimous consent.

The full text of the letter is below:

The Honorable David M. Walker
Comptroller General
Government Accountability Office
441 G Street N.W.
Washington, DC 20548

Dear Mr. Walker:

We write to request the Government Accountability Office to conduct a study on access to music and arts education in our public schools since passage of the No Child Left Behind Act, with a specific focus on any disparities in access between minority and low-income students and their non-minority, more affluent peers. The study should investigate evidence of the possible link between participation in music and arts education and increased student engagement, positive behavior, high school graduation rates and academic achievement for all students, as well as for minority and low-income students and students with disabilities.

As Congress moves toward reauthorization of the No Child Left Behind Act, we continue to examine the goals of educating the whole child and the positive impact of rigorous instruction in all areas of the curriculum. These policy decisions are based on sound research and driven by systematic data collection relating to the condition of education, the practices that improve academic achievement, and the effectiveness of federal education programs. Of particular interest are the effects, since its implementation, of the No Child Left Behind Act on access to music and arts education in our nation's public schools.

Specifically, we request the Government Accountability Office to design and implement a study that determines the following with regard to K-12 academic instruction in our public schools.

Any changes in access to music and arts education since passage of the No Child Left Behind Act.
Access to music and arts education for minority students relative to non-minority students.
Access to music and arts education for low-income students relative to non-low income students.
Any disparities in access to music and arts education, since passage of the No Child Left Behind Act, between schools with high percentages of minority and low-income students and students with disabilities and those schools with low percentages of such students.
Any link between participation in music and arts education and increased student engagement, positive behavior, high school graduation and academic achievement for all students, as well as any such link for minority and low-income students and students with disabilities.
Descriptions of highly effective music and arts education programs that promote increased student engagement, positive behavior, high school graduation and academic achievement.
Identification of any barriers actively imposed by Federal law, regulations, or guidance that prevent schools from engaging students in a rich curriculum that includes music and arts.

Because consideration of the No Child Left Behind Act reauthorization has already begun, the need for this information is immediate. We request that you meet with representatives of our offices as soon as possible to discuss the proposed scope of this study, an appropriate methodology, and a timetable which would establish an interim reporting schedule and completion date.

We look forward to hearing from you regarding this request and your availability to meet as soon as possible to set forth plans for receipt of this information which will provide relevant insights into the impact of No Child Left Behind on access to music and arts education, especially for those students who have the fewest opportunities and greatest need.

Thank you for your assistance.

Music Event Benefitting Madison's Elementary Strings Program

Wednesday night, May 23, local band Marvin's Gardens, will be playing at the King's Club (114 King Street). There will be jazz from 6-9 p.m. All proceeds will go to benefit Grade 5 Strings! Strings players invited to bring their instruments to play with the band.

$5 at the door.

Art Awards: Young artists can apply for grants up to $10,000

Tanya Schevitz:

The National Foundation for Advancement in the Arts is accepting applicants for cash awards of up to $10,000 and an opportunity for arts enrichment programs.

The early deadline, which provides for a 30 percent discount on the $35 application fee, is June 1. The final deadline is Oct. 1. High school seniors or graduates who will be 17 or 18 years old on Dec. 1 can apply for the money.

Grade 5 Strings - How you can help

Grade 5 elementary string students need your help. There are ways you can support the hundreds of ten-year olds who are in Grade 5 strings and this year's Grade 4 students who would like the chance to take the course next year:

A. Bring your child to play his/her instrument at Thursday's Budget Hearing - April 19th at 6:00 p.m., Memorial High School Auditorium.

If your child would like to “play” in support of Grade 5 strings, there will be an opportunity to do this at Thursday’s budget hearing to be held in the auditorium at Memorial High School ( http://www.mmsd.org/145.htm). Students from grades 5-12 are welcome. There will be adults present to help coordinate the playing of a few songs from the strings festival. If you want to play, please come at 6 p.m., so we can organize the students.

B. Email the School Board – comments@madison.k12.wi.us - let them know:
1. you support the program for all children,
2. what this course has meant to your child if your child is/has
taken elementary strings,
3. you would like the newly formed school board community task
force on fine arts to have a chance to do it’s work, which
includes:
a. identifying the community’s fine arts education values and
goals,
b. identifying ways to increase low-income/minority
participation in the arts (45% elementary string students
are minority, 35% are low income), and
c. identifying funding priorities for the School Board

C. Speak at the Budget Hearings - 6:30 p.m. - Tuesday, April 17th at La Follette High School Auditorium and Thursday, April 19th at Memorial High School Auditorium:

There are two public hearings next week on the budget – Tuesday, April 17th, 6:30 p.m. at La Follette High School and Thursday, April 19th, 6:30 p.m. at Memorial High School – both public hearings are in the school’s auditoriums. If you come, you need to sign if you want to speak. You can sign in and not speak but say you support the program. Each person who speaks is given 3 minutes.

For nearly 40 years, MMSD has had an elementary strings program. Two years ago, elementary string instruction was cut in half. Last year, Grade 4 strings was cut entirely. This year, Superintendent Rainwater is proposing to cut Grade 5 strings, which would eliminate all string instruction during the school day.

Thank you for your support of Grade 5 strings and a strong fine arts education for our children.

Grade 5 Strings - Letter to School Board

Please write the School Board about what is important to you and your state legislature about funding our public schools. Following is a copy of my letter to the school board on Grade 5 strings:

Dear School Board Members (comments@madison.k12.wi.us),

I am happy to serve as a member of the newly created Fine Arts Task Force for the next year. The second charge to the committee is: " Recommend up to five ways to increase minority student participation and participation of low income students in Fine Arts at elementary, middle and high school levels."

I noticed in the Grade 5 strings report you received last week there was no information on low-income and minority student enrollment. Our task force received this specific demographic information at our March 26th meeting along with additional information, so I would like to share it with you, because I think it is important. As the program has been cut in the past two years, the low-income and minority student enrollment (numbers and percentage) has remained strong [but the cuts have affected hundreds of low-income students as the numbers show]. For this school year, 44% of the string students are minority students (47% of all Grade 5 students are minority students), and 35% of the string students are low income (44% of Grade 5 students are low income students). This information is captured in the attached Chart for the this year and the previous two years when the program was offered to students in Grades 4 and 5. I've also included information on special education student enrollment. I was not able to access ELL information for the previous years.

Decreasing academic opportunities to develop skills at a younger age is more likely to hurt participation at higher grades for low income and minority students who often lack support outside school to strengthen and reinforce what is learned in school either at home or through additional, private opportunities.

I hope you make the decision to give the Fine Arts Task Force an opportunity to complete its charge before making additional cuts to courses, because these cuts may prove to be more harmful to those students we want to reach than we realize. Also, if changes are made, I hope they are done equitably and with time for transitions. I'm asking this not only for arts education but also for other programs and activities Madison values in its public education. Eliminating elementary strings entirely would be the third year of major cuts in either funds or instruction time for students in this program. This seems to me to be overly harsh, especially when you consider that no extracurricular sports have been cut (nor would I support that).

Elementary strings is one arts course, but it has taught up to 2,000+ children in one year and is valued highly by parents and the community. I have 500+ signatures on a petition, which I will share with the board next week that says: "Madison Community Asks the MMSD School Board: Don't Cut, Work with the Community to Strengthen and Grow Madison's Elementary String Program. I have many emails with these signatures, and I'm planning to ask folks to write you about what this program means to them, so you hear their words and not only my words.

As I stated when I spoke before you earlier this year, there are those activities where a mix of public and private funding along with fees and grants might work for the arts and for extracurricular sports, for example. Please consider support of this and please consider helping with transitions toward different approaches.

Thank you for your hard work and support for public education.

Barbara Schrank

P.s. - note, I am speaking as an individual and not on behalf of the fine arts task force.

I would also like to add for SIS readers - I know due to the current financing scheme, the state is not funding public schools adequately nor fairly and is placing a huge burden on personal income and property taxes. I also know there have been cuts in previous years to the arts, increases in class sizes, fewer SAGE classes, etc. Just so you know, that is not the point of this letter. I see the need to work both locally and at the state. I also feel we need to be doing something more than referendums at the local level, and I don't mean cut or referendum. I think in the areas of extracurricular sports, some of the arts, we may be able to put in place a financial package of public, private, fees, grants - but this takes time and planning and commitment by our school board following public discussions on the topic.

Not all minority children are low income, but by far, the majority of low income children are minority. By not working with the community on funding for this high demand, highly valued program, several hundred fewer low income students are receiving skill-based training on an instrument, which scientific research is showing more and more has a positive effect on other areas of academics.

No where else in this city do so many low-income children have the opportunity to learn how to play an instrument and to do so as inexpensively per student. This is a program where "thinking outside the box" for the School Board could come in handy, so we can continue this academic program as part of the school day for so many children.

Maintain and Grow Madison's Art Programs: Support Elementary Strings

Parents and Students distributed to attendees of the recent Spring 2007 Strings Festival the following information in a flier:

Madison Community Asks the MMSD School Board:
Don’t Cut, Work with the Community to Strengthen and Grow
Madison’s Elementary String Program

Superintendent Rainwater has proposed cutting Grade 5 strings, which would eliminate the nearly 40-year old elementary strings program. This does not have to happen and you can help:

1) Email the School Board (comments@madison.k12.wi.us), letting the School Board know:

a. You support elementary strings and a vibrant, strong fine arts academic education for all Madison’s school children as important for and fundamental to a student’s personal and academic growth, and

b. You support and want the newly formed School Board Community Fine Arts Task Force to have a chance and time to explore ways to continue and to sustain elementary strings, and all arts education, in Madison’s schools, without further cuts to programs.

Milwaukee Public Schools / Milwaukee Symphony Arts Program

Alan Borsuk:

The Progressions program of the Milwaukee Youth Symphony Orchestra, which gives kids mostly from Milwaukee Public Schools a start on classical instruments, is one of many arts programs in the city that are benefiting from a new $1 million fund created by the Milwaukee School Board.

That amount is being matched by private donations or contributed services from each of the organizations receiving the MPS grants.

Many in the arts community are viewing the new support as a strong boost for efforts to give city kids some of the arts education that has been shrinking in recent years under budget pressures.

2007 West Area Strings Festival Photos, Audio & Video

The Madison Strings Festival was held Saturday. Check out the photos here. A 20 minute video clip: (CTRL click to download) mpeg-4 ipod video | mp3 audio.


Call to action: [PDF] [Petition PDF]

Music Lessons Affect Brain Development

As the district considers the total elimination of strings education in our elementary schools, a recently published study provides yet more evidence of the benefits of musical training.

Music Training 'Tunes' Human Auditory System
Science Daily — A newly published study by Northwestern University researchers suggests that Mom was right when she insisted that you continue music lessons -- even after it was clear that a professional music career was not in your future.

The study, which will appear in the April issue of Nature Neuroscience, is the first to provide concrete evidence that playing a musical instrument significantly enhances the brainstem's sensitivity to speech sounds. This finding has broad implications because it applies to sound encoding skills involved not only in music but also in language.

The findings indicate that experience with music at a young age in effect can "fine-tune" the brain's auditory system. "Increasing music experience appears to benefit all children -- whether musically exceptional or not -- in a wide range of learning activities," says Nina Kraus, director of Northwestern's Auditory Neuroscience Laboratory and senior author of the study.

"Our findings underscore the pervasive impact of musical training on neurological development. Yet music classes are often among the first to be cut when school budgets get tight. That's a mistake," says Kraus, Hugh Knowles Professor of Neurobiology and Physiology and professor of communication sciences and disorders.

For further information about how music instruction impacts intellectual development, readers are encouraged to explore the work of psychologist Glenn Schellenberg:

Schellenberg, E.G. (2005). Music and cognitive ability, Current Directions in Psychological Science, 14, 322-325.

Schellenberg, E.G. (2004). Music lessons enhance IQ. Psychological Science, 15, 511-514.

Statewide Study of Arts Education in California

An Unfinished Canvas, Arts Education in California: Taking Stock of Policies and Practices by Katrina Woodworth, Roneeta Guha, Alix Gallagher, Ashley Campbell, June Park, and Debbie Kim:

Policies recently enacted at both the state and federal levels demonstrate a commitment to arts education. In 2001, the California State Board of Education adopted content standards for the visual and performing arts. In 2002, the federal No Child Left Behind law, with provisions recognizing the arts as a core subject, was signed into law. Beginning in 2005-06, students seeking admission to the University of California and California State University systems are required to take one full year of arts education coursework during high school.

Despite expectations and enthusiasm for instruction in the arts, little information about California students' access to and performance in the arts is available, and statewide information about the delivery of arts education is lacking. Several recent studies suggest that arts education is in jeopardy—and perhaps in decline—and that schools are struggling to incorporate arts in their curriculum. Recent studies also point to disparities in access by school demographic characteristics, as well as differences in offerings by discipline. None of these studies, however, systematically examine the status of arts education in all four arts disciplines across all of California's schools.

Sharon Noguchi has more.

Once derided as non-essential fluff and an expensive luxury, the arts have languished in California schools for nearly three decades.

Now, a Menlo Park think tank has recommended that California students spend more time in school to learn music, drama, theater and visual arts.

In a statewide survey of 1,123 California schools, researchers at SRI International found that 89 percent of schools fail to meet state standards for arts education.

Nearly one-third of the schools surveyed offered no art courses that met the standards, and K-12 enrollment in music courses dropped by 37 percent over the five years ending last June.

Sports and Fine Arts - Planning for the Future

I pulled my blog from yesterday, because I think my main point got lost in too much unnecessary rhetoric. Basically, I would like to see the School Board support efforts to develop multi-year education funding plans for Fine Arts Education and extracurricular competitive sports. I would like to see the School Board be equitable in their cuts and help transition to a mix of public/private financing if that is needed in the future. I don't see any reason to whack at or eliminate one program vs. another - it's disruptive and unnecessary and plans cannot be made.

Elementary String Education for Nine and Ten Year Olds: Private Funding Required

According to a meeting I had with the Superintendent, he says MMSD will require $300,000 to fund elementary string instruction and that private funding and/or grants will be needed to continue Elementary String Education in the Madison public schools. Without this funding, he is likely to again propose cutting this Madison public school tradition of nearly 40 years.

I'm exploring setting up a specific fund for string education at either the Foundation for Madison Public Schools or the Madison Community Foundation, so tax deductible contributions can be made in support of the curriculum. Madisonians United for String Education for Students (MUSEs) is a working title for a group of parents who want to keep elementary string instruction in our public schools for our young children. We welcome your ideas on next steps. Personally, we feel if this is the route we have to take, an endowment fund will be needed to ensure the course continues into the future.

I met last week with the Superintendent who said he a) supports elementary string curriculum instruction during the school day, b) would accept proposals for privately funding elementary string education. I also said the support and/or leadership of the Fine Arts Coordinator was important to such an effort, and he agreed, saying the Fine Arts Coordinator would be supportive.

Public schools surrounding Madison have strong, growing elementary string courses, because the community values the course and this is the foundation course for more advanced instrumental training/experiences in middle and high school. Plus, elementary string courses make their school districts attractive to parents deciding where to live and to send their children to school. Many parents want their children to have the experience of learning to play an instrument and to make music with other students. Private lessons can cost $2,000 or more per year - few families can afford this, especially low income families. That's what's special about Madison's elementary strings program. In Madison, in previous years, Grade 4 and 5 strings taught about 500+ low-income students annually.

String instrument instruction offers a number of benefits for children - they can be sized to a small child, they are "easy" to take home to practice, all types of cultural and popular music can be played on the string instruments, and these instruments lend themselves to ensemble playing. Furthermore, learning how to play an instrument prepares you for playing a string or band instrument in middle school or for chorus, because you learn how to read music. Through the one- to two-year elementary course, children experience the joy of making music and performing through discipline and practice. Also, by offering this course Madison's public schools stand shoulder to shoulder with what the surrounding school districts value and offer their children.

Lastly, I'm also be looking at various financial information to develop some proposals for the School Board's consideration. I welcome your support and ideas.

On Musical Talent

David Shenk:

How can we explain the vast differences in musical ability? How can one species produce Paul Simon and William Hung? Are we born with musical talent, or do we develop it? Let's sort through the research:

Elementary Strings: Update and Community Appeal

Action and Help Needed: I am beginning to work with some parents and others in the community to raise awareness and possibly financial support for all fine arts education. If you are interested in learning more, or would like to help, let me know (schrank4@charter.net or 231-3954). I will be posting on the blog more of what we are doing, including surveys and petitions of support.

Due to the proposed budget gap for next year and the Superintendent's preliminary discussion idea to cut up to $300,000 from elementary strings, our focus will be on this course in the short-term. Elementary strings is only one piece of Fine Arts Education, but there is no other organization that teaches so many low income children how to play an instrument for about $200 per child vs. $2,000 per child in private instruction. We would like to resolve this issue this spring, working collaboratively with the administration and the school board.

The School Board would like proposals from the community re supporting elementary strings. I have begun working with parents and others on this topic, and I welcome ideas and support from readers of this blog. In addition to various proposals for School Board consideration, which I'm being encouraged to submit, we feel there is a need to raise awareness of the importance of a strong, vibrant standards-based, academic fine arts education. For an instrumental curriculum that meets national and state standards, course instruction begins in Grade 4 and classes are held at least twice weekly during the day.

The demand for elementary strings from parents and students has been and continues to be strong; but sadly, I feel the administration (not the School Board) has been a barrier to moving forward in partnership with the community, preferring each year to cut and to whittle away the course each year rather than gather the community together to bring ideas and solutions to the table. Last November, I asked District Administration for the following basic information: number of elementary string students, number of FTEs, number of middle and high school band and string students, number of FTEs, and revenue collected. I have not received this information, which I need to work on proposals, even though I have asked for the information repeatedly. The administration may have a lot on their plate, but I was only asking for basic information needed to develop some proposals for board consideration. I thought, perhaps the administration is working on their own proposals to continue this course, but that is not the case.

Up until a few years ago, there were nearly 2,000 4th and 5th grade students taking elementary strings, 30-40% of these children were low income (600+ children). During the 1990s, as the district's low income population increased, enrollment in elementary strings doubled from about 1,000 students in 1991 to more than 1,900 in after the year 2000.

Elementary strings has been part of the Madison schools for more than 40 years. Growing school districts around Madison offer this course, and the enrollment is growing. Grandparents and parents who live in Madison took this course when they were in elementary school. The large string festival is one of other opportunities that make our elementary schools unique. If we want to keep parents sending their children to Madison, and to keep the needed diversity in our schools, I think this course is important and unique to Madison.

I hope some of you will join me in supporting a vibrant fine arts education for our children and working on proposals for elementary strings. Thank you for reading this blog item,

Barb

Background: In December 2006, Supt. Rainwater wrote a memo to the School Board outlining ideas for discussion for possible cuts to balance the budget. Not only is the District facing budget cuts from revenue caps but there is a structural deficit in the budget of about $6 million.

The Superintendent provided the School Board with a list of possibilities - one more troubling than the other. For example, increased class sizes, was on the list. A couple of weeks ago, the School Board discussed increasing class sizes, including increases in class sizes for specials.

On the list was a specific recommendation to cut up to $300,000 from strings. In checking with the Superintendent, he said the amount was for elementary strings.

Local Politics: Zig and Zag with the Madison Studio School

Steven Elbow's Tuesday article in The Capital Times on the proposed Madison Studio School included a rather tantalizing opening quote from organizer Nancy Donahue:

When Nancy Donahue began her effort for a charter school in Madison, she had no idea she would be wading into a world of politics.

"It's a campaign," said Donahue, who hopes to have her arts- and technology-oriented Studio School up and running next fall. "And before this I was very apolitical. But I've learned if you believe in something you do what you have to do."

A couple of close observers of Madison's political tea leaves emailed some additional context:

Former teacher and Progressive Dane education task force member Kristin Forde is a member of the Madison Studio School's "core planning group". In the past, Forde has participated in School Board candidate interviews and a Progressive Dane (PD) candidate Forum.

Madison School Board President Johnny Winston, Jr. has been and is supported by PD along with recently elected (in one of the closest local elections in memory - by 70 votes) board member Arlene Silveira.

PD reportedly requires any candidate they endorse to back all of their future candidates and initiatives. [ed: Shades of "with us or against us". Evidently both Russ Feingold and Barack Obama have not read the memo.]

I find PD's positions interesting. They recently strongly supported the Linden Park edge school [map] (opposed by a few locals who dislike the sprawl implications, though it handily passed in November, with 69% voting in favor). I do think Madison is behind the innovation curve with respect to online learning and possibly charters. Appleton has 12 charter schools, including an online school.

Background documents:

• The Madison Studio School Proposal 256K PDF.
• Philosophy, staff and Board information 256K PDF.
• Budget documents 1 [jpg] [PDF] [.xls] | 2 [jpg] [PDF] [.xls] | 3 [jpg] [PDF] [.xls]
• SIS notes and links

The timing and politics are a challenge, given the recently disclosed 7 year Madison School District structural deficit which will require larger than normal reductions in the 2007 / 2008 budget increases.

I have very fond memories of Madison's Preschool of the Arts.

It will be interesting to see if the Studio School supporters endorse PD's spring, 2007 candidates, which include Johnny Winston, Jr who is standing for re-election.

Something Different: Cherokee's 8th Grade Orchestra Plays "Stairway to Heaven"

Cherokee Middle School's 8th grade orchestra plays the famous Led Zeppelin tune Stairway to Heaven: [4.2MB mp3].

New Project to Send Musicians Into Schools

Daniel Wakin:

Two pillars of the classical musical establishment, Carnegie Hall and the Juilliard School, have joined forces to give birth to a music academy whose fellows will go forth and propagate musicianship in New York public schools.

The city’s Education Department is opening its arms to the new program, seeing an inexpensive but valuable source of teaching for a system deprived of comprehensive music training. And the leaders of Carnegie and Juilliard see an opportunity to promote their conviction that a musician in 21st-century America should be more than just a person who plays the notes.

Under the new program elite musicians will receive high-level musical training, performance opportunities at Carnegie Hall and guidance from city school teachers in how to teach music. The fellows will each be assigned to a different school and work there one and a half days a week. They will teach their instruments, or music in general, and give their own pointers to school music teachers.

New Program in Schools Takes Students From Playwriting to Performance

Campbell Robertson:

There have been programs promoting theater involvement in New York City schools for years, but Fidelity Investments, together with the Viertel/Frankel/Baruch/Routh Group, the Broadway producing team behind “Hairspray” and “Company,” and Leap, a 30-year-old non-profit organization dedicated to arts education, have announced one of the broadest programs yet.

Other organizations, like Theater Development Fund, have programs to involve students in Broadway theater, but this one, which started last month at 10 high schools and junior high schools in the city, aspires to be the most comprehensive. It is a seven-month course involving big-name theater professionals, trips to Broadway shows, playwriting and play producing classes and, for 10 students, a Broadway stage on which their plays will be performed.

“We have never done a program as comprehensive as this,” said Alice Krieger, the associate executive director of Leap.

World Famous Artist Collaborates with Cherokee Middle School Students

Channel3000:

tudents at a Madison middle school collaborated with a world-famous contemporary painter to create a mural.
The artist known simply as Wyland -- who is famous for panting building-sized marine murals in cities around the country -- visited Cherokee Middle School on Tuesday where he worked with 40 students to paint a mural.

Much more on Wyland. Wyland's Milwaukee County Courthouse Annex "Whale Commuters" was recently destroyed as part of a new freeway project.

Artists Working in Education

Molly Snyder Edler:

Artists Working in Education (AWE) presents "A Celebration of Children's Art," a collection of work created this summer by kids who participated in AWE's Truck Studio Program.

"A Celebration of Children's Art" hangs in the Milwaukee City Hall Rotunda, Sept. 19 through Oct. 6. There is an opening reception on Tuesday, Sept. 19 from 5 to 7 p.m. at City Hall, 200 E. Wells St.

The exhibit features paintings, collages, plaster casts and fiber arts pieces made by four to 14-year-olds who were instructed by professional artists, art teachers and college-level art students through the Truck Studio Program.

"All of the work is created by children in Milwaukee's most challenged neighborhoods," says Sally Salkowski Witte, AWE executive director. "To me, it's entirely appropriate that their artwork is positioned, at least for a short time, where those who have a great deal of power to make a difference will pass by every day."

Artists Working in Education website.

Not to Worry: Neal Gleason Responds to Marc Eisen's "Brave New World"

Neal Gleason in a letter to the Isthmus Editor:

I have long admired Marc Eisen's thoughtful prose. But his recent struggle to come to grips with a mutli-ethnic world vvers from xenophobia to hysteria ("Brave New World", 6/23/06). His "unsettling" contact with "stylish" Chinese and "turbaned Sikhs" at a summer program for gifted children precipitated first worry (are my kids prepared to compete?), And then a villain (incompetent public schools).

Although he proclaims himself "a fan" of Madison public schools, he launches a fusillade of complaints: doubting that academic excellence is high on the list of school district pirorities and lamentin tis "dubious maht and reading pedagogy." The accuracy of these concerns is hard to assess, because he offers no evidence.

His main target is heterogeneous (mixed-ability) classes. He speculates that Madison schools, having failed to improve the skills of black and Hispanic kids, are now jeopardizing the education of academically promising kids (read: his kids) for the sake of politically correct equality. The edict from school district headquarters: "Embrace heterogeneous classrooms. Reject tracking of brighter kids. Suppress dissent in the ranks." Whew, that is one serious rant for a fan of public schools.

Eisen correctly observes that "being multilingual" will be a powerful advantage in the business world; familiarity and ease with other cultures will be a plus." Mare than 20 years ago, my kids began to taste this new world in the diverse classrooms of Midvale-Lincoln Elementary, and continued on through West High with its 50-plus nationalitities and a mix of heterogeneous and advanced classes.

They did just fine in college and grad school, emerged bi-and tri-lingual with well worn passorts, and started interesting careers at high tech internationl companies. How will Eisen's kids acquire modern cultural skills if they are cloistered in honors classes, sheltered from daily contact with kids of varied ability?

Neal Gleason

Background:

• Flat MMSD enrollment and growth in the suburbs
  
  
• This is Not Your Grandchild's Madison School District - Lucy Mathiak's response
  
  
• CARE posted some useful numbers on the Madison School District's budget, staffing and enrollment changes over the past decade.
  
  
• Extensive discussion on heterogeneous groupings in West High School's one size fits all English 9/10 curriculum
  
  
• Jason Shephard's "The Fate of the Schools" is a must read.
  
  
• Gleason coaches West High's Chess Club
  
  
• Ongoing, mandatory heterogenous curriculum controversy comments, including those from Neal. Google has more.

Guggenheim Study Suggests Arts Education Benefits Literacy Skills

Randy Kennedy:

In an era of widespread cuts in public-school art programs, the question has become increasingly relevant: does learning about paintings and sculpture help children become better students in other areas?

A study to be released today by the Solomon R. Guggenheim Museum suggests that it does, citing improvements in a range of literacy skills among students who took part in a program in which the Guggenheim sends artists into schools. The study, now in its second year, interviewed hundreds of New York City third graders, some of whom had participated in the Guggenheim program, called Learning Through Art, and others who did not.

Renewed Push for the Arts in New York's Schools

Robin Pogrebin:

Each of the 10 Regional Arts Supervisors oversees more than 100 schools, making it difficult to monitor each one closely. And with the recent establishment of about 300 "empowerment" schools that are largely independent of the Education Department, superintendents have been asked to cut their budgets in proportion to the number of schools leaving their jurisdiction. Regional arts supervisors could be a casualty.

Still, arts education advocates say the administration is moving in the right direction. They point to the beefed-up staff dedicated to arts education at the Education Department. In addition to Ms. Dunn there is now a full-time director in each of the four disciplines.

The very existence of qualified regional arts supervisors represents progress. In the past a district superintendent could appoint anybody for the position; now it requires supervisory certification and experience teaching the arts. Schools formerly could get away with spending their arts education money — known as Project Arts funds — on nonarts expenses, but now, for the first time, there is a budget code, which is being hailed as an accomplishment in and of itself. (Principals in the new empowerment schools will have greater budgetary autonomy, however, so the Education Department will not monitor their arts spending.)

Brave New World: Are our kids ready to compete in the new global economy? Maybe not

Marc Eisen:

Most of us have had those eerie moments when the distant winds of globalization suddenly blow across our desks here in comfortable Madison. For parents, it can lead to an unsettling question: Will my kids have the skills, temperament and knowledge to prosper in an exceedingly competitive world?

I’m not so sure.

I’m a fan of Madison’s public schools, but I have my doubts if such preparation is high on the list of school district priorities. (I have no reason to think things are any better in the suburban schools.) Like a lot of parents, I want my kids pushed, prodded, inspired and challenged in school. Too often -- in the name of equity, or progressive education, or union protectionism, or just plain cheapness -- that isn’t happening.

Brave New World: Are our kids ready to compete in the new global economy? Maybe not

Last summer I saw the future, and it was unsettling.

My daughter, then 14, found herself a racial minority in a class of gifted kids in a three-week program at Northwestern University. Of the 16 or so kids, a dozen were Asian or Asian American.

The class wasn't computer science or engineering or chemistry -- classes increasingly populated by international students at the college level -- but a “soft” class, nonfiction writing.

When several hundred parents and students met that afternoon for the introductory remarks, I spotted more turbaned Sikhs in the auditorium than black people. I can't say if there were any Hispanics at all.

Earlier, I had met my daughter's roommate and her mom -- both thin, stylish and surgically connected to their cell phones and iPods. I casually assumed that the kid was a suburban princess, Chinese American division. Later, my daughter told me that her roommate was from Hong Kong, the daughter of a banker, and had at the age of 14 already taken enrichment classes in Europe and Canada. Oh, and she had been born in Australia.

Welcome to the 21st century.

In the coming decades, you can be sure the faces of power and influence won't be monochromatic white and solely American. Being multilingual will be a powerful advantage in the business world, familiarity and ease with other cultures will be a plus, and, above all, talent and drive will be the passwords of success in the global economy.

Thomas Friedman's The World Is Flat, his chronicle of the rapid economic and social changes wrought by the mercury-like spread of new technology, serves as an essential primer for understanding this new world.

In a nutshell, we shouldn't bet on American hegemony in technology and economic growth in the 21st century. In a ramped-up, knowledge-based, digitalized economy, there are no borders. The built-in advantage the U.S. enjoyed after World War II -- our industrial based was untouched, while the rest of the developed world's was in ruins -- has finally run its course. Today, many tech jobs can just as easily be performed in Bangalore and Beijing as in Fitchburg.

Whether America's youth, raised in the lap of luxury with an overpowering sense of entitlement, will prosper in this meritocratic environment is an interesting question. And what of America's underprivileged youth, struggling in school and conspicuously short of family assets: How well will they fare in the new global marketplace?

My own a-ha! moment came a year ago at about the same time I dropped my youngest daughter off at Northwestern. Out of the blue I received an e-mail from a young man in India, offering his services to proofread the paper. Technically, it was no problem to ship him copy, and because of the 12-hour time difference he could work while the rest of us slept and played -- if we wanted to go down the outsourcing road.

Most of us have had those eerie moments when the distant winds of globalization suddenly blow across our desks here in comfortable Madison. For parents, it can lead to an unsettling question: Will my kids have the skills, temperament and knowledge to prosper in an exceedingly competitive world?

I'm not so sure.

I'm a fan of Madison's public schools, but I have my doubts if such preparation is high on the list of school district priorities. (I have no reason to think things are any better in the suburban schools.) Like a lot of parents, I want my kids pushed, prodded, inspired and challenged in school. Too often -- in the name of equity, or progressive education, or union protectionism, or just plain cheapness -- that isn't happening.

Instead, what we see in Madison is just the opposite: Advanced classes are choked off; one-size-fits-all classes (“heterogeneous class groupings”) are mandated for more and more students; the talented-and-gifted staff is slashed; outside groups promoting educational excellence are treated coolly if not with hostility; and arts programs are demeaned and orphaned. This is not Tom Friedman's recipe for student success in the 21st century.

Sure, many factors can be blamed for this declining state of affairs, notably the howlingly bad way in which K-12 education is financed in Wisconsin. But much of the problem also derives from the district's own efforts to deal with “the achievement gap.”

That gap is the euphemism used for the uncomfortable fact that, as a group, white students perform better academically than do black and Hispanic students. More to the point, mandating heterogeneous class grouping becomes a convenient cover for reducing the number of advanced classes that fail the PC test: too white and unrepresentative of the district's minority demographics.

The problem is that heterogeneous classes are based on the questionable assumption that kids with a wide range of skills -- from high-schoolers reading at a fourth-grade level to future National Merit students -- can be successfully taught in the same sophomore classroom.

“It can be done effectively, but the research so far suggests that it usually doesn't work,” says Paula Olszewski-Kubilius, head of Northwestern's Center for Talent Development, which runs an enrichment program for Evanston's schools.

I have to ask: After failing to improve the skills of so many black and Hispanic kids, is the Madison district now prepared to jeopardize the education of its most academically promising kids as well?

Please don't let me be misunderstood. Madison schools are making progress in reducing the achievement gap. The district does offer alternatives for its brightest students, including college-level Advanced Placement classes. There are scores of educators dedicated to improving both groups of students. But it's also clear which way the wind blows from the district headquarters: Embrace heterogeneous classrooms. Reject tracking of brighter kids. Suppress dissent in the ranks.

The district's wrongheaded approach does the most damage in the elementary-school years. That's where the schools embrace dubious math and reading pedagogy and shun innovative programs, like those operated by the Wisconsin Center for Academically Talented Youth, a nonprofit group that works tirelessly to promote gifted education. (Credit school board president Johnny Winston Jr. for cracking the door open to WCATY.)

In a perfect world, Madison would learn from Evanston's schools and their relationship with WCATY's peer, the Center for Talent Development. Faced with predominantly white faces in its advanced high school classes, this racially mixed district didn't dump those classes but hired Olszewski-Kubilius' group to run an after-school and weekend math and science enrichment program for promising minority students in grades 3-6.

In other words, raise their performance so they qualify for those advanced classes once they get to high school. Now there's an idea that Tom Friedman would like!

MARC EISEN IS EDITOR OF ISTHMUS.Email: EISEN at ISTHMUS.COM

---

Links:

• Wisconsin Center for Academically Talented Youth
• Northwestern Center for Talent Development
• Paula Olszewski-Kubilius
• Mandatory grouping in Madison West's English 10
• Connected Math
• Reading Recovery

There have been some positive governance signs from the Madison School Board recently. I hope that they quickly take a hard, substantive look at what's required to provide a world class curriculum for our next generation. There are many parents concerned about this issue.

Kobza, Mathiak, Robarts and Vang Vote Yes to Support Elementary Strings: Carstensen, Silveira and Winston Vote No And Support Cutting Elementary Strings

Thank you to students, parents and community members who wrote to and spoke before the School Board in support of elementary strings. It may seem, at times, that your letters or statements fall on deaf ears, but that is not the case. Each and every letter and each and every statement of support is critical to communicating to the School Board how much the community values this course. There are Board members who listen and understand what you're saying.

Last night MMSD School Board members Lawrie Kobza, Lucy Mathiak, Ruth Robarts and Shwaw Vang voted to restore Grade 5 elementary strings classes to twice weekly. Also, these same four Board members voted in favor of a pilot elementary string course at one or more schools that would provide 4th and 5th grade students with the option to select either General Music or Elementary Strings as their music class. My thanks for their votes of support for elementary strings and a strong music education and opportunities for all our children.

Johnny Winston Jr. (Board President), Carol Carstensen and Arlene Silveira voted against this option, electing to support cutting elementary strings. These three board members did not support elementary strings and supported the Superintendent's proposal, which would cut Grade 4 elementary strings next year and would have cut Grade 5 elementary strings the following year, eliminating elementary strings for about 543 low-income children, 1610 elementary children in all, within two years.

The elementary string program, even with an additional class in Grade 5 was cut in Grade 4 and the budget was reduced about 13% on top of a 50% cut the previously year. (In comparison, the budget for extracurricular sports increased 25%.)

The board majority who voted for 2 classes per week in Grade 5 and a pilot want to learn more about what option(s), instructionally, administratively, and financially would work best in the future, so elementary string instruction remains part of music education. I appreciate their efforts.

Elementary strings is less than 0.09% of the District's $330+ million budget, taught 1610 (543 low income) Grade 4 and Grade 5 children this year, is a heterogenous, diverse course.

Continue Elementary Strings - 550 Low-Income Children Deserve the Opportunity to Proudly Play Their Instruments

On Wednesday, May 31st, the MMSD School Board will consider amendments to the 2006-2007 school budget proposed by the Superintedent. In his proposal, the Superintendent proposed cutting Grade 4 strings this year and Grade 5 strings the end of next year. One amendment to be discussed on Wednesday would have Grade 4 strings 1x per week (45 minutes) and Grade 5 2x per week (45 minutes each class).

Students who will be affected the most are our low-income children. There is no other place in Dane County that can teach so many low-income children. This year about 550 low-income students took elementary strings. Fewer opportunities at this age will lead to fewer low-income/minority students in our middle and high school orchestras and band - this is a direction we do not want to move in as our student body becomes more diverse.

Like it or not, people moving into the area with children check out what schools offer - our suburban school districts have elementary string programs that are growing in many towns.

I've advocated for a community committee for fine arts education to develop a long-term plan for this academic area. I hope this comes to pass, but first I hope the School Board favorably considers this amendment and follows Lawrie Kobza's idea - hold off spending on "things" because people cannot be added back in as easily as things can be added back into the budget.

I've written a letter to the school board that follows:

Dear Madison School Board,

Last week, I had the honor of listening to more than 130 4th and 5th grade students give a ½ half hour concert for their parents and classmates. These children were so excited being able to play for an audience. I have to admit, I wasn’t sure how their teacher would get them organized and ready to play, but he did, and the concert was terrific! What a wonderful experience for player and audience alike.

Thank you for considering options to continue elementary strings, which is the first two years of the district’s Grade 4-12 instrumental academic program. I implore you to support the following option: Grade 4 – 1x per week (45 minute class) and Grade 5 – 2x per week (45 minute classes) for the following reasons:

A. Low income children will be affected the most by cuts to Grade 4 strings – about 550 low-income children participated in elementary strings this year, an increase from several years ago. We need to develop opportunities (lessons, small group rehearsals) that will help all children be successful performers on his/her instrument. Opportunities, such as these, need to BUILD UPON what children learn during the day in a large group class.

B. Equity in making cuts – last year this course was cut too much – 50%, which is more than any other academic course that is highly valued and has a strong demand. The burden of cuts needs to be shared, yet we need to protect our academic courses. I support Lawrie Kobza’s proposal to cut “things” now, not staff. As the School Board learns more about the budget after it is implemented, “things” can be added back in. Once the school year has begun, it’s next to impossible to add back staff.

C. DPI Standards – recommend beginning violin instruction in Grade 4 as does MMSD’s curriculum. There has been no curriculum assessment of the district’s music education with teachers, parents, music professionals involved. I feel this is important before any changes to this curriculum, or any academic curriculum, are made. Promises of planning are inappropriate.

D. Children’s interest and demand – remains strong and has grown during the past 15 years, AT THE SAME TIME that the district’s low-income and minority population has grown. Consistently, 1,800 to 2,000 children have signed up each year for elementary strings. They may not all come to School Board meetings, but like the hundreds of parents, students and community members who have spoken and emailed the School Board these past 5 springs, these students make their wishes known by taking elementary strings, learning to play and playing their hearts out at concerts for the community.

E. Middle school students want more music in school – elementary strings is an important stepping stone to more advanced performance. Nothing in General Music alone prepares them to perform at a level children can play after two years of elementary strings. Middle and high school music classes are larger – requiring fewer staff than other classes.

For 5 springs, the community has spoken up for elementary strings. Students have spoken about how important these classes are to their education, parents share with you what their children’s experiences are, community members tell you how much they value elementary strings. Please help them.

I’ve been asking the School Board to consider putting in place a community fine arts education committee to develop a long-term strategic plan for fine arts. I hope the School Board takes a leadership role and moves forward with such an effort. But, first, please continue elementary strings.

Sincerely,

Barbara M. Schrank, Ph.D.

A Parent's Note to the Madison School Board on Strings

Ann O' Brien:

Every year when I attend my children’s strings concerts, I am so amazed by the broad and diverse participation of students in strings. How moving to see so many students playing instruments often stereotyped as only for the rich who can afford lessons. The cacophony of sounds coming from the 100’s of students at the city-wide concerts inspires the kids, the parents and the community that all is well in the world; that integration, opportunity, and artistic expression are not just paid lip service, but are working in our schools. I appreciate your work to keep strings available to all students.

High School Documentary Film Making

Educational Video Center.

Speak Up For Fine Arts Education's Future

I have been an outspoken advocate for elementary strings the past several years, because this course is a highly valued, high demand academic course that is part of the K-12 MMSD music curriculum but has been repeatedly put on the cut list without any meaningful curriculum planning taking place from year to year. However, I also strongly believe there has been a lack of long-term planning in all fine arts education since cuts began about 1999. Perhaps other academic areas have needed the administration's attention, such as reading and math. That's understandable, but the School Board missed yearly opportunities to put in place other structures to plan for the future of fine arts education in Madison - community committee is an example of one option they might have considered pursuing.

I was encouraged two weeks ago when the Performance and Achievement and Partnership Committee chairs indicated an interest in working on not only the cuts to elementary strings, but also other aspects of fine arts education. I hope a community-led fine arts education committee is formed from these two Board committees that will undertake long-term, strategic planning for fine arts education in Madison. I would like to see such planning include music, visual arts, dance, theater, etc. - all facets of the arts that bring joy and enrichment to the citizens in our community, growth to our city's economy now and in the future and play an important academic role in the excellent education our children receive.

Again, School Board members can be emailed at: comments@madison.k12.wi.us

Speak Up For Strings - Thanks for Emailing the School Board: Keep The Emails Coming

MMSD's School Board meets tonight to discuss the 2006-2007 school budget. There are no public appearances on tonight's agenda, but the Madison community can continue to email the School Board in support of elementary strings at: comments@madison.k12.wi.us. Thank you to the parents and community who have attended the public hearing and who have sent emails to the School Board in support of elementary strings for Madison's 9- and 10-year old students.

Cutting elementary strings will hurt low-income children! Keep the emails coming in support of about 550 low-income children who signed up for elementary strings - no other organization in Madison or Dane County offers an academic year long class that teaches this many children how to play an instrument. Madison School Board: Let's work together to enhance this learning experience for our children; not tear it down and not tear it down before hearing from and working with the community.

I support restoring elementary strings to 2x per week, and I support forming a community task force on elementary strings and fine arts education to build fine arts education in Madison, not continue to tear it down. I reject late spring reports from the District administration that are clearly biased against this course and have not engaged teachers, music professionals, the community in the preceding 4 years! It's not a administrative staffing issue, but it is poor, poor planning. We've had revenue caps since the early 1990s, and the Superintendent has been cutting fine arts since 1999 with no long-term plan in place, no community task force formed.

Call for an end to unfair cuts to elementary strings - cut 50% last year. No other high demand, highly valued course has been targeted in any year let alone year in and year out for cuts for 5 springs!

The state needs to take action on school financing; Madison needs the MMSD School Board to take action on elementary strings and fine arts educationl. Work with the community - please start now!

MadCAP Spring Concert Video Clips

MadCAP held their music studio recital last night. 20MB video clip excerpts.

Cutting Elementary Strings Hurts Children From Families With Low and Moderate Incomes

Members of the Board of Education,

I am writing to urge you all to vote in support of continuing the strings program in elementary schools.

I am a parent of a 6th grader at Hamilton Middle School, and I am fortunate to have been able to afford private and group violin lessons outside the school system for my son, since kindergarten. I can not tell you what a huge benefit this has been to him, in terms of teaching him to strive towards a rewarding goal, the joy of working together in a group of other learners, and appreciating the goodness of the arts in a troubled world.

And yet I know that the disadvantaged children in MMSD have no opportunity at all to play a violin or other instrument in elementary school unless the strings program continues.

It is clear to me and all music instructors that if a child starts violin in 6th grade, it is by far more difficult for them and much more likely that they will become frustrated and give up.

Starting in grade 4 will not only help students learn and stay with it, but will be a better use of the precious funds that we do allocate to strings in all grades -- a better foundation means better participation and more benefits in the later grades.

My own son did not take strings in 4th and 5th grade, because I felt it was better to give another spot to a family that did not have another means to offer strings to their child. He now participates in 6th grade. I can tell you that with all the other major adjustments of the transition to middle school, starting a stringed instrument from scratch would have added a lot of stress to our family.

Please, please find a way to continue strings in 4th and 5th grades. I have been to enough meetings to know that there are things that could be cut from the budget that are way less important than strings.

Thank you,

Jane Sekulski

PS. If you have never seen the movie "Music of the Heart", please consider doing so. It is based on a true story, which is documented in the film "Small Wonders", of a violin program in inner city New York. The documentary is even better.

Speak Up for Strings Tonight: Public Appearances at Board Public Hearing On the Budget - 6:30 p.m. Tuesday, May 9th at Memorial High School

Dear Madison Community,

Children and parents are encouraged to speak in support of elementary strings and to bring their instruments to tonight’s School Board public hearing on the budget if they would like to play. My husband, Fred Schrank, who is the principal bassist with the MSO and who teaches orchestra to elementary and middle school children in the district, will be there. I’ve asked him if he would accompany those children who might want to play for the School Board to show their support for the course. The public hearing begins 6:30 p.m at Memorial High School, 201 S. Gammon Road, Auditorium [map].
For your information - the School Board takes students who want to speak for 3 minutes (or play for 3 minutes) first. I also have signs and will have colored markers for students or others who want to make signs for the School Board to see.

The Superintendent’s proposal to cut Grade 4 strings is unacceptable, incomplete and would put in place a music curriculum planning process AFTER the cut is made to Grade 4 strings instruction. His conceptual idea is to plan to offer elementary children experiences with varied instruments in the 07-08 school year when Grade 5 strings would be cut and there would be no more elementary strings. That’s a curious idea. Why? Current General Music practice is to offer children experiences on different instruments – so the planning would not result in any meaningful curriculum change except the elimination of elementary stringed instrument instruction. What kind of plan would that be? No community planning took place this year for music education, which DPI recommends as best practice for standards based curriculum planning – include professionals and the community in the effort. The only plan is to cut Grade 4 strings, with planning for next steps to follow. Without good planning and good information – bad practice and bad decisions follow.

My question: Where’s the planning been for the past year, for the past 5 years? Our kids deserve better. Hundreds of children and community members have spoken in support of the elementary strings course over the years and emails and support for this course remain strong as demonstrated by the children once again this year through their enrollment in this course – over 1,700 children in September (550+ low income children who will be hurt the most by this cut).

After 5 springs of advocating for this course, I’m exasperated and annoyed; but when I listen to children and parents tell their stories about their hopes and dreams, I get reinvigorated as I was last night after listening and speaking. Last night, Ruth Robarts, Shwaw Vang and Lucy Mathiak spoke strongly in support of the program and in working on strings through the Performance and Achievement and the Partnership Committees. I think the idea to collaborate among board committees is novel and appropriate for Fine Arts – and may be for other areas. I feel involving the community - music and art professionals, parents, organizations in the process is critical to the long-term success of fine arts education in Madison, especially in tight financial times.

Also, Lawrie Kobza, School Board Vice President, reminded the Superintendent that the School Board had additional options to his proposal to consider - the Superintendent's options plus keeping the course the same as this year or restoring the course to what it was two years ago (2x per week for 45 minutes).

So, please, if you have time tonight, come and Speak Up For Strings! Even if it’s only to stop in on your way to and from another event (it’s that crazy time of year with concerts, sporting games, dances and preparation for graduations taking up lots of time) and register with the Board in support of the course. I’ll be there to help with registering to speak in support, or simply registering your support. Each person’s presence makes a difference – individually and collectively!

Best,

Barbara Schrank

P.S and FYI – the Supt.’s proposed Grade 4 strings cut would not affect any current teachers and would be made through retirements and resignations. However, 1,700 children would lose something they dearly value that provides them with so much. I think, over time, our community will lose even more.

Why Does Elementary Stringed Instrument Instruction Matter? One Reason - Student Demand is Strong

I sent the following letter to the School Board last week after reviewing data and text on elementary strings sent to the School Board by the Fine Arts Coordinator. In late March, I spoke before the School Board about working together on strengthening strings and fine arts education and hoped that we would not see another spring of "surprise reports." Shwaw Vang and others thought this was a good idea, but I guess the administration did not agree. Following my talk, the Superintendent sent a memo to the School Board with a proposal to eliminate elementary strings the end of next school year and offer General Music.

For the past five springs, in one form or another, reports on strings have been presented to the School Board, which present data and give reasons why not to teach strings. These reports are all prepared by top administrators with basically no input from or curriculum review by teachers, parents, students, the community. No other data are presented in the same manner and with as much detail as this course - none, which I find troubling. Courses are dropped for lack of enrollment, which is not the case with elementary strings. Also, no other academic course has come before the School Board year after year for cuts - not even open classroom, ropes, wrestling.

I have MMSD historical data on strings from when the course was first introduced. In spite of the administration's best efforts to cut the course,

• demand from students remains strong and
• the community still values the course.

In a comment, Lucy Mathiak wrote: "As a board member, I do not see the issue as strings vs. math vs. athletics, which is how the annual budget pageant usually works. I see the issue as strings and math and athletics vs. cost overruns in building projects, growth in business services, and expenditures for contracted services that may or may not benefit our schools.

Attacking strings, or extracurriculars, or sports, will not put teachers, librarians, and other key staff into schools. Nor will it repair curricula that are of questionable efficacy. If we want good schools, the conversation starts with what is in the budget -- ALL of the budget -- and whether the budget supports the kind of programs that we value in our schools." I strongly agree with her statement, because focusing on ALL of the budget keeps the focus on what's important - student learning and achievement. An increasing body of research and experience shows studying an instrument positively affects student achievement. If so, why isn't the School Board working with the community to strengthen fine arts education.

Dear School Board Members,
You recently received some statistical information from the District Fine Arts Coordinator on string instrumental enrollment for Grades 4-12 that was in response to a question from Ms. Carstensen on enrollment.

I feel the information presented could have been titled, “Reasons [the Administration Wants] to Cut Elementary Strings,” which, of course I found strange and inconsistent with data on this course and how other data are presented to the School Board [for issues/practices the administration supports].

I would like to provide you with some additional information that I believe provides a bigger picture and shows how this course has grown as the District has changed:

1. Historical Enrollment:
   
   
   
   [Please excuse me, I don’t know how to change the x axis to years. Year 1 is 1969 and the last year is 2005.] This data was kept in the Fine Arts Department by those overseeing the elementary strings enrollment. I have a copy of the original chart, which I would be happy to provide MMSD if they cannot find a copy of this information..

   The dip around year 23 (1991) was due to a proposal to cut elementary strings and the later dip around year 29 was due to the inability to replace an FTE. You can see the strong growth in the course following a proposal to cut the course. During the 1990s enrollment grew, peaking in the early 2000s at 2,049. Even with the Superintendent's proposals to cut the course, demand for instruction remains strong. During the same time period in the 1990s, low-income and minority enrollment in the elementary grades increased (while total enrollment in elementary school declined). Even with the proposed cuts to elementary strings since 2002, enrollment has stayed strong, consistently about 50% of 4th and 5th grade students participate. This course is a high demand, highly valued course as growth in enrollment continues to show.

2. Elementary Strings – Demographics and Over Time:
   When you look at the statistics you received on elementary strings – I would recommend that you look at the entire course over time as well as student groups over time (cohorts). If you look at the course over time, you see increases in demographics at all grade levels as you see increases in low-income and minority in the total student population – that’s moving in the right direction and teachers deserve praise for this. In fact, if you look at the low-income (%) enrollment in Grade 4 strings this year – that percentage is 2.8% lower than the percentage of low-income students in the entire Grade 4 this year.
   
   Also, when students go from Grades 5 to Grade 6, they have another choice of instrument to study – a band instrument. When you look at the historical enrollment in instrumental music from grades 5 to 6, you will see an increase in students opting to play an instrument in Grade 6. Elementary strings plays a role in preparing students to read music and to perform with other students in an ensemble. The curriculum is an instrumental curriculum from Grades 4-12. [Low income children have no other viable option to learn how to play an instrument - $2,000 per year for lessons and instrument rental.]

It is not unusual to see a decrease in participation as children have more options. By the time children are in high school, music is an elective among many, many more electives than in earlier grades. Before jumping to conclusions, I would suggest learning why more children do not continue to study an instrument. One of those reasons might be they did not like to play an instrument or they have other interests they want to explore in another course - or they moved on to play a band instrument. Another reason might be they became discouraged, because they needed more instruction and help learning the instrument – something that I feel a fine arts community committee could help happen.

When I look at the data, I’m impressed with how the enrollment in the program has grown over time and has grown with the changing demographics in the District. [This is during the same time the District is making strong gains in closing the achievement gap.] This is wonderful. One question I have when I see this data is – how can we help children build upon their interest and success in the classroom? There are many options for doing this, but first we need to keep elementary strings as part of our children’s elementary music instruction in school and build upon what they learn. I believe we can do this if we work together as a community, and I hope the School Board considers this additional data, maintains elementary strings and considers putting in place a community committee for fine arts education to help grow and strengthen fine arts education in Madison.


Barbara M. Schrank
Fine Arts Advocate, Parent

Strings Program - Why is it So Important?

Reader Andrea Cox emails:

I don't understand why it's so important to keep the elementary strings program. Some things have to go because of the budget constraints imposed upon the schools. Strings strikes me as much less important than, say, class size, mathematics, or reading. We can't have everything without major changes in how the school funding is set at the state level.

(I would have posted a "comment" to this topic, but I couldn't figure out how to do this on the site.)

Speak Up For Strings - Starting May 9th

Please Help Save Elementary Strings!!!
How: Ask the New School Board -
Work with the Community to Build Fine Arts Education!
When: Starting May 9th

Other districts facing fiscal and academic achievement challenges have had successes maintaining and growing their fine arts education - through strategic planning, active engagement and real partnerships with their communities. School districts in Arizona, Chicago, New York, Texas and Minneapolis are looking for innovative ways to preserve and to grow fine arts education when facing tight budgets.

What does MMSD do?

For the 5th spring, elementary strings are at risk. Superintendent Rainwater is proposing to eliminate elementary strings - to cut Grade 4 strings next year and Grade 5 strings the following year. NO other high demand, highly valued academic course is targeted in next year’s budget - NONE.

Hundreds of students, parents, teachers and community members understand the value of this course for young children and have shown their public support for this course before the School Board each spring. We need to remind the new School Board, once again, of the value of this course – to our students’ growth and achievement, to our community.

Facts:

Enrollment Doubled - In the 1990s, course enrollment doubled to slightly more than 2,000 students – at the same time the low income and minority elementary student population increased. Approximately 50% of 4th and 5th graders elect to participate in elementary strings.

Low Income Enrollment Grew – Over time, low-income enrollment in elementary strings has grown. This year, the percentage of low-income children enrolled in Grade 4 strings is higher than the percentage of low-income children in that grade enrolled in the district. No other private/public organization in Madison teaches 550+ low-income children how to play an instrument at a higher level and to perform in ensembles.

You Can Help:
Speak to the School Board – bring signs, play your instrument
When: Tuesday, May 9, 2006 – 6:30 p.m., Memorial High School Auditorium [map]

Write to the School Board – comments@madison.k12.wi.us - and ask them

1. to reject the Superintendent’s proposal as inadequate, and
2. to work with Madison by forming a community fine arts committee to address fine arts educations issues, such as strings, so kids can get the personal and academic benefits of fine arts education.

Five years of targeting strings is unacceptable, short-sighted and goes against a) what the research shows strings does for children’s growth, development and academic achievement, b) what’s being done in other areas in MMSD, and b) what the community values for our children’s education.

For more information, email: savestrings@charter.net

Fostering Young Artists: Start Spreading the News

Erika Kinetz:

The foundation awards high school seniors more than $500,000 in cash prizes each year for achievement in the performing, literary and visual arts. It also nominates presidential scholars in the arts, and some colleges refer to its rosters for recruitment.

Yet many people have never heard of the foundation.

"That's what I was surprised about," said Grace Weber, a winner in voice who attends Pius XI High School in Milwaukee. "People outside the art world don't know about it."

Billy Buss, a winner in jazz trumpet and a senior at Berkeley High School in California, added, "My friends only cared I was winning a lot of money."

National Foundation for the Advancement of Arts website. 2007 registration is open.

The Madison Community - Students, Parents, Professionals, Citizens - Can Help Elementary Strings: Here's How

The community CAN HELP elementary strings and fine arts education in MMSD. Please write the School Board - comments@madison.k12.wi.us - ask them a) to establish a community fine arts education advisory committee beginning with a small community working group to put together a plan for this, b) develop a multi-year strategic and education plan for fine arts education, c) work with the music professionals and community to address short-term issues facing elementary music education (other fine arts areas - dance, drama) that supports children's learning and academic achievement. Until this is done, please write the School Board asking them not to accept (to reject) the Superintendent’s current K-5 music education proposal to eliminate elementary strings.

At this late date in the year, I feel a small community working group needs to be established that will develop a plan for moving forward with the community on fine arts education issues. I would be more than happy to volunteer my time to help coordinate this effort, which I see as a first step toward the establishment of a community fine arts education task force/advisory committee. However, what is key is the School Board’s support and the Superintendent’s leadership, and I would be honored to work with all members of the school board and with the Superintendent. I'm sure other people would be happy to help as well.

The issues with MMSD's fine arts elementary music education is not solely a budget issue, but the administration's lack of imagination and longer-term education planning in fine arts makes courses such as strings become budget issues because nothing is done from year to year to make it anything other than a budget issue.

Elementary strings is a high-demand course - this isn't 50 kids across the district, it was 1,745 in September 2005. From 1969 to 2005, enrollment has tripled, increasing by 1,000 students from 1992 until 2002, at the same time that the number of low income and minority children increased in the elementary student population. Demand for the course is annually 50% of the total enrollment in 4th and 5th grade. Plus, minority and low income enrollment has increased over the years. This year there are about 550 low income children enrolled in the elementary class. More low income children enrolled to take the course, but did not because of the pull out nature, I'm assuming. There is nowhere else in the City that so many low-income children have the opportunity to study an instrument at a higher level and continuously as part of their daily education.

Each spring, the administration waits until late April and then releases reports on elementary strings, saying they've worked hard, but can't figure it out. These documents imply that teachers have had input, but I can tell you that this spring's reports a) were not reviewed by teachers, and b) string teachers might have spent less than an hour or so learning about what other schools do, but they were not asked to be part of a process, they were not given objectives, process, timeline. And, they did not receive any draft documents to review. To me, this is unacceptable in the day and age of email.

I spoke before the board less than a month ago, saying how concerned I was that nothing had been done asking them to please avoid the past years’ mistakes and move forward working together, knowing how important this course is to the community and how quickly budget time was approaching. I asked the School Board to consider establishing an advisory Fine Arts Community Education Committee, because a) Madison values the arts and b) this would be a great vehicle to develop a fine arts education strategy. Shwaw Vang, who chaired the committee I spoke at, and other board members were supportive of my comments. If there are any plans to obtain private grants or private money, there must be a strategy in place that is clear and supported. Also, there must be vehicles that allow relationships to be built that will lead to contributions – this takes organization, commitment and time.
To be successful, support for fine arts education and a strategic plan has to come from the School Board and has to come from the Superintendent. So far, it has not, and I believe this has been damaging on so many fronts.

Both Art Rainwater and the Fine Arts Coordinator heard me say publicly another approach is needed, reports should be reviewed and have input from the appropriate professionals and that we should work together as we move forward. I said I wanted to be supportive and work together. I have spent time with each one of them privately saying the same things as I am writing here. Yet, at the meeting where I spoke publicly, neither person indicated to the school board publicly that a report with a proposal for K-5 music education was underway and would be sent to the school board shortly. No K-5 music teacher knew this report/memo was being prepared.

In my opinion, major issues negatively affecting music education are a) lack of top level administrative support for fine arts education and b) lack of multi-year planning in fine arts education, which would have been in place years ago when cuts first affected fine arts education if top level administrators cared about this education.

Sometimes approaches appear to me to reflect some sort of a mindset - that only administrators can do the job. The best administrators I encountered while working were those who knew how to surround themselves and work with the appropriate expertise, no matter what the issue. I have not seen this approach with fine arts education in Madison recently. Music education planning this year effectively has been closed - to teachers, to the School Board, to the public. In effect, the district added an additional administrative layer, that put up one more wall. I don't think the district and the community can afford additional layers of administrators who keep out and do not work side-by-side with teachers, other professionals and the community, keeping them informed and "in the loop," so to speak. It’s not productive and it is too expensive.

Why don't I feel the Superintendent’s approach takes fine arts education more seriously? Two years ago or more, the Superintendent requested a committee composed of parents come together to address specific issues re extracurricular sports when sports became an issue. No such action was forthcoming on fine arts, especially strings. We currently have board sponsored public committees on equity, animals in the classroom, boundaries. It's time for one for fine arts, and I think this has to come from the School Board and be co-chaired by members of the community.

I support referendums, adequate funding for our schools, and I abhor the legislature's lack of attention and failure to address school financing. However, locally, I feel our school board needs to encourage and to support different approaches and next steps. Please write to Madison's School Board members, asking them to do this for strings and fine arts education in MMSD.

Fifth Verse - Same, Sorrowful Tune: Superintendent Proposes to Elminate Elementary Strings

Other districts facing fiscal and academic achievement challenges have had successes maintaining and growing their fine arts education - through strategic planning, active engagement and real partnerships with their communities. In Tuscon, AZ, with a large low income and hispanic population, test scores of this population have climbed measurably (independent evaluations confirmed this). This state has received more than $1 million in federal funding for their fine arts education work. School districts in Chicago, New York, Texas and Minneapolis have also done some remarkable work in this area.

In my opinion, the administration's music education work products and planning efforts this year are unsatisfactory, unimaginative and incomplete. In spite of research that continues to demonstrate the positive effects on student achievement (especially for low income students) and the high value the Madison community places on fine arts, the administration continues to put forth incomplete proposals that will short change all students, especially our low-income students, and the administration does its work "behind closed doors."

Three or four weeks ago, I spoke at a board meeting and said I thought we needed to do things differently this year - Shwaw Vang and other board members supported my idea of working together to solve issues surrounding elementary strings. Apparently, the administration saw things differently. Since my public appearance the Superintendent has issued two reports - one eliminating elementary strings replacing K-5 music with a “new, improved” idea for K-5 music and a second report with enrollment data presented incompletely with an anti-elementary strings bias. Teachers had no idea this proposal or data were forthcoming, saw no drafts, and they did not receive copies of statistics relevant to their field that was sent last week to the School Board. Neither did the public or the entire School Board know these reports were planned and underway. During the past 12 months, there were no lists of fine arts education priorities developed and shared, no plans to address priorities, processes, timelines, staff/community involvement, etc. String teachers received no curriculum support to adjust to teaching a two-year curriculum in 1/2 the instructional time even though they asked for this help from the Doyle building, and they never received information about the plans for recreating elementary strings in the future. None.

I don't feel the Superintendent proceeded in the manner expressed to me by Mr. Vang nor as demonstrated by the School Board's establishment of community task forces over this past year on a number of important issues to the community. Madison's love of fine arts lends itself well to a community advisory committee. I hope other Board members support Mr. Vang's community team approach, rejecting the Superintendent's recent music proposal as incomplete and unacceptable.

In his fifth year of proposals to eliminate elementary strings, the Superintendent is proposing a "new and improved" K-5 music that is not planned for another year, but requires elimination of Grade 4 strings next year. The recent proposal, once again, was developed by administrators without any meaningful involvement of teachers and no involvement of the community. Elementary strings and fine arts education are important to the community. The Superintendent did not use a process that was transparent, well planned with a timeline, open and involved the community.

Music education, including elementary string instruction, is beneficial to a child's developing, learning and engagement in school. However, music education, also directly supports and reinforces learning in math and reading. Instrument instruction does this at a higher level and that's one of the reasons why MMSD's music education curriculum introduces strings in Grade 4, following a sequence of increasing challenges in music education. In fact, all the points made in the Superintendent's "new" K-5 music program, including multicultural experiences, exist in MMSD's current music curriculum. The only thing "new" in the Superintendent's proposal is the elimination of elementary strings.

It is not acceptable to say that we have to do something, because we have to cut money. Also, this is not about some folks being able to "yell" louder than others. To me, this is about five years that have been wasted - no planning, no community involvement, no shared visions. Our kids deserve better. Let's get started on a new path working together now.

MMSD administration has not worked with the Madison community (parents, teachers, organizations), and this year has simply been a continuation of a closed-door attitude toward the community and toward teachers in this field. Until the administration has worked with the community and put in place a transparent, public process, proposed changes to fine arts education should be rejected. Also, the School Board needs to set expectations before any process commences.

MMSD's historical data for elementary strings tell us the program is reaching and attracting our low income students: From 1992-2002 enrollment doubled to 2,049 students (consistently about 50% of 4th and 5th graders were enrolled in classes). During this same time period the NUMBER of low income MMSD students enrolled in elementary school grew and the NUMBER of non-low income MMSD students in elementary school declined. Nearly 30% of students currently enrolled in elementary strings are low income and the percentage of students taking the class has grown over time.

NO OTHER PUBLIC/PRIVATE ORGANIZATION IN THE AREA TEACHES HUNDREDS OF LOW-INCOME CHILDREN HOW TO PLAY AN INSTRUMENT – NO OTHER ORGANIZATION IS PRESENTLY EQUIPPED TO DO THIS. No other public/private organization teaches hundreds of low-income children how to play an instrument for little more than $100 per student per year. How can the Madison community help these students continue to be successful?

While THOUSANDS of dollars of administrative time have been spent discussing next steps for elementary strings, teachers were basically excluded. This year teachers were given limited, incomplete information at one voluntary (unpaid) meeting in December, which less than half the teachers were in attendance. They received no information on next steps and heard nothing on progress following this meeting.

Even sadder, the Superintendent has sent a proposal for K-5 music to the School Board, which "promises" a new K-5 music education course in one year (nothing now) that will be great, because it will be well planned! There has been no curriculum assessment or planning this entire year! Why should the School Board expect this to magically change next year unless the structure, process and "players" change?

If this "new" curriculum already exists, the following question comes to mind - why isn't the existing curriculum being implemented? When was an evaluation last done? Who did this evaluation? There could be a number of issues - questions about implementation, training and coordination that need to be addressed. I would expect any process to begin with an assessment of the current curriculum; which, at a minimum, I would expect to include teachers and community representatives.

The Superintendent's "idea" will not result in a new, improved K-5 music curriculum and will continue to alienate students, teachers and the community. What the Superintendent wrote in his proposal for K-5 music education ALREADY EXISTS in a thoroughly written K-12 sequential MMSD music education curriculum plan that meets state requirements for a) a K-12 sequential curriculum plan for music and b) is approved by the School Board. When resources are tight, we cannot afford to waste precious time and money.

Lastly, some may read and roll their eyes that I'm writing AGAIN about elementary strings! Rightly so, but not because I'm having to write about this course again and again, but because the Superintendent and the School Board majority have not taken proactive steps toward meaningful, workable solutions - at every turn teachers, parents, and community organizations are excluded. Teachers asked for curriculum time last summer to reorganize the strings course, which was cut in half. The admin. did not help and has not helped this past year, being more of a burden on teachers. This situation has left teachers and kids to figure out curriculum as they go, which does not help teachers who are new or teachers who have introductory classes of 35 kids.

The Superintendent's record of handling fine arts education in MMSD has wasted precious time and resources, is short changing our low income population and our community. I'd like to see the process change this year. Until it does, I believe the School Board needs to reject the current proposal from the Superintendent.

The heterogeneous debate: Some say best students get short shrift

Sandy Cullen:

Some parents say the Madison School District's spending cuts, combined with its attempts to close the achievement gap, have reduced opportunities for higher-achieving students.
Jeff Henriques, a parent of two high-achieving students, said one of the potential consequences he sees is "bright flight" - families pulling students with higher abilities out of the district and going elsewhere because their needs aren't being met.

One of the larger examples of this conflict is surfacing in the district's move toward creating "heterogeneous" classes that include students of all achievement levels, eliminating classes that group students of similar achievement levels together.

Advocates of heterogeneous classes say students achieving at lower levels benefit from being in classes with their higher-achieving peers. But some parents of higher-achieving students are concerned their children won't be fully challenged in such classes - at a time when the amount of resources going to talented and gifted, or TAG, programs is also diminishing.

Check out Part I and Part II of Cullen's series.

Watch Professor Gamoran's presentation, along with others related to the homogeneous / heterogeneous grouping debate here. Links and commentary and discussion on West's English 10. Jason Shepherd took a look at these issues in his "Fate of the Schools" article.

Madison Schools Make Effort to Close the Achievement Gap

Sandy Cullen:

Working in conjunction with the Schools of Hope project led by the United Way of Dane County, the district has made progress in third-grade reading scores at the lowest achievement levels. But racial and income gaps persist among third-graders reading at proficient and advanced levels.

Other initiatives are taking place in the middle and high schools. There, the district has eliminated "dead-end classes" that have less rigorous expectations to eliminate the chance that students will be put on a path of lower achievement because they are perceived as not being able to succeed in higher-level classes.

In the past, high school students were able to take classes such as general or consumer math. Now, all students are required to take algebra and geometry - or two credits of integrated mathematics, combining algebra, statistics and probability, geometry and trigonometry - in order to graduate.

One of the district's more controversial efforts has been a move toward "heterogeneous" classes that include students of all achievement levels, eliminating classes that group students of similar achievement levels together.

Advocates of heterogeneous classes say students who are achieving at lower levels benefit from being in classes with their higher-achieving peers. But others say the needs of higher-achieving students aren't met in such classes.

And in addition to what schools are already doing, Superintendent Art Rainwater said he would like to put learning coaches for math and reading in each of the district's elementary schools to improve teachers' ability to teach all students effectively.

The first part of Cullen's series is here.

Richard Davis Birthday Bash Audio / Video

Richard Davis's Friday night Birthday Bash (Richard mentioned that his birthday is actually tax day, April 15) seemed an appropriate way to wrap up a beautiful Madison week, with temperatures reaching into the 70's. The bash was held Friday night at Mills Hall and included participants from the Bass Conference Faculty. Audio / Video: Davis's All Star Quartet (Javon Jackson, tenor sax; Willy Pickens, piano; Robert Shy, drums; Richard Davis, bass): Video | MP3 Audio 144MB 320 x 240 MPEG-4 Video Excerpt [Windows: right click or Mac CTRL click to download this file to your computer], about 24 minutes, suitable for your video ipod Conference pictures are available here. More on Richard: Wikipedia | Clusty | Google | Yahoo

Performance and Achievement Meeting of 27-Mar-2006 Available

The Performance and Achievement Meeting of 27-Mar-2006 is now available. Julie Palkowski, the District's Fine Arts Coordinator, made a presentation on the current Elementary Schools Strings program, and discussed future directions.

Task Forces Are an Important Mechanism for Bringing People With Different Perspectives Together to Work on Important Issues - What About Music and Art Education?

Tonight the School Board's Performance and Achievement Committee will discuss a status report on the elementary strings class, which they received last Thursday.

This report describes the current course, but the report a) is not an assessment of the course and b) says nothing about the future of the course. (Mr. Rainwater told me the committee only asked for a status report.) I have been one of hundreds of advocates for this course over the past 5 springs, and I see the same thing unfolding again this year that I have in the 4 previous springs without any work from the preceding year on this academic course. This course is much loved by generations of people who live in Madison, many who do not have children in the schools but do vote.

Not included with the status report is a draft vision statement developed by a group of string teachers. It's long, needs more discussion with string teachers and the community (all string teachers have seen this) but with this draft statement a) these teachers tried to come up with something meaningful, which top management asked them to do and b) these teachers have had less than two hours of group time to even discuss what the future could be and that ended abruptly in December with no further next steps. These same teachers were given no time to work together on what adjustments needed to be made to curriculum when class time is cut in half. In June, they asked the interim FAC, who forwarded this request to Supt. Rainwater. The meetings did not take place. I don't feel this should happen, especially when drastic curriculum changes are being considered.

For five years, hundreds of students, parents, community members and community organizations have asked for your help - either restructuring the course of redesigning this course, but working with the community in some way to keep arts strong, because it's so important for achievement.

I and others have been strong proponents of making the course work in our current financial situation. Over these five years, I feel we have lost opportunities to develop relationships which are important for acquiring funds, to assess and redesign the K-5 music education curriculum, to develop funding sources for small group lessons for children afterschool to further strengthen what they learn during the school day.

Last year the elementary strings course reached about 1,800 students in 27 schools. Nearly 600 children (42% of the low income children in Grades 4 & 5 participated in this course). This year the course is teaching 1,650 students. The status report does not say how many low income. I do know from conversations with the Fine Arts Coordinator and with teachers that more low income children indicated an interest in taking elementary strings than were in the class for many reasons, I am sure.

I think elementary strings is an example where there have been hundreds of advocates for keeping this course, but minimal positive response and support from the School Board to bring the professionals and advocates together to work on this and other music and art issues. We have task forces for boundary changes, afterschool, live animals in the classroom, equity, etc. Given the community's love of the arts, such a task force seems right for the arts.

I'd like to see the dialogue change this year for elementary strings and for music and art education to one where we talk about how can we work together. I would like to see the School Board consider a community task force under the oversight of the Performance and Achievement and the Partnership Committees that would bring advocates for music and art education and professionals together to work on this issue. I would like to see such a committee work on short-term issues re the elementary strings course, but also develop a 5 year fine arts strategic community plan. I have spoken with teachers, music organizations, private music teachers, the Fine Arts Coordinator and the Superintendent about the need for this. I have heard positive responses from community members and teachers, interest from the Fine Arts Coordinator.

I feel such a committee needs to be led by well-known community leaders who support the arts and arts education in the schools, because developing relationships within the community will be important for partnerships and possible fundraising.

I also think such a committee is important for credibility and for continuity. Over 5 years, MMSD has had 3 fine arts coordinators with one year without a fine arts coordinator. In spring 2003, the last fine arts coordinator was getting up to speed, in the 04-05 school year a teaching team was to help with coordination when the fine arts coordinator position was cut but this group was not put in place, and now the district has a new fine arts coordinator, who is working hard, meeting the community, teachers, helping in many ways. I think this is a critical position on the district and an important member to be on a community fine arts education committee.

Lastly, without classes during the day for elementary strings, there is no way to reach as many low-income children as the course currently reaches. Also, the district loses something special. Hundreds of children have asked the Board for help. I hope they do.

I will commment on this at the School Board meeting tonight. I have taken to writing on the blog vs. speaking at School Board meetings, because, after 5 years, and personal attacks, it takes too much out of me.

2006 West Side Strings Festival: Photos & Video

Check out the photos and video from this great event.
[Download a video ipod compatible file here.]

New Glarus 4th Grader Wins Art Prize

Ellen Williams-Masson:

Fourth grader Jonathan Mattmann may live in a hushed world but his artistic interpretation shouts from the page in the drawing that has won him top honors in a statewide art competition for people with disabilities.

Jonathan comes from a family in which sign language is a way of life and lip reading is second nature. His father, Eric, has been deaf since early childhood and Jonathan, his sister Heather, and his mother Melisa have varying degrees of hearing loss.

Jonathan's drawing titled "Summer Day on the Farm" was one of five winners selected from more than 100 entries in the VSA arts of Wisconsin's 2006 Children's Call for Art. The winning pieces are displayed in a traveling art show for five years before being retired and sold.

Jazz in the Schools

the National Endowment for the Arts and Jazz at Lincoln Center:

Dear Teacher:

Welcome to NEA Jazz in the Schools. The National Endowment for the Arts and Jazz at Lincoln Center have created these materials to help fill and enthrall your classroom with jazz and build important connections for your students between the music and the story of our nation.

A Power Point You Will Actually WANT To See

http://www.blackshirtbands.org/budget.asp

Description from the Milwaukee Journal-Sentinel

MONDAY, Feb. 20, 2006, 2:33 p.m.
Banding together: Waukesha students support music programs

Waukesha South High School band boosters have set to music their reasons for why band and orchestra should be saved from anticipated cuts in the next school year.

You can check out their multimedia presentation here. A sample: "Don’t let the community that gave us Les Paul end up with Less Music."

The Waukesha School Board is considering $3 million worth of program and service cuts to balance its 2006-’07 budget. Among the cutbacks being contemplated is the elimination of three full-time music teachers, which would push back the start of elementary orchestra and band instruction by one year.

The board has a work session scheduled for Feb. 28. A final vote on program cuts is slated for the board’s March 8 meeting.

-By Amy Hetzner

UW: Future Artists Showcase

University of Wisconsin:

The arts are not only a means of personal expression. Ideas also regularly travel the compelling highways that the arts of all kinds provide.

Case in point: The ideas embedded in the works that apprentice artists — students — are exploring and articulating in “The Chancellor Presents the Performing Artists of the Future: A World Class Evening of Music, Drama and Dance,” Saturday, Feb. 25, at the Overture Center.

Quite a deal at $15.00.

East High School Show Choir

Sandy Cullen:

Antonio Branch may have gotten off on the wrong foot at Madison East High School, but his tune changed once he started singing and dancing with the school's Show Choir.

"I was with a bad crowd," said Branch, 18, who saw many of his friends from eighth grade drop out of high school.

But Branch said the tightknit ensemble of student performers he joined last fall has helped give him the motivation to get his grades up and set his sights on attending Madison Area Technical College en route to a four-year college degree.

"They build you up, tell you you can do it," said Branch, a senior who's now thinking about becoming an elementary school teacher.

Winter Solstice Celebration: Thoreau Student Self Portraits

Thoreau Art Teacher Andy Mayhall:

Thoreau Elementary School was given a donation by a retired art teacher to have an artist-in-residency. We had artists submit proposals to the school, which were reviewed by the Cultural Arts Committee. Local artist, Susan Tierney, was selected to work with me, and Thoreau students to create self-portrait paintings. Susan worked with students in the classroom on and off for about a month. The students made sketches and then final drawings onto hardboard. Students could create realistic or non-realistic, some were cartoon like, self-portraits. They used colored pencil and acrylic paint to color the portraits. The finished portraits were put together to form 22 murals. The murals are on display in the hallway between the LMC (library) and classrooms on the upper floor. These murals will be a permanent display at Thoreau.

Check out the murals via these photos.

Giving Credit Where Credit Is Due: A Look at the Educational Histories of the 29 West HS National Merit Semi-Finalists

Earlier this semester, 60 MMSD students -- including 29 from West HS -- were named 2006 National Merit Semifinalists. In a 10/12/05 press release, MMSD Superintendent Art Rainwater said, "I am proud of the many staff members who taught and guided these students all the way from elementary school, and of this district's overall guidance and focus that has led to these successes."

A closer examination of the facts, however, reveals that only 12 (41%) of West High School's 29 National Merit Semifinalists attended the Madison public schools continuously from first grade on (meaning that 59% received some portion of their K-8 schooling in either private schools or non-MMSD public schools). Here's the raw data:

NMSF #1: Wingra K-5th; Hamilton

NMSF #2: Franklin-Randall K-5th; Wright for 6th; Hamilton 7th-8th

NMSF #3: Midvale-Lincoln, K-5th; Cherokee

NMSF #4: Denver public schools (magnet Montessori school) K-6th; Hamilton 7th-8th

NMSF #5: New Orleans parochial school K-8th; New Orleans public high school through 11th

NMSF #6: Libertyville, IL, public schools ("extremely rigorous") through first semester 10th

NMSF #7: Franklin-Randall, K-5th; Hamilton

NMSF #8: Van Hise, K-5th; Hamilton

NMSF #9: Van Hise, K-5th; Hamilton

NMSF #10: Starkville, MS, public schools K-8th

NMSF #11: Japanese school for K; Glenn Stephens 1st-4th; Van Hise for 5th; Hamilton

NMSF #12: Franklin-Randall, K-5th; Hamilton

NMSF #13: Madison Central Montessori through 3rd; Shorewood 3rd-5th; Hamilton

NMSF #14: Lincoln-Midvale through 4th; Eagle 5th-8th

NMSF #15: Eagle K-8th

NMSF #16: MMSD through 9th; home schooled beginning in 10th

NMSF #17: Leopold though 4th; Eagle 5th-8th

NMSF #18: Lapham K-2nd; Randall 3rd-5th; Hamilton

NMSF #19: California private school through 5th; Hamilton

NMSF #20: Midvale and Van Hise; Hamilton

NMSF #21: Seattle public schools (TAG pullout program) through 7th; Hamilton for 8th

NMSF #22: Unknown private school K-1st; Eagle 2nd-8th

NMSF #23: Lincoln-Midvale K-5th; Cherokee

NMSF #24: Madison Central Montessori through 4th; Eagle 5th-8th

NMSF #25: Shorewood K-5th; Hamilton

NMSF #26: Queen of Peace through 5th; Hamilton

NMSF #27: West Middleton through 4th; Eagle 5th-8th

NMSF #28: Montessori pre-K through 2nd; Shorewood 4th-5th; Eagle 5th-8th

NMSF #29: Shorewood K-5th; Hamilton

Looking at the sample in a little more detail, we find the following:

• Elementary school (K-5) history: 31% attended private school for three or more years (an additional 21% attended non-MMSD public schools for three or more years -- total: 52%).
  
  
• Middle school (6-8) history: 28% attended private school for two or more years (an additional 14% attended non-MMSD public schools for two or more years -- total: 42%).
  
  
• K-8 schooling history: 28% attended private school for five or more of their K-8 school years (an additional 17% attended non-MMSD public schools for five or more of their K-8 school years -- total: 45%)

Although we do not have K-8 attendance data for the entire class, it seems unlikely to think that almost 30% of current West seniors attended private school for five or more of their pre-high school years. Thus on this single demographic variable, the 29 West National Merit Semifinalists are probably different from their classmates, generally.

Descriptive data like these are certainly interesting, though they often raise more questions than they answer. And of course, they don't prove anything. Nevertheless, with 45% of the West HS National Merit Semifinalist sample attending non-MMSD schools for over half of their K-8 years, it is recommended that the District temper its sense of pride in and ownership of these very accomplished students.

Many thanks to each of these fine young people for speaking with us on the telephone. Congratulations and good luck to each and every one of them!

NEW ART DOLLARS TARGET MADISON SCHOOLS

American Girl and an anonymous donor contribute $20,000 to grants program

The Foundation for Madison’s Public Schools and the Dane County Cultural Affairs Commission have secured $20,000 in new grant funds designated exclusively for arts programs in Madison schools. The two organizations have forged a unique grantmaking partnership to distribute the funds supporting guest artist residencies and other special K-12 arts programs in the schools planned for the 2006-07 year

A $10,000 contribution to the commission from American Girl’s Fund for Children will be competitively allocated to Madison schools seeking support for visual art, music, theater, dance, and creative writing programs. An equal amount from an anonymous donor to the school’s foundation will automatically provide matching funds to every school receiving a commission award. The combined grant dollars have the potential to fully fund visual, performing and literary arts projects occurring outside the schools’ general operating budgets.

“This wonderful financial boost by American Girl’s Fund for Children, matched by an anonymous angel, comes at a critical time for local schools. After several years of severe budget reductions in arts education, our donors are offering an infusion of new resources to support some exceptional arts experiences for Madison students next year,” commented Dane County Cultural Affairs Commission director Lynne Watrous Eich in announcing the new grants. “One of our goals is to simplify the application and award process for everyone involved.”
Jodi Bender Sweeney, President of the Foundation for Madison’s Public Schools concurred. “We’re simply thrilled. These private funds will offer a helping hand to teachers and parents interested in building collaborations among our local schools, artists and arts organizations. They’re earmarked specifically for projects which promote students’ creative potential and learning opportunities, while building arts audiences for the future.”

Application deadlines are February 1, June 1 and September 1, 2006. Only Madison schools are eligible to apply for these funds. For more information on arts-in-schools grants, call Lynne Eich, Cultural Affairs Office, 266-5915, Jodi Bender Sweeney, Foundation for Madison Public Schools, 232-7820, or Madison school district Fine Arts Coordinator Julie Palkowski, 663-5227. Grants for Dane County schools outside Madison are also available through the commission with a combination of other public and private funding.

For immediate release: December 1, 2005
Contact: Jodi Bender Sweeney, President, Foundation for Madison’s Public Schools, 232-7820;
Lynne Eich, Director, Dane County Cultural Affairs Commission, 266-5915

Revisit and Evaluate a Strings Change

I know this topic is discussed every year but I want to re-visit the success of the administrative change to 4/5 strings based on budgetary demands versus academic demands.
The 4/5 strings was changed to once a week this year from twice a week last year. The choices the board juggled was no strings in 4/5, twice a week 5th only, or once a week 4/5 strings due to the budget cuts. While I applaud the board for trying to work with the community I would love some feedback on how the once a week 4/5 decision is working at other schools.
For my daughter, and I can only speak for her and a few of her friends, this is what we have experienced.........

In fourth grade, my daughter and several of her friends loved strings once they got the hang of it. She practiced all the time, played for her 95 year old grandmother in Texas on her birthday, took a summer strings camp provided by MSCR, and even (with not much whining)talked me into renting a violin over the summer so she could play.

In her fifth grade class, there are 35 kids in her strings class, twice as many as last year. She also only has class on Thursday. This month she has had a Teacher Conference, field trip, testing, and Thanksgiving break on Thursday and therefore she has not had strings in a month. Due to the class size half of the time is spend tuning the instruments and the other half seems frustrating to my daughter as there are so many kids and so little time.

I do not want to see 4/5 strings eliminated but would like to re-evaluate. If we only have limited funds perhaps I was wrong and it should just be for 5th graders twice a week, or perhaps it is just my child's class that is unrewarding to her as each teacher/school has its own style. I miss listening to her enthusiatic practice as she hardly ever plays her violin anymore. What is happening at other schools? The district makes so many decisions (like pairing schools, combining classes, etc..) based on economics and not academic studies and I wonder if we are EVALUATING the success of these decisions along the way.

Music and Art Improve Student Achievement, Especially for English Language Learners and Low Income Students In Tucson Unified School District

The Tucson Unified School District’s Opening Minds through the Arts , also known as OMA, was recently awarded a federal grant totaling over one million dollars to continue research on its music and art model and how it positively effects student achievement.

Independent research has shown that OMA participant’s especially English language learners and students from disadvantaged communities, have significantly improved their standardized test scores in reading, language, and math. Furthermore, research indicates that students at OMA schools demonstrate fewer behavioral problems, improve their classroom focus, and show greater respect for themselves and fellow students and teachers.

Now in its fifth year at TUSD, OMA integrates the fine arts into traditional and arts curriculum for kindergarten through sixth-grade students. The OMA model is based on extensive research on the neurological development of children. Using opera, dance, costume design and music, students learn new ways to view and understand complex math and language problems. In Grade 3 students learn to play the recorder. In Grade 4 all students learn to play a stringed instrument and in Grade 5 all students learn to play an instrument in a band or orchestra.

OMA was one of 23 programs selected nationally to receive the U.S. Department of Education grant. Titled Professional Development for Arts Educators, the grant will provide the district with $1,001,700 over the next three years for additional research on past student achievement results and specific OMA components that help increase student success.

It's amazing what can be accomplished when minds are open to changes and a focus on what contributes positively to student achievement and what improves learning and closing the achievement gap. Federal funding for approaches similar to OMA have been available for several years. But, the first step is support for what supports children's learning and achievement and a willingness to work together under current constraints on new ideas. This past summer the director of OMA conducted workshops throughout the US, one in Minneapolis. Perhaps School Board will put together a working group to get started on something similar for our children.

Arts & Technology Charter School

The Capital Times:

The initial steps toward creation of an arts and technology charter public school in Madison will be held Thursday at 6 p.m. at the Madison Gas and Electric Co. Innovation Center in Research Park.

The target date to begin such a program is the fall of 2007, according to Nancy Donahue, a leader in the Preschool of the Arts. The Madison School District now has two charter schools - the Wright Middle School and Nuestro Mundo, a kindergarten/first-grade unit operating in the Allis Elementary School. Board of Education approval would be required to add a third school.

Donahue said the charter school could be built on encouraging the exploration by pupils much like what occurs in the private preschool of the arts. A downtown location would enable pupils to tap into existing resources there, she said.

Ken Lonnquist @ Thoreau School

Local musician Ken Lonnquist was recently in residence at Thoreau School. Ken worked with each grade to compose a song. The resulting music, ultimately destined for a CD, was performed on a recent evening. Here's a brief video clip from the event.

UPDATE: Thoreau's Rhonda Schilling emailed the funding details:

Dane County Cultural Affairs ($1450 grant)
Wisconsin School Music Association ($500 grant)
Thoreau PTO ($1750 Cultural Arts Budget and Barnes & Noble Fundraiser)

UW Freshman Class Scores High in Smarts - 52% Studied Performance Music

Karen Rivedale in the WI State Journal article, "Creamier Crop at UW Madison," writes that "This year’s freshman class posted high scores on college entrance exams, beating the average national scores on the tests and continuing UW-Madison’s increasing selectivity among the state’s top students. Freshmen this year posted high class ranks, with more than half graduating from high school in the top 10 percent."

In a sidebar in the article, the Freshamn enrolled is a record high (6,142), 62% earned a varsity letter, 52% performed with a school musical group, 23% won an award for community service.

Meanwhile, closer to home, MMSD's administrator's proposed a competitive athletic budget that continued to grow from the previous school year for this school year (parents do pay a fee of $115 per sport, extra for more expensive sports) - that's good. However, MMSD's administrators continued their cuts to music education with proposals to eliminate elementary performance music and increase general music class size. The School Board restored half the elementary stringed course in elementary schools and did not increase general music class size. There were also reductions in middle school performance music that were not restored.

Performance music improves academic performance, especially for lower income children who have no other access to performance music except through their public school. It is sad that MMSD is moving in the opposite direction of what the research shows benefits children's academic performance by cutting performance music.

Performance music directly benefits reading and mathematical skills for young children. There is more research and results that show that today and the information and data showing the positive effects of instrumental music on children's education are growing not shrinking. In future blogs I will post additional information on this research and results.

Arts - Ask For More

A Harris Poll released in June 2005 on the attitudes of Americans toward arts education revealed that 93 percent of Americans agree that the arts are vital to providing a well-rounded education for children. Additionally, 54 percent rated the importance of arts education a "ten" on a scale of one to ten.

Next Steps for Fine Arts Education in Madison Public Schools - community arts education advisory committee?

An issue that interests and is important to me is arts education, and I hope to journal about this issue on this blog site and www.danearts.org over the coming school year. Also, I hope to be able to play a different role in supporting arts education as a community member on the Partnership Commmittee.

For the past six years there have been various cuts in fine arts education for Madison's students. If the current budget constraints continue, there will be continued cuts in Madison's public schools, which will lead to continued cuts in many areas that contribute to an excellent education for all Madison's children.

For example, in the arts for the upcoming school year, children will begin elementary classes with half the instrumental instruction. Students in middle school will have to juggle multiple classes in order to study an instrument. Fewer high school classes in the arts are being offered even though demand is there for these classes. These are the cuts in one academic area. Children will also be facing larger class sizes, reduction of services due to budget cuts. Where we can, we need to try to think and to act differently.

An important next step in addressing some of the arts education issues and the future of arts education in the Madison public schools might be the formation of a community arts education advisory committee composed of representatives from the community (including district educational and administrative staff) who are knowledgable about and interested in developing a community strategy and action plan for arts education in the Madison public schools.

There are those who say the budget is mismanaged and that there is adequate money to provide an excellent education for all our children. There are other's who say we are about to go over an education cliff into an abyss due to revenue caps. What I know is that arts education is being cut and I'd like those interest community members to have an opportunity to think and to plan about what we might do for our kids in this academic area. This type of approach is feasible is likely to be more feasible in the arts area than some other areas.

The recently completed community afterschool task force is an example of a successful community committee working together on a challenging problem - best mix of afterschool offerings for Madison's children using existing resources and working together across several businesses. This committee did an incredible amount of work and provided the School Board via the Partnership Committee with important information and recommendations on a number of issues.

This community committee began last year under the supervision of the Partnership Committee, which Johnny Winston Jr. chaired at the time. Numerous cities and school districts around the country have formed successful committees on arts education. Now might be the time for Madison to catch up before our children lose much more in this academic area.

Art Smarts: Two New Books on the Meaning of Arts

The Economist on two new books, The Accidental Masterpiece: On the Art of Life and Vice Versa and What Good Are the Arts:

Mr Kimmelman, a gifted piano student as a boy, returned more seriously to the keyboard in 1999 when he entered, and went on to the final round, of an amateur piano competition in Fort Worth, Texas. Organised by the Van Cliburn Foundation, which since 1962 has presented the world's leading piano competition for young professionals, the competition brought 90 people, who neither taught nor performed professionally, to Texas.

Mr Kimmelman's article about his fellow pianists—a numismatist, two flight attendants, a hairstylist and a former crack addict who had been jailed for burglary and who found taking up music helped him recover—raised a sizeable correspondence from people who are not artists by profession, but for whom art adds an important other dimension to their lives. It was this idea, so emblematic of the author's own life, that spawned the book.

Far better is the second half of the book in which Mr Carey seeks to persuade us that the greatest of all art forms is not painting or music but literature, and English literature specifically. Uninflected and without gendered nouns, English was uniquely placed to offer Shakespeare the linguistic pliancy and suppleness he needed to turn out the epidemic of metaphors and similes that so mark his work.

WHAT is art for and what good does it do? Two centuries ago, Kant and Hegel spent much of their lives contemplating questions about art and aesthetics. Many others have done so since. The latest are two studies, from either side of the Atlantic, by Michael Kimmelman and John Carey. The authors are professionally involved in the arts, Mr Kimmelman as chief art critic at the New York Times and Mr Carey as a professor of English literature at Oxford University. Scholars both, they are prodigious readers, listeners to, and students of, art. Yet both their books are at their most impressive when the authors seem to be trying the least.

Mr Kimmelman, a gifted piano student as a boy, returned more seriously to the keyboard in 1999 when he entered, and went on to the final round, of an amateur piano competition in Fort Worth, Texas. Organised by the Van Cliburn Foundation, which since 1962 has presented the world's leading piano competition for young professionals, the competition brought 90 people, who neither taught nor performed professionally, to Texas.

Mr Kimmelman's article about his fellow pianists—a numismatist, two flight attendants, a hairstylist and a former crack addict who had been jailed for burglary and who found taking up music helped him recover—raised a sizeable correspondence from people who are not artists by profession, but for whom art adds an important other dimension to their lives. It was this idea, so emblematic of the author's own life, that spawned the book.

“I have come to feel”, he writes, “that everything, even the most ordinary daily affair, is enriched by the lessons that can be gleaned from art. Put differently, this book is, in part, about how creating, collecting, and even just appreciating art can make living a daily masterpiece.”

The portraits Mr Kimmelman presents in order to illustrate his point are loosely associated. There is the artist who created without lifting a finger: Ray Johnson, a coolly analytical man who was fascinated by numbers and who killed himself a decade ago at the age of 67 on January 13th (6+7=13, his friends noted), having first telephoned an old colleague, William Wilson, whose name contains 13 letters. There is the accidental artist: a German policeman photographed for posterity in 1927 hanging on to the bottom of a zeppelin that had broken its moorings. And there is the illuminating artist, a Baltimore dentist who, in the course of a lifetime, collected 75,000 lightbulbs and created the Museum of Incandescent Lighting.

But his best example is Pierre Bonnard, whose accidental encounter with a young, elfin woman alighting from a Paris tram in 1893 led to an intense relationship that would last until her death half a century later. Easily derided after his death as a facile, if accomplished, colourist, it is Bonnard's secretive, moody portraits of the woman, Marthe, many of them posed in the privacy of her bathroom, that mark him out as a painter of elegy. Often described as a painter of pleasure, one critic observed, he was something even more rare: a painter of the effervescence of pleasure and the disappearance of pleasure.

Mr Kimmelman's book works best when he describes the ineffable by showing rather than telling. His brief anecdote about how Bonnard once asked a model not to sit still, but to move around the room, is far more effective than a convoluted explanation about the difficulty of painting presence and absence at once.

Too much telling, by contrast, is Mr Carey's error. What is a work of art, is high art superior, do the arts make us better, can art be a religion? One after the other, Mr Carey head-butts these questions. The result, however, is that he ties himself up in knots. Unable to reach any conclusion about what art is, he turns instead to what it is not. There are plenty of things that are not works of art: for example, human excrement. Probably. But what about Piero Manzoni, an Italian artist who died in 1963 after creating an “edition” of 90 tin cans each containing 30 grams of his own excrement? The Museum of Modern Art, the Tate Gallery and the Pompidou Centre snapped them up. More fool them, you say. Others would agree, but they would be no closer to defining what art is.

Far, far better is the second half of the book in which Mr Carey seeks to persuade us that the greatest of all art forms is not painting or music but literature, and English literature specifically. Uninflected and without gendered nouns, English was uniquely placed to offer Shakespeare the linguistic pliancy and suppleness he needed to turn out the epidemic of metaphors and similes that so mark his work. Here, Mr Carey turns in a bravura performance. Drawing on his great knowledge of poetry, he is able to show how literature outsmarts other art forms; how it alone is able to criticise itself, which makes it more powerful and self-aware than other forms; how only literature can comment, and therefore moralise, not by making you more moral but by giving you ideas to think with; and how by hinting rather than spelling out, it is literature's indistinctness that empowers the reader's imagination.

Read every word of Mr Kimmelman for ideas to think with, and start Mr Carey's book on page 171. You won't regret it.

The Simpson Street Free Press Sounds Off On Arts Education

The current issue of The Simpson Street Free Press includes pieces by both Jazmin Jackson and Andrea Gilmore on the importance of arts education. This issue also has a letter to the editor from School Board member Johnny Winston, Jr. on the arts funding issues facing the District.

Participating in Arts Promotes Achievement and Academic Success

by Jazmin Jackson, age 15

When I was four years old, my mother took me to watch my older sister perform in a ballet. Since then, I knew I wanted to take dance lessons and perform like her. I’m fortunate to have hard-working parents who help pay for expensive classes. But many parents are not able to afford the cost of putting their kids into special programs like dance lessons. So what do those kids do?

Their best option is participating in the school art programs.
Music classes, show choir, theater, ceramics, painting, strings, band—I could go on and on. These are just a few of the great programs that our schools offer. These are also the programs that often face cuts from school budgets—especially these days.

Many people don’t realize the importance of these programs. The arts allow kids to learn many important life skills that they will use throughout their lives—skills for interviewing for a job, getting into college, and maturing into a responsible adult.

As a dancer, I must arrive on time and commit to attending every class and every rehearsal. Our teachers are constantly stressing how we have to be able to adapt quickly and step in for someone if they are sick or injured. If I want to get a good part, I have to work to the best of my ability. The lessons I learn I will use for the rest of my life.

Children involved in the arts are constantly developing good work habits that build strong character. Kids involved in arts and music not only benefit now, but they broaden their horizons for the future. They explore talents that they may wish to pursue later in life.

For a long time, sports have been an all-around-favorite school activity. Most teens are involved in some type of club having to do with a sport. And no matter how much we complain about running in 80-degree weather, gym class will continue to be mandatory. We all understand the importance of physical health.

Isn’t just as important to continue to hold music classes during the school day? Apparently it was to the parents of Sherman Middle School students.

In a recent letter to school board members, the principal at Sherman, Ann Yehle, proposed a plan to move music programs to after hours. Then, at a school board meeting, parents voiced strong disagreement about moving band and orchestra classes to the end of the school day. Superintendent Art Rainwater quickly stated, “music will be offered during the regular school day.”

However, Sherman plans to proceed in testing its after-school proposal.

I think it’s very important that all kids have the opportunity to participate in an arts program. Not all students are interested in sports. Arts and music programs are extremely important because they allow kids to express themselves and participate in something they enjoy doing.

But what’s even more important is that these kinds of programs are really academic programs. Andrea Gilmore, our senior teen editor, has made this point around our newsroom often in the past few months. Her editorials have been printed in this paper and in the Wisconsin State Journal. I tend to agree with Andy. Skills learned in art or music classes are easily transferred to math or science or English class.

Creating artwork, making music, or using the imagination allows kids to exercise their minds and explore their talents. Children participating in art or music better themselves by learning positive lifelong habits important academic skills.

Elementary Strings Should Be Part of Madison's Core Curriculum

An Editorial

by Andrea Gilmore, age 18

I am lucky. I have been playing the violin since I was in the fourth grade. I was exposed to music at an early age and music has helped me gain skills that have enhanced my school career. Through music, I learned self-confidence, self-discipline, time management, cooperation, and study skills.

Unfortunately, many young people may not have the opportunity I had.

The elementary strings program costs only $500,000 in a budget of more than $350 million. School board members recently decided to keep the elementary strings program next year in some form, while cutting approximately $500,000 overall out of the music-education programs.

Elementary strings programs are essential to the development of our community’s young people and should be supported in all Madison Schools.

One reason elementary strings programs are crucial to schools is that music programs help close the minority-student-achievement gap. Music programs, when incorporated in the academic curriculum, increase academic achievement of minority and low-income students.

Eliminating programs like elementary strings only adds to the widening differences among students that is often based on family income. The opportunity to play in an orchestra or to receive music education should not be based on whether parents can afford private lessons. If school districts eliminate music programs, students from low-income families will be adversely affected.

According to University of Wisconsin music professor Richard Davis, “underprivileged children will suffer the most. It’s another way of letting those who can afford it get the opportunities. The fear is that you’re going to have a very one-sided warped community, where one world will have all of the exposure and sophistication, and the other world won’t.”

Music and fine arts should be part of the core curriculum in our schools. I attribute much of my success in school, and in life, to my experience with music. I sincerely hope every fourth grader in Madison has this important opportunity.

A young person learning how to play music, who can put a price on that? School Board, please make your cuts elsewhere.

[Sources: Ruth Robarts of the Madison School Board; The Capital Times]

Andrea Gilmore is a senior at Madison Memorial High School and the Science Editor for the Simpson Street Free Press. She will attend UW-Madison this fall.

NEA Jazz in the Schools Curriculum and Resources

http://media.jalc.org/nea/home.html

The National Endowment for the Arts and Jazz at Lincoln Center have created materials to help fill and enthrall classrooms with jazz and to build important connections between the music and the story of our nation. The program web sites includes on-line materials and contact information for people who are interested in using this curriculum.

Concerts on the Square: 16 Year Old Violinist

Joan mentioned last night's Wisconsin Chamber Orchestra's Concerts on the Square. The concert included the performance of a Dvorak piece by a 16-year old violinist from Janesville Parker, Saya Chang-O'Hara. Conductor Andrew Sewell introduced Saya as follows (paraphrased): "I don't mean to be political here, but she learned to play the violin in elementary strings".