Last week, while we were teaching in the forbiddencourses program of UATX (commonly referred to as the University of Austin), the economist Deirdre McCloskey told me a story. The year was 1969, and an official from Princeton had come to the Institute for Advanced Study to discuss the university’s decision to establish an African-American Studies program. Students in Cornell’s Afro-American Society had recently engineered an armed takeover of Willard Strait Hall. Met with skepticism about the proposal, the exasperated official finally blurted out, “But the black students have the guns!” To which economist Alexander Gerschenkron replied, “When I hear the word ‘guns,’ I reach for my culture.”
On hot-button political issues, Americans today have itchy trigger fingers. Chalk it up to poor education. Academia, which is upstream of culture and politics alike, has become a den of ideological uniformity and score-settling snitching that promotes the forceful (and sometimes violent) suppression of speech. But while most colleges and universities are effectively teaching students to reach for their guns, some teach them to reach for their culture. That means cultivating the citizenly virtues of interpretive charity, intellectual humility, and open-mindedness without which politics in the proper sense—the collective determination of matters of common concern through public debate—becomes impossible.
UATX’s forbidden courses program, which brought together undergraduates from leading colleges and universities, lived up to its name. Ayaan Hirsi Ali’s course analyzed “key foundations of critical thinking, argumentation, reasoned debate, and freedom of expression, as these pertain to some of the most controversial issues of our day.” Students studied logical argumentation and read John Stuart Mill’s On Liberty in preparation for exploring theses like “Islam is a religion of peace” and “transgender women are women” from opposing perspectives. Kathleen Stock’s course on varieties of feminism examined “what kind of metaphysical and political subject is being implicitly conjured in the background under the heading ‘woman,’ and whether it is a coherent one.” Writer Thomas Chatterton Williams introduced his class to the “pain, rage, and hope of America’s most loyal critics,” including Frederick Douglass, W. E. B. Dubois, Booker T. Washington, Richard Wright, and James Baldwin. McCloskey’s course asked whether capitalism has been a tragedy or a triumph. Historian Niall Ferguson led an examination of free and unfree societies in the twentieth century.