I want to focus on one: the books our children study at school. As a teenager in the 1960s, I read anything and everything I could lay my hands on. Inside the classroom, we studied a narrower canon: Shakespeare, the great poets and Victorian novels by Charles Dickens, Charlotte Brontë and George Eliot.
All these authors are of course worthy of study, now as then. But you might expect the English literature curriculum to look somewhat different for the students of the 2020s. It must surely reflect and embrace the sweeping cultural change we’ve lived through: access to education, social attitudes, immigration, diversity of our population and so much more.
Yet if you look at the English curriculum our young people study today, it remains stubbornly similar to the 1960s. The overwhelming majority of authors still look a lot like me (though they don’t write like me, you might be relieved to learn). While access to brilliant, imaginative authors like Malorie Blackman, Meera Syal and Bernardine Evaristo is now possible for GCSE and A-level classes, schools lack the support to actually get these texts into the hands of their students.
There’s nothing new in making the case for change. The national curriculum has failed to meet the needs of a “diverse multicultural and multi-ethnic society”, argued the landmark 1999 Macpherson report after the murder of Black teenager Stephen Lawrence. A quarter of a century later, fewer than one in 50 GCSE students studies a writer of colour. More than one in three such students identifies as Black, Asian or from an ethnic minority background.
My publisher, Penguin Random House, is among those calling for a more representative curriculum. The Lit in Colour campaign has shown that studying texts by writers of colour can increase students’ empathy, engagement in the subject and enjoyment of reading. These benefits apply to all students — not just those of colour. The classics will and should always have a vital role in the curriculum but teaching a more diverse range of texts can ensure all students feel included and visible. New literature is a portal to unfamiliar worlds and people. It makes sense to sample the lives of our fellow citizens and deepen our understanding of those around us.