Postmodern teaching fads are undermining student learning

David C. Phillips

“In most college classrooms,” wrote Alison King in a seminal 1993 article, “the professor lectures and the students listen and take notes. The professor is the central figure, the ‘sage on the stage,’ the one who has the knowledge and transmits that knowledge to the students. […] In this view of teaching and learning,” King argued, “students are passive learners rather than active ones.” And, she continued, “such a view is outdated and will not be effective for the twenty-first century.”

Instead of the transmittal theory described above, King championed a constructivist theory of learning according to which “knowledge [is] constructed—or reconstructed—by each individual knower through the process of trying to make sense of new information in terms of what that individual already knows”—a process called “active learning.” What students need, according to this view, is not a “sage on the stage” but a “guide on the side.” “Essentially,” King explained, “the professor’s role [as a ‘guide on the side’] is to facilitate students’ interaction with the material and with each other in their knowledge-producing endeavor.”

What students need, according to constructivists, is not a “sage on the stage” but a “guide on the side.”King’s article is a somewhat more modest proposal than contemporary readers familiar with the terminology might expect. But reformation efforts often trigger more revolutionary impulses in others. By 2014, Charles D. Morrison of Wilfred Laurier University was not only referring to “the now-clichéd shift from ‘sage on the stage’ to ‘guide on the side’” but was also declaring that it was only “a good start.” Four years later, Ted Dintersmith even approvingly described a school that “has no teachers, just a few adult ‘guides’ who aren’t expected to be subject-matter experts or allowed to answer questions.” Since then, there has been no shortage of academic papers, magazine and journal articles, and blog posts calling for or celebrating the death of the sage on the stage.


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