What does it mean to tell the story of this instrument? The history of the swing reveals how an object of disorientation became instrumentalised across the long arc of human culture, appearing in different territories and cultures throughout time. But this history is not just the story of an object. It’s also one of many untold histories of bodies in motion that seek to unveil forgotten, overlooked or concealed gestures – human history is not only populated with words and objects. The swing allows us to begin telling the long cultural story of moving back and forth through time and space.
Once we start looking, the swing appears in the most unexpected places. It shows up in ancient Greek swinging festivals, and cave paintings made in western India during the 5th century. It is illustrated in Chinese hand scrolls from the Song dynasty, from around the 11th and 12th centuries.It fills Hindustani and Punjabi paintings, such as Lady on a Swing in the Monsoon (1750-75), in which a woman joyously swings through the air, clothes fluttering behind her, as dark clouds grow in the distance. The swing also finds its way into the origin stories of the Persian Nowruz New Year celebrations, when people swung to mimic the way the legendary Shah Jamšīd rode his chariot through the air. It also turns up in Thailand’s Chakri dynasty in the 18th century, when a giant version was built by Rama I. And it is spread across the pages of Western literature and philosophy – Friedrich Nietzsche’s Thus Spoke Zarathustra(1883-5), James George Frazer’s The Golden Bough (1890), Sigmund Freud’s Three Essays on the Theory of Sexuality(1905), and Johan Huizinga’s Homo Ludens (1938).