Hollywood and hyper-surveillance: the incredible story of Gorgon Stare

Sharon Weinberger:

In the 1998 Hollywood thriller Enemy of the State, an innocent man (played by Will Smith) is pursued by a rogue spy agency that uses the advanced satellite “Big Daddy” to monitor his every move. The film — released 15 years before Edward Snowden blew the whistle on a global surveillance complex — has achieved a cult following.

It was, however, much more than just prescient: it was also an inspiration, even a blueprint, for one of the most powerful surveillance technologies ever created. So contends technology writer and researcher Arthur Holland Michel in his compelling book Eyes in the Sky. He notes that a researcher (unnamed) at the Lawrence Livermore National Laboratory in California who saw the movie at its debut decided to “explore — theoretically, at first — how emerging digital-imaging technology could be affixed to a satellite” to craft something like Big Daddy, despite the “nightmare scenario” it unleashes in the film. Holland Michel repeatedly notes this contradiction between military scientists’ good intentions and a technology based on a dystopian Hollywood plot.