The decline of nonfiction in the IP era

James Pogue:

In early 2018, I was spending a warm West Hollywood Sunday evening on the balcony of a young director of film development, drinking a beer and hoping for an early night[*]. I had planned to sleep on his couch, but when I suggested we turn in, he said, “Nah, just take my bed, I’m probably not sleeping tonight.” I asked why not, and he looked momentarily surprised, as though it was strange I wasn’t aware of the impending event that had a small but important segment of the film and publishing industries alive with anticipation at the two ends of the great book-to-film pipeline connecting agents, assistants, film execs, and book scouts through endless emails and group chats. “That new David Grann story drops at midnight,” he said.

I expressed mild shock at this, saying it was sadistic for an agent to send out notices to otherwise self-respecting adults calling on them to stay up to read and compose notes on a magazine story instead of trying to sleep before a workday. Surely they would still be expected, as is the custom in the newly big business of turning books and magazine pieces into films, to send the regular weekly memo about recent publications their peers and bosses might find interesting enough to read, or maybe to offer on, and to be alert and shrewd at the regular meetings about the reading that everyone did over the weekend. The expectation now is to mine, on a bulk scale, for writing that producers might want to buy. In this case, the aim was to acquire a story by a staff writer at The New Yorker who I personally don’t consider one of his generation’s great talents—though living in Los Angeles in the era of book-to-film has given me reason to wonder about the acuity of my taste in literature. My friend gave me a slightly patronizing look, implying that he didn’t need, at that moment, to hear opinions about the great David Grann from a younger writer whose work emphatically does not keep execs and agents awake late on a Sunday night waiting to pull million-dollar triggers. Rather than live as a curmudgeon, I would do better to learn from this moment and start producing books and articles that would get me up off his couch and into some serious money. He knew I knew how to do it because he’d told me how, many times.