In this context, it should not be surprising that many academics fear digital technologies: anything that tests the material/symbolic boundaries of our own existence is bound to be seen as troubling/dirty/dangerous. This brings to mind Kavafy’s poem (and J.M. Coetzee’s novel) Waiting for the Barbarians, in which an outpost of the Empire prepares for the attack of ‘the barbarians’ – that, in fact, never arrives. The trope of the university as a bulwark against and/or at danger of descending into barbarism has been explored by a number of writers, including Thorstein Veblen and, more recently, Roy Coleman. Regardless of the accuracy or historical stretchability of the trope, what I am most interested in is its use as a simultaneously diagnostic and normative narrative that frames and situates the current transformation of higher education and research.
As the last line of Kavafy’s poem suggests, barbarians represent ‘a kind of solution’: a solution for the otherwise unanswered question of the role and purpose of universities in the 21st century, which began to be asked ever more urgently with the post-war expansion of higher education, only to be shut down by the integration/normalization of the soixante-huitards in what Boltanski and Chiapello have recognised as contemporary capitalism’s almost infinite capacity to appropriate critique. Disentangling this dynamic is key to understanding contemporary clashes and conflicts over the nature of knowledge production. Rather than locating dangers to the university firmly beyond the gates, then, perhaps we could use the current crisis to think about how we perceive, negotiate, and preserve the boundaries between ‘in’ and ‘out’. Until we have a space to do that, I believe we will continue building walls only to realise we have been left on the wrong side.