Three Years of Nights Violence convulses the city after dark. Reporting on it leaves its own scars.

Peter Nickeas:

Snow reflected light from dirty yellow streetlamps, casting an industrial glow over the neighborhood. The sky was an eerie shade of lavender. A police officer wanted to know who I was, then told me I’d get a better picture of the body if I circled back through the alley to the other side of the crime scene. The cops said a man had been shot after stepping on someone’s shoe at a house party. A murder over nothing, almost too petty to be believed.

I didn’t know the body would still be there. I didn’t know the police would be OK with me being there. I didn’t know what to do when the family showed up—the dead man’s son was there. I didn’t know how to talk to them. This was only my second murder scene in the city. Being out in the night was still new, and I carried an anxiety in my stomach wherever I went.

I tried to make myself invisible, but I was the only white person outside the police tape. As family members started walking away, I stopped a few of them and handed out my card, in case they wanted to talk. (They didn’t.)