Creative writing is an academic discipline. I draw a distinction between writing, which is what writers do, and creative writing. I think most people in the UK who teach creative writing have come to it via writing – they are bona fide writers who publish poems and novels and play scripts and the like, and they have found some way of supporting that vocation through having a career in academia. So in teaching aspirant writers how to write they are drawing upon their own experience of working in that medium. They are drawing upon their knowledge of what the problems are and how those problems might be tackled. It’s a practice-based form of learning and teaching.
But because it is in academia there is all this paraphernalia that has to go with it. So you get credits for attending classes. You have to do supporting modules; you have to be assessed. If you are doing an undergraduate degree you have to follow a particular curriculum and only about a quarter of that will be creative writing and the rest will be in the canon of English literature. If you are doing a PhD you have to support whatever the creative element is with a critical element. So there are these ways in which academia disciplines writing and I think of that as Creative Writing with a capital C and a capital W. All of us who teach creative writing are doing it, in a sense, to support our writing, but it is also often at the expense of our writing. We give up quite a lot of time and mental energy and also, I think, imaginative and creative energy to teach.