The End of Genius

Joshua Wolf Shenk:

WHERE does creativity come from? For centuries, we’ve had a clear answer: the lone genius. The idea of the solitary creator is such a common feature of our cultural landscape (as with Newton and the falling apple) that we easily forget it’s an idea in the first place.

But the lone genius is a myth that has outlived its usefulness. Fortunately, a more truthful model is emerging: the creative network, as with the crowd-sourced Wikipedia or the writer’s room at “The Daily Show” or — the real heart of creativity — the intimate exchange of the creative pair, such as John Lennon and Paul McCartney and myriad other examples with which we’ve yet to fully reckon.

Historically speaking, locating genius within individuals is a recent enterprise. Before the 16th century, one did not speak of people being geniuses but having geniuses. “Genius,” explains the Harvard scholar Marjorie Garber, meant “a tutelary god or spirit given to every person at birth.” Any value that emerged from within a person depended on a potent, unseen force coming from beyond that person.