Tacked to my wall is a lithograph of the famous Gilbert Stuart portrait of George Washington. For many years, it graced my mother’s one-room schoolhouse in Lime Rock, N.Y. Antiquarian relic or enduringly relevant image? The same question may be asked of the “little red schoolhouse” itself, whose reality and legend are the subject of “Small Wonder.” Jonathan Zimmerman, a professor at New York University, sets out to tell “how — and why — the little red schoolhouse became an American icon.” Mr. Zimmerman proves a thoughtful and entertaining teacher.
First, the chromatic debunking: One-room schools were often white and seldom red. The teachers were usually young unmarried females, pace the most famous one-room schoolteacher in literature, Ichabod Crane. They swept the floor, stoked the stove, rang the hand-bell and taught their mixed-age students by rote and recitation. The schools could be a “cauldron of chaos,” in Mr. Zimmerman’s alliteration, as tyro teachers were tormented by Tom Sawyers dipping pigtails in inkwells and carving doggerel into desks.