How the Woke Stole Childhood The campaign against Theodor Geisel takes cancel culture to new lows.

Steven Malanga:

Theodor Geisel’s Dr. Seuss books are so popular, and printed and reprinted in so many editions, that you can find used copies of classics like The Cat in the Hat on eBay.com for under $5—shipping included. You can typically even snap up a first edition of something like Hooray for Diffendoofer Day! for just $4.99, plus $3.45 shipping. Yet on Tuesday, sellers suddenly inundated eBay.com with new, pricey Seuss listings. A 1964 edition of And to Think That I Saw It on Mulberry Street went onto the site at an astonishing $400!

Though that sounded expensive, within an hour some 140 would-be sellers had examined the listing. A newer, less prestigious Grolier Book Club edition of the same book was offered for a more modest $80. By 11:30 Tuesday morning, someone had already snapped it up. The buyer must have considered himself fortunate, because by noon a similar edition of the book had already received 17 offers, in the process getting bid up to $127, with four days left to go in the auction. Potentially the biggest jackpot of the day, however, would go to the person listing an edition of 13 stories of Dr. Seuss, all packaged together. Several hours and 20 bids later, the price had hit $162, with six days of bidding left.

Book collectors are an enterprising lot. The sudden online Seuss surge was the result of news that Geisel’s descendants, who have controlled the rights to his books since his death in 1991, had decided to stop publishing six of his titles (Mulberry Street, If I Ran the Zoo, McElligot’s Pool, On Beyond Zebra!, Scrambled Eggs Super!, and The Cat’s Quizzer) because critics allege that they contain racist or insensitive imagery. An academic journal, Research on Diversity in Youth Literature, has even accused Geisel of white supremacy for a “preponderant influence or authority demonstrated by White characters over others” in his books and for Orientalism, defined as distorting “differences between Middle Eastern, Southeast Asians, South Asians, and East Asians” and portraying these “cultures as exotic, backward, uncivilized.”