The Vice Chancellor of Calicut University promptly ordered a probe by a senior dean who, after visiting the internet ( as is the academic practice these days) discovered to his horror that al-Rubaish did have terrorist affiliations. He recommended its removal saying that ‘students would not lose much if they do not read this poem’. One of textbook’s editors explained that, at the time of selection of the poem, there was not much material available online about the poet. He said that they would not have selected this poem if the poet’s background was known to them.
It is an irony of our times that the editors are being shamed for an intellectual act, which was in fact , a creative way to expose the young undergraduates to the emotional impact of the international ‘war on terror’ across continents . Who would dispute that war on terror is a contemporary issue? How does literature react to it? Why and how do the detainees of Guantanamo Bay, the international jail set up by the USA to isolate its prey from life itself, choose poetry as a site to convey their pain and trauma? Most of them were non-poets. Can something they inscribed on the coffee cups or floors of the prison cell, in their desperation to speak, be accorded the exalted status of poetry?