Shanghai — NO one paying attention to recent musical trends in Asia can have failed to notice it: The Chinese are crazy about piano playing. Among city dwellers, there’s been nothing like this enthusiasm since the ’80s, when an embrace of the Japanese-originated Suzuki teaching method created a national army of child violinists. According to some estimates, as many as 15 million hopefuls in China — most of them young — are toiling to gain proficiency in this highly competitive skill, and the number is growing. Those unable to make it through the tough entrance exams of the country’s nine overflowing conservatories opt for one of hundreds of private piano schools sprouting all over.
The sheer availability of pianos — one company alone, Pearl River, claims to turn out 280 every day — seems also to have focused many middle-class parents’ aspirations, especially in a country that still enforces a single-child policy. For these people, the incentive to see their kids seated at a keyboard is less about artistry or copying the West than about producing offspring of demonstrable excellence.